{"id":37069,"date":"2018-06-02T12:00:04","date_gmt":"2018-06-02T10:00:04","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37069"},"modified":"2022-09-04T13:17:07","modified_gmt":"2022-09-04T11:17:07","slug":"razones-para-el-jazz-un-solo-paul-gonsalves-en-diminuendo-and-crescendo-in-blue-ellington-at-newport-431","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-solo-paul-gonsalves-en-diminuendo-and-crescendo-in-blue-ellington-at-newport-431\/","title":{"rendered":"Razones para el jazz: un solo. Paul Gonsalves en \u00abDiminuendo and Crescendo in Blue\u00bb (Ellington At Newport) [431]"},"content":{"rendered":"

\"\"Un solo. Paul Gonsalves\u00a0<\/strong>en \u00abDiminuendo and Crescendo in Blue\u00bb (Duke Ellington And His Orchestra<\/strong>:\u00a0At Newport\u00a0<\/em>-Columbia, 1957)<\/p>\n

Seleccionado por\u00a0Pachi Tapiz<\/strong><\/p>\n

Con\u00a0Duke Ellington, Harry Carney, Jimmy Hamilton, Johnny Hodges, Russell Procope, Britt Woodman, John Sanders, Quentin Jackson, Cat Anderson, Clark Terry, Ray Nance, Willie Cook, Jimmy Woode, Sam Woodyard<\/p>\n","protected":false},"excerpt":{"rendered":"

