{"id":37161,"date":"2018-06-08T12:00:31","date_gmt":"2018-06-08T10:00:31","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37161"},"modified":"2022-09-04T13:53:27","modified_gmt":"2022-09-04T11:53:27","slug":"razones-para-el-jazz-un-tema-perdido-street-blues-lil-hardin-433","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-tema-perdido-street-blues-lil-hardin-433\/","title":{"rendered":"Razones para el jazz. Un tema: \u201cPerdido Street Blues\u201d (Lil Hardin) [433]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-37162 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Lil-Armstrong_Perdido-Street-Blues-200x196.jpg\" alt=\"\" width=\"200\" height=\"196\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Lil-Armstrong_Perdido-Street-Blues-200x196.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Lil-Armstrong_Perdido-Street-Blues.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Lil-Armstrong_Perdido-Street-Blues-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Lil-Armstrong_Perdido-Street-Blues-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema: \u201cPerdido Street Blues\u201d (Lil Hardin)<\/p>\n<p>Seleccionado por <strong>Juan Antonio Serrano Cervantes<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema: \u201cPerdido Street Blues\u201d (Lil Hardin) Seleccionado por Juan Antonio Serrano Cervantes<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-tema-perdido-street-blues-lil-hardin-433\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37162,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17844,20689,15517,1038],"tags":[12547,14320],"class_list":["entry","author-pachi","post-37161","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-antonio-serrano-cervantes","category-razones-para-el-jazz","category-textos","category-contenidos","tag-juan-antonio-serrano-cervantes","tag-lil-hardin"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Lil-Armstrong_Perdido-Street-Blues.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20829,"url":"https:\/\/tomajazz.com\/web\/earl-hines-james-p-johnson-lil-hardin-johnny-dodds-buster-bailey-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":37161,"position":0},"title":"Earl Hines, James P. 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Contin\u00faan novedades en\u00a0Jazz de Hoy:\u00a0Cecil McLorin\u00a0-Dreams and Daggers-;\u00a0Sun-Mi Hong\u00a0-Page 1-;\u00a0Sylvie Courvoisier\u00a0-D'Agala-;\u00a0Satoko Fujii\u00a0-Invisible Hand-;\u00a0Marta S\u00e1nchez\u00a0-Danza Imposible- que adem\u00e1s\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":34945,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-portada-dexter-calling-380\/","url_meta":{"origin":37161,"position":2},"title":"Razones para el jazz: una portada. 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