{"id":37066,"date":"2018-06-01T12:00:14","date_gmt":"2018-06-01T10:00:14","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37066"},"modified":"2022-09-04T13:17:11","modified_gmt":"2022-09-04T11:17:11","slug":"razones-para-el-jazz-una-version-de-the-man-with-the-golden-arm-barry-adamson-430","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-version-de-the-man-with-the-golden-arm-barry-adamson-430\/","title":{"rendered":"Razones para el jazz: una versi\u00f3n de \u00abThe Man with the Golden Arm\u00bb (Barry Adamson) [430]"},"content":{"rendered":"

\"\"Una versi\u00f3n de Barry Adamson<\/strong> (Magazine, Nick Cave and the Bad Seeds) de \u00abThe Man with the Golden Arm\u00bb, con un v\u00eddeo bastante inquietante y sugerente… https:\/\/youtu.be\/xQNN_YFduKo<\/a><\/p>\n

Seleccionado por Crist\u00f3bal Cuenca<\/strong><\/p>\n

Barry Adamson<\/strong>:\u00a0Moss Side Story\u00a0<\/em>(Mute Records, 1989)<\/p>\n","protected":false},"excerpt":{"rendered":"

Una versi\u00f3n de Barry Adamson (Magazine, Nick Cave and the Bad Seeds) de \u00abThe Man with the Golden Arm\u00bb, con un v\u00eddeo bastante inquietante y sugerente… https:\/\/youtu.be\/xQNN_YFduKo Seleccionado por Crist\u00f3bal Cuenca Barry Adamson:\u00a0Moss Side Story\u00a0(Mute Records, 1989)Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37067,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20137,20689,15517,1038],"tags":[21500,7211,21501],"class_list":["entry","author-pachi","post-37066","post","type-post","status-publish","format-standard","has-post-thumbnail","category-_cristobal-cuenca","category-razones-para-el-jazz","category-textos","category-contenidos","tag-barry-adamson","tag-cristobal-cuenca","tag-mute-records"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Barry-Adamson_Moss-Side-Story.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":59395,"url":"https:\/\/tomajazz.com\/web\/jazzx5358-homenaje-a-barry-harris-pannonica-the-bird-of-red-and-gold-xanadu-records-1982-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":37066,"position":0},"title":"JazzX5#358. Homenaje a Barry Harris: \u00abPannonica\u00bb [The Bird of Red and Gold (Xanadu Records, 1982)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"9 diciembre, 2021","format":false,"excerpt":"Desde Tomajazz realizamos un peque\u00f1o homenaje sonoro a Barry Harris, fallecido el 8 de diciembre de 2021, escuchando su interpretaci\u00f3n en solitario del tema que Thelonious Monk dedic\u00f3 a la baronesa Nica de Koenigswater.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#358. Homenaje a Barry Harris: \"Pannonica\" [The Bird of Red and Gold (Xanadu Records, 1982)] [Minipodcast de jazz] Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_358.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_358.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_358.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_358.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2367,"url":"https:\/\/tomajazz.com\/web\/the-thing-with-barry-guy-metal-nobusiness-records-2012\/","url_meta":{"origin":37066,"position":1},"title":"The Thing with Barry Guy: Metal! (NoBusiness Records, 2012)","author":"Tomajazz","date":"2 abril, 2012","format":false,"excerpt":"Metal!: el encuentro de The Thing con Barry Guy no defrauda. La m\u00e1quina n\u00f3rdica hace un hueco al contrabajista brit\u00e1nico que se adapta perfectamente a la din\u00e1mica del tr\u00edo. Su participaci\u00f3n permite explotar nuevos espacios. Los cuatro m\u00fasicos se encuentran sumamente c\u00f3modos, pero especialmente Ingebrigt Haker Flaten, que tiene en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"thing_guy_metal","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/thing_guy_metal-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26973,"url":"https:\/\/tomajazz.com\/web\/hdo-180-composicion-conduccion-improvisacion-con-barry-guy-blue-shroud-band-rovaorkestrova-wadada-leo-smith-podcast\/","url_meta":{"origin":37066,"position":2},"title":"HDO 180: composici\u00f3n, conducci\u00f3n: improvisaci\u00f3n, con Barry Guy Blue Shroud Band, Rova::Orkestrova, Wadada Leo Smith [Podcast]","author":"Tomajazz","date":"19 octubre, 2016","format":false,"excerpt":"Tres grabaciones (que sin duda estar\u00e1n entre lo mejor de este a\u00f1o 2016 en las votaciones que aparecen en los diferentes medios), en la entrega 180 de HDO. The Blue Shroud (Intakt, 2016) de Barry Guy Blue Shroud Band; No Favorites! (New World Records, 2016) de Rova \u2013 Orkestrova; America\u2019s\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy_The-Blue-Shroud_Intakt_2016.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy_The-Blue-Shroud_Intakt_2016.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy_The-Blue-Shroud_Intakt_2016.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy_The-Blue-Shroud_Intakt_2016.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5378,"url":"https:\/\/tomajazz.com\/web\/barry-altschul-the-3dom-factor-tum-records-2013\/","url_meta":{"origin":37066,"position":3},"title":"Barry Altschul: The 3Dom Factor (TUM Records, 2013)","author":"Tomajazz","date":"13 marzo, 2013","format":false,"excerpt":"El 6 de enero de 2013 Barry Altschul cumpli\u00f3 70 a\u00f1os. 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Noviembre 2007)","author":"Tomajazz","date":"13 noviembre, 2007","format":false,"excerpt":"De homenajes\u2026 Turtle Island Quartet se enfrentan en A Love Supreme \u2013 The Legacy Of John Coltrane (Telarc CD80684) al legado de John Coltrane. En apenas una hora interpretan unos cuantos temas cl\u00e1sicos o relacionados con el saxofonista. As\u00ed recrean al completo los cuatro movimientos de la suite \u201cA Love\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":24684,"url":"https:\/\/tomajazz.com\/web\/hdo-119-barry-guy-and-the-blue-shroud-band-his-voice-and-his-music-podcast-english\/","url_meta":{"origin":37066,"position":5},"title":"HDO 119. Barry Guy and The Blue Shroud Band: his voice and his music. [Podcast] [English]","author":"Tomajazz","date":"26 mayo, 2016","format":false,"excerpt":"Barry Guy talks with Pachi Tapiz about his new recording The Blue Shroud (Intakt) by The Blue Shroud Band. And after his voice, the music of this recording in a special HDO Edit. Barry Guy charla con Pachi Tapiz (en ingl\u00e9s) acerca de su nueva grabaci\u00f3n The Blue Shroud. Y\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/IMG_5518_BARRYGUYJAZZALUZ2012_conmarco.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/IMG_5518_BARRYGUYJAZZALUZ2012_conmarco.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/IMG_5518_BARRYGUYJAZZALUZ2012_conmarco.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37066"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37066\/revisions"}],"predecessor-version":[{"id":37068,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37066\/revisions\/37068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/37067"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}