Un solo. Paul Gonsalves\u00a0en \u00abDiminuendo and Crescendo in Blue\u00bb (Duke Ellington And His Orchestra:\u00a0At Newport\u00a0-Columbia, 1957) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Duke Ellington, Harry Carney, Jimmy Hamilton, Johnny Hodges, Russell Procope, Britt Woodman, John Sanders, Quentin Jackson, Cat Anderson, Clark Terry, Ray Nance, Willie Cook, Jimmy Woode, Sam WoodyardContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29149,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,20689,15517,1038],"tags":[10483,9578,6845,1587,6637,8631,9440,8070,10453,9588,31,10484,9583,9587,8071,10438],"class_list":["entry","author-pachi","post-37069","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-britt-woodman","tag-cat-anderson","tag-clark-terry","tag-columbia","tag-duke-ellington","tag-harry-carney","tag-jimmy-hamilton","tag-jimmy-woode","tag-john-sanders","tag-johnny-hodges","tag-pachi-tapiz","tag-quentin-jackson","tag-ray-nance","tag-russell-procope","tag-sam-woodyard","tag-willie-cook"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Duke-Ellington-And-His-Orchestra_Ellington-At-Newport_Columbia_1957.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":59907,"url":"https:\/\/tomajazz.com\/web\/jazzx5382-duke-ellington-diminuendo-and-crescendo-in-blue-ellington-at-newport-columbia-1956-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":37069,"position":0},"title":"JazzX5#382. Duke Ellington: \u00abDiminuendo and Crescendo in Blue\u00bb [Ellington At Newport (Columbia, 1956)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"2 enero, 2022","format":false,"excerpt":"En JazzX5 la hist\u00f3rica versi\u00f3n de \"Diminuendo and Crescendo in Blue\" con el insuperable solo de Paul Gonsalves que se publicaba en Duke Ellington At Newport (Columbia, 1956). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#381. Duke Ellington: \"Diminuendo and Crescendo in Blue\" [Ellington At Newport (Columbia, 1956)] [Minipodcast de jazz] Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_382.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_382.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_382.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_382.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29148,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-duke-ellington-ellington-at-newport-48\/","url_meta":{"origin":37069,"position":1},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Duke Ellington: Ellington At Newport [60]","author":"Tomajazz","date":"1 marzo, 2017","format":false,"excerpt":"Una grabaci\u00f3n. Duke Ellington And His Orchestra: At Newport (Columbia, 1957) Seleccionado por\u00a0Juan Antonio Serrano Cervantes. Con\u00a0Duke Ellington, Harry Carney, Jimmy Hamilton, Johnny Hodges, Russell Procope, Britt Woodman, John Sanders, Quentin Jackson, Cat Anderson, Clark Terry, Ray Nance, Willie Cook, Jimmy Woode, Sam Woodyard","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Duke-Ellington-And-His-Orchestra_Ellington-At-Newport_Columbia_1957-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30863,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-prelude-to-a-kiss-duke-ellington-159\/","url_meta":{"origin":37069,"position":2},"title":"365 razones para amar el jazz: un tema. Prelude to a Kiss (Duke Ellington) [159]","author":"Tomajazz","date":"8 junio, 2017","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Un tema. \"Prelude to a Kiss\" (Duke Ellington, 1939) Seleccionado por\u00a0Luis Escalante Ozalla \u00a0 Duke Ellington Orchestra. Duke Ellington, Jimmy Woode, Sam Woodyard, Cat Anderson, Shorty Baker, Willie Cook, Clark Terry, Ray Nance, Quentin Jackson, Britt Woodman, John Sanders, Johnny Hodges, Rick Henderson, Jimmy\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Duke_Ellington_Indigos_CD-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14079,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dvd-live-in-58-duke-ellington-2007\/","url_meta":{"origin":37069,"position":3},"title":"Tomajazz recomienda… un DVD: Live In ’58 (Duke Ellington, 2007)","author":"Adolphus van Tenzing","date":"22 septiembre, 2014","format":false,"excerpt":"Live In '58 muestra a la orquesta de Duke Ellington (un total de 16 m\u00fasicos) en un punto \u00f3ptimo de forma, en un concierto grabado en el Concertgebow de Amsterdam (Holanda), el 2 de noviembre de 1958 para la televisi\u00f3n. A lo largo de 80 minutos aparecen gran parte de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Duke-Ellington_Live-In-58_Jazz-Icons_2007.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":61101,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-y-la-historia-de-un-tema-autumn-leaves-ellington-indigos-columbia-1958-por-lorenzo-juan-llabres-y-pachi-tapiz-jazzx5419-420-minipodcast-de-jazz\/","url_meta":{"origin":37069,"position":4},"title":"Duke Ellington y la historia de un tema… \u00abAutumn Leaves\u00bb [Ellington Indigos (Columbia, 1958)] Por Lorenzo Juan Llabr\u00e9s y Pachi Tapiz. JazzX5#419\/420 [Minipodcast de jazz]","author":"Tomajazz","date":"13 febrero, 2022","format":false,"excerpt":"En JazzX5 Lorenzo Juan Llabr\u00e9s retorna a Tomajazz para contarnos la historia del tema \"Autumn Leaves\" que aparec\u00eda en el disco de Duke Ellington titulado Ellington Indigos (Columbia, 1958). Aprovechando su relato y la publicaci\u00f3n en 2018 de The Complete Ellington Indigos (PWR), escuchamos las dos versiones del cl\u00e1sico. JazzX5\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"La historia de un tema... Duke Ellington: \"Autumn Leaves\" [Ellington Indigos (Columbia, 1958)] Por Lorenzo Juan Llabr\u00e9s y Pachi Tapiz. JazzX5#419\/420 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_419-420.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_419-420.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_419-420.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_419-420.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":56256,"url":"https:\/\/tomajazz.com\/web\/jazzx5234-duke-ellington-solitude-masterpieces-by-ellington-columbia-1951-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":37069,"position":5},"title":"JazzX5#234. Duke Ellington: \u00abSolitude\u00bb [Masterpieces by Ellington (Columbia, 1951)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"8 agosto, 2021","format":false,"excerpt":"En 1951 Duke Ellington recuperaba algunos de sus cl\u00e1sicos aprovechando las posibilidades del LP. En JazzX5 suena \"Solitude\", publicado en Masterpieces by Ellington.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37069"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37069\/revisions"}],"predecessor-version":[{"id":37070,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37069\/revisions\/37070"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29149"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}