{"id":36794,"date":"2018-05-18T11:00:24","date_gmt":"2018-05-18T09:00:24","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=36794"},"modified":"2022-09-04T13:31:17","modified_gmt":"2022-09-04T11:31:17","slug":"hdo-414-2018-05-18-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-414-2018-05-18-podcast\/","title":{"rendered":"HDO 414 (2018-05-18) [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36796 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Flamingo_Loud-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Flamingo_Loud-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Flamingo_Loud-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Flamingo_Loud-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Flamingo_Loud-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Flamingo_Loud.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36797 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Stephanie-Richards_FullMoon-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Stephanie-Richards_FullMoon-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Stephanie-Richards_FullMoon-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Stephanie-Richards_FullMoon-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Stephanie-Richards_FullMoon-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Stephanie-Richards_FullMoon.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36798 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>El sello\u00a0<strong><a href=\"http:\/\/www.relativepitchrecords.com\/\" target=\"_blank\" rel=\"noopener\">Relative Pitch Records<\/a><\/strong> es un sello fundado en Nueva York en 2011 por Mike Panico y Kevin Reilly, especializado en Jazz Avant-Garde, Free Jazz e Improvisaci\u00f3n libre. Las tres \u00faltimas referencias publicadas por este sello se mueven por los terrenos m\u00e1s libres de la m\u00fasica improvisada:\u00a0<em>Geometry Of Caves\u00a0<\/em>(<strong>Joe Morris, Taylor Ho Bynum, Tomeka Reid, Kyoko Kitamura<\/strong>),<i> Fullmoon\u00a0<\/i>(<strong>Stephanie Richards<\/strong>),\u00a0<em>Loud\u00a0<\/em>(<strong>Flamingo<\/strong> &#8211;<strong>Chris Heenan, Adam Pultz Melbye, Christian Windfeld, Roy Carroll<\/strong>). En\u00a0<strong>HDO 414<\/strong> suenan distintos temas o extractos de la m\u00fasica de estas tres referencias m\u00e1s que recomendables para los aficionados a la improvisaci\u00f3n libre.<\/p>\n<p style=\"text-align: right;\"><i><\/i>Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_26037596' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_26037596_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo @ tomajazz . com.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El sello\u00a0Relative Pitch Records es un sello fundado en Nueva York en 2011 por Mike Panico y Kevin Reilly, especializado en Jazz Avant-Garde, Free Jazz e Improvisaci\u00f3n libre. Las tres \u00faltimas referencias publicadas por este sello se mueven por los terrenos m\u00e1s libres de la m\u00fasica improvisada:\u00a0Geometry Of Caves\u00a0(Joe Morris,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-414-2018-05-18-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36798,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,20041,12814,15518,1038],"tags":[14609,18609,21437,13299,5486,21441,21436,21440,31,6079,21438,21439,7649,13951],"class_list":["entry","author-pachi","post-36794","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-podcast","category-sonidos","category-contenidos","tag-adam-pultz-melbye","tag-chris-heenan","tag-christian-windfeld","tag-hdo","tag-joe-morris","tag-kevin-reilly","tag-kyoko-kitamura","tag-mike-panico","tag-pachi-tapiz","tag-relative-pitch-records","tag-roy-carroll","tag-stephanie-richards","tag-taylor-ho-bynum","tag-tomeka-reid"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26376,"url":"https:\/\/tomajazz.com\/web\/hdo-163-en-concierto-con-ingrid-laubrock-y-tom-rainey-mas-ab-baars-e-ig-henneman-podcast\/","url_meta":{"origin":36794,"position":0},"title":"HDO 163. En concierto con Ingrid Laubrock y Tom Rainey&#8230; m\u00e1s Ab Baars e Ig Henneman [Podcast]","author":"Tomajazz","date":"15 septiembre, 2016","format":false,"excerpt":"La saxofonista\u00a0Ingrid Laubrock (figura a reivindicar entre lo m\u00e1s interesante aparecido en la escena de la improvisaci\u00f3n en los \u00faltimos a\u00f1os -y van unos cuantos), acaba de publicar dos grabaciones en directo en el interesante sello\u00a0Relative Pitch Records, en el que han publicado grabaciones artistas como Joe Morris, Michael Bisio,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Perch-Hen-Brock-Rain_Live-At-The-Jazz-Happening-Tampere_Relative-Pitch-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5818,"url":"https:\/\/tomajazz.com\/web\/joe-morris-agusti-fernandez-nate-wooley-from-the-discrete-to-the-particular-relative-pitch-records-2012\/","url_meta":{"origin":36794,"position":1},"title":"Joe