{"id":36888,"date":"2018-05-26T12:00:44","date_gmt":"2018-05-26T10:00:44","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=36888"},"modified":"2022-09-04T13:26:33","modified_gmt":"2022-09-04T11:26:33","slug":"razones-para-el-jazz-steve-reich-428","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-steve-reich-428\/","title":{"rendered":"Razones para el jazz: Steve Reich [428]"},"content":{"rendered":"

\"\"<\/p>\n

Steve Reich<\/strong>: Un no jazzista que ha influenciado a bastantes m\u00fasicos de jazz contempor\u00e1neo.<\/p>\n

Seleccionado, comentado y fotografiado por \u00a9 Joan Cort\u00e8s<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Steve Reich: Un no jazzista que ha influenciado a bastantes m\u00fasicos de jazz contempor\u00e1neo. Seleccionado, comentado y fotografiado por \u00a9 Joan Cort\u00e8sContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17853,20689,15517,1038],"tags":[1041,9679],"class_list":["entry","author-pachi","post-36888","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-razones-para-el-jazz","category-textos","category-contenidos","tag-joan-cortes","tag-steve-reich"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Joan-Cortes_16_Stv-Rch-.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12861,"url":"https:\/\/tomajazz.com\/web\/steve-reich-las-razones-para-ser-compositor\/","url_meta":{"origin":36888,"position":0},"title":"Steve Reich: las razones para ser compositor","author":"Tomajazz","date":"27 junio, 2014","format":false,"excerpt":"Me hice compositor porque me encantaban Stravinsky, Bach, el altomedieval P\u00e9rotin, el m\u00fasico de jazz John Coltrane, Mile Davis, el bebop... Y no ten\u00edan nada que ver con la m\u00fasica serial y dodecaf\u00f3nica que me ense\u00f1aron en la Universidad, as\u00ed que empec\u00e9 a seguir la m\u00fasica que amaba. Steve Reich.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Music_for_18_Musicians.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Music_for_18_Musicians.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Music_for_18_Musicians.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Music_for_18_Musicians.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2919,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-different-trains-kronos-quartet-compuesto-por-steve-reich-1988-0016-22-04-2010\/","url_meta":{"origin":36888,"position":1},"title":"Who The Fuck?: "Different Trains" (Kronos Quartet. Compuesto por Steve Reich. 1988) [0016, 22-04-2010]","author":"Tomajazz","date":"22 marzo, 2010","format":false,"excerpt":"\"Different Trains: 1.-America - Before the war. 2.- Europe - During the war. 3.- After the war\"Kronos Quartet. 1988Different Trains. Tehillim. Eight Lines \u00a0(CD 2)Phases. A Nonesuch Retrospective (5CD)Steve ReichNonesuch, 2006","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2491,"url":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-eoghan-neff\/","url_meta":{"origin":36888,"position":2},"title":"Le\u00eddo, visto o escuchado: Eoghan Neff","author":"Tomajazz","date":"9 noviembre, 2011","format":false,"excerpt":"Sr. Berro: \"\u00bfQu\u00e9 grupos actuales consider\u00e1is m\u00e1s interesantes?\" Eoghan Neff: \"Tommy Peoples, Cecil Taylor, Steve Reich, Sigur R\u00f3s\". Assembly Point \"Un encuentro con el folk\".\u00a0Entrevista con Assembly Point (Eoghan Neff, Fernando Barroso y Luis Peixoto) Ritmos del Mundo. N\u00famero 25. Noviembre - diciembre 2011","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-qR631ttoeAY\/Trm06wwiblI\/AAAAAAAADoE\/pYxvi7oYQKY\/s200\/assembly%2Bpoint.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14542,"url":"https:\/\/tomajazz.com\/web\/dan-weiss-fourteen-pi-recordings-2014\/","url_meta":{"origin":36888,"position":3},"title":"Dan Weiss: Fourteen (Pi Recordings, 2014)","author":"Jes\u00fas Gonzalo","date":"24 octubre, 2014","format":false,"excerpt":"Los formatos orquestales en el jazz de hoy plantean m\u00faltiples combinaciones instrumentales que nutren de nuevas sonoridades y color al conjunto. 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ECM, acr\u00f3nimo de \u201cEdition\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Joan-Cort%C3%A8s_08_365-razones_1-libro_La-m%C3%BAsica-de-ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Joan-Cort%C3%A8s_08_365-razones_1-libro_La-m%C3%BAsica-de-ECM.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Joan-Cort%C3%A8s_08_365-razones_1-libro_La-m%C3%BAsica-de-ECM.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=36888"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36888\/revisions"}],"predecessor-version":[{"id":36890,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36888\/revisions\/36890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/36889"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=36888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=36888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=36888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}