{"id":37071,"date":"2018-06-03T12:00:56","date_gmt":"2018-06-03T10:00:56","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37071"},"modified":"2022-09-04T13:18:38","modified_gmt":"2022-09-04T11:18:38","slug":"razones-para-el-jazz-una-novedad-the-final-tour-miles-davis-john-coltrane-431","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-novedad-the-final-tour-miles-davis-john-coltrane-431\/","title":{"rendered":"Razones para el jazz: una novedad. The Final Tour (Miles Davis &#8211; John Coltrane) [432]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-36486 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6-200x179.jpg\" alt=\"Razones para el jazz: una novedad. The Final Tour (Miles Davis - John Coltrane) [432]\" width=\"200\" height=\"179\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6-200x179.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6-768x685.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6-600x536.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6-62x55.jpg 62w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una <strong>novedad<\/strong>:\u00a0<strong>Miles Davis &#8211; John Coltrane<\/strong>:<em>The Final Tour: The Bootleg Series, Vol. 6<\/em> se public\u00f3 el 23 de marzo de 2018 y tiene toda la pinta de convertirse en lo mejor del a\u00f1o.\u00a0 Esta caja de cuatro CD re\u00fane por primera vez en una edici\u00f3n autorizada cinco m\u00edticas actuaciones de Miles Davis seg\u00fan las escuch\u00f3 el p\u00fablico que tuvo la suerte de estar presente durante la Gira Jazz At The Philarmonic por Europa en la primavera de 1960 (la \u00faltima de Coltrane con el grupo).\u00a0 En ella encontramos: dos conciertos en el Teatro L\u2019Olympia de Paris el 21 de marzo; dos conciertos de la noche siguiente en el Konserthuset de Estocolmo; y uno del Tivolis Koncersal de Copenhague realizado tres d\u00edas despu\u00e9s, el 24 de marzo.<\/p>\n<p>Seleccionado y comentado por\u00a0\u00a9\u00a0<strong>Juanma Castro Medina<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una novedad:\u00a0Miles Davis &#8211; John Coltrane:The Final Tour: The Bootleg Series, Vol. 6 se public\u00f3 el 23 de marzo de 2018 y tiene toda la pinta de convertirse en lo mejor del a\u00f1o.\u00a0 Esta caja de cuatro CD re\u00fane por primera vez en una edici\u00f3n autorizada cinco m\u00edticas actuaciones de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-novedad-the-final-tour-miles-davis-john-coltrane-431\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36486,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,20689,15517,1038],"tags":[1870,7636,2004],"class_list":["entry","author-pachi","post-37071","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-razones-para-el-jazz","category-textos","category-contenidos","tag-john-coltrane","tag-juanma-castro-medina","tag-miles-davis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20539,"url":"https:\/\/tomajazz.com\/web\/la-ultima-gira-de-miles-y-trane-hdo-0026-audioblog\/","url_meta":{"origin":37071,"position":0},"title":"La \u00faltima gira de Miles y Trane. HDO (0026) [Audioblog]","author":"Tomajazz","date":"29 octubre, 2015","format":false,"excerpt":"\u00a0 En HDO escuchamos tres temas grabados en la \u00faltima gira que realizaron Miles Davis y John Coltrane. El a\u00f1o fue 1960, los meses marzo y abril, y la gira por Europa consisti\u00f3 en veinte conciertos. Acrobat Music publicaba en 2014 el cu\u00e1druple CD titulado All Of You: The Last\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Miles-Davis-Quintet-featuring-John-Coltrane_All-of-you-the-last-tour-1960-e1446067685920.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Miles-Davis-Quintet-featuring-John-Coltrane_All-of-you-the-last-tour-1960-e1446067685920.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Miles-Davis-Quintet-featuring-John-Coltrane_All-of-you-the-last-tour-1960-e1446067685920.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":36485,"url":"https:\/\/tomajazz.com\/web\/hdo-405-la-ultima-gira-de-miles-y-trane-podcast\/","url_meta":{"origin":37071,"position":1},"title":"HDO 405. La \u00faltima gira de Miles y Trane [Podcast]","author":"Tomajazz","date":"5 mayo, 2018","format":false,"excerpt":"El \u00faltimo volumen de\u00a0The Bootleg Series de Miles Davis tiene por t\u00edtulo\u00a0The Last Tour, y se publica a nombre de\u00a0Miles Davis & John Coltrane. Publicado en distintos formatos, la edici\u00f3n en formato de cuatro CD y un extenso libreto escrito por Ashley Kahn, publica oficialmente algunos de los conciertos grabados\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Miles-Davis-John-Coltrane.-The-Final-Tour.-The-Bootleg-Series-Vol.-6.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":13248,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-concierto-miles-davis-quintet-paris-21-de-marzo-de-1960\/","url_meta":{"origin":37071,"position":2},"title":"Tomajazz recomienda&#8230; un concierto: Miles Davis Quintet (Paris, 21 de marzo de 1960)","author":"Tomajazz","date":"28 julio, 2014","format":false,"excerpt":"\u00bfA qui\u00e9n no le habr\u00eda gustado haber presenciado los dos pases de la actuaci\u00f3n del Miles Davis Quintet en el Teatro Olympia de Paris el lunes 21 de marzo de 1960?\u00a0\u00c9ste es uno de los conciertos m\u00e1s c\u00e9lebres de la trayectoria de John Coltrane. A lo largo de sus intervenciones\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Miles Davis Live In Paris 1960","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Miles-Davis-Live-In-Paris-1960-200x170.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":36958,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-014-2018-05-29-podcast\/","url_meta":{"origin":37071,"position":3},"title":"Jazz Para Ti (Programa 014. 2018-05-29) [Podcast]","author":"Tomajazz","date":"30 mayo, 2018","format":false,"excerpt":"Jazz en vivo, con m\u00fasica perteneciente a cuatro directos grabados en Europa, suena en la entrega n\u00famero catorce de Jazz Para Ti. Ir a descargar \u00a0 En primer lugar suenan tres novedades que posiblemente estar\u00e1n entre lo mejor de 2018:\u00a0Live In Europe\u00a0(Fred Hersch Trio; Palmetto Records), e.s.t.\u00a0Live In London\u00a0(Esbj\u00f6rn Svensson\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31033,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/","url_meta":{"origin":37071,"position":4},"title":"365 razones para amar el jazz: un disco. Workin\u2019 (Miles Davis) [171]","author":"Tomajazz","date":"20 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis: Workin' With The Miles Davis Quintet (Prestige, 1959). Seleccionado por\u00a0Arturo Mora Rioja Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":51870,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-i-la-odisea-de-la-musica-afroamericana-253-podcast-de-jazz\/","url_meta":{"origin":37071,"position":5},"title":"John Coltrane (I). La Odisea de la M\u00fasica Afroamericana (253) [Podcast de Jazz]","author":"Tomajazz","date":"31 agosto, 2020","format":false,"excerpt":"En el programa 253 de La Odisea de la M\u00fasica Afroamericana, que encara sus programas finales, el protagonista es el gigante del jazz John Coltrane.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/John-Coltrane_Giant-Steps_Atlantic_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37071"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37071\/revisions"}],"predecessor-version":[{"id":66341,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37071\/revisions\/66341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/36486"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}