Morris, Agust\u00ed Fern\u00e1ndez, Nate Wooley: From The Discrete To The Particular (Relative Pitch Records, 2012)","author":"Tomajazz","date":"11 abril, 2013","format":false,"excerpt":"From The Discrete To The Particular, grabado en julio de 2011 por Agust\u00ed Fern\u00e1ndez, es un encuentro de tres primeras figuras de la improvisaci\u00f3n actual. El pianista mallorqu\u00edn, Nate Wooley (trompeta) y Joe Morris (guitarra) grabaron en Firehouse 12, el local de Connecticut que de antigua estaci\u00f3n de bomberos ha\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"morris fernandez wooley from the discrete to the particular","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/morris-fernandez-wooley-from-the-discrete-to-the-particular.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":48055,"url":"https:\/\/tomajazz.com\/web\/jazzx5157-ramon-lopez-mark-feldman-trappist-1b-trappist-1-minipodcast\/","url_meta":{"origin":36794,"position":2},"title":"JazzX5#158. Ram\u00f3n L\u00f3pez &#8211; Mark Feldman: Trappist-1b (Trappist-1) [Minipodcast]","author":"Tomajazz","date":"30 diciembre, 2019","format":false,"excerpt":"El tema Trappist-1b, que abre la nueva grabaci\u00f3n de Ram\u00f3n L\u00f3pez con Mark Feldman, de t\u00edtulo Trappist-1 (Relative Pitch Records), es el tema que suena en la entrega 158 de JazzX5, el podcast de Pachi Tapiz.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32304,"url":"https:\/\/tomajazz.com\/web\/hdo-312-vijay-iyer-nate-wooley-tim-berne-de-voces-personales-y-de-lo-mejor-de-2017-podcast\/","url_meta":{"origin":36794,"position":3},"title":"HDO 312. Vijay Iyer, Nate Wooley, Tim Berne: de voces personales (y de lo mejor de 2017) [Podcast]","author":"Tomajazz","date":"20 septiembre, 2017","format":false,"excerpt":"Tres voces personales en la entrega 312 con tres grabaciones reci\u00e9n estrenadas, y todas ellas m\u00e1s que recomendables, puesto que es muy elevado el grado de verosimilitud de que las tres est\u00e9n entre lo mejor del a\u00f1o 2017 en esas listas que comenzar\u00e1n a aparecer unos meses antes del final\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Tim-Bernes-Snakeoil_Incidentals_ECM_2017-e1505843271619.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Tim-Bernes-Snakeoil_Incidentals_ECM_2017-e1505843271619.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Tim-Bernes-Snakeoil_Incidentals_ECM_2017-e1505843271619.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":43631,"url":"https:\/\/tomajazz.com\/web\/hdo-509-agusti-fernandez-y-sirulita-records-podcast\/","url_meta":{"origin":36794,"position":4},"title":"HDO 509. Agust\u00ed Fern\u00e1ndez y Sirulita Records [Podcast]","author":"Tomajazz","date":"31 mayo, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 509 suenan seis grabaciones publicadas por medio de Sirulita, el sello del pianista e improvisador\u00a0Agust\u00ed Fern\u00e1ndez. Con una carrera que le ha situado entre los m\u00fasicos m\u00e1s importantes en la escena internacional de la improvisaci\u00f3n libre, el pianista Agust\u00ed Fern\u00e1ndez ha puesto en marcha el sello\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0509_Sirulita-Records.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0509_Sirulita-Records.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0509_Sirulita-Records.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0509_Sirulita-Records.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23742,"url":"https:\/\/tomajazz.com\/web\/hdo-ivo-perelman-en-leo-records-101-podcast\/","url_meta":{"origin":36794,"position":5},"title":"HDO 101. Ivo Perelman en Leo Records [Podcast]","author":"Tomajazz","date":"22 abril, 2016","format":false,"excerpt":"El saxofonista (y tambi\u00e9n pintor) Ivo Perelman contin\u00faa con su incansable actividad discogr\u00e1fica en Leo Records. En abril de 2016 publica cinco nuevas grabaciones que hacen que sean ya m\u00e1s de 25 referencias las publicadas en el sello dirigido por Leo Feigin en los \u00faltimos cinco a\u00f1os. En formato de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=36794"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36794\/revisions"}],"predecessor-version":[{"id":36803,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36794\/revisions\/36803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/36798"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=36794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=36794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=36794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}