{"id":37470,"date":"2018-06-27T11:00:41","date_gmt":"2018-06-27T09:00:41","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37470"},"modified":"2022-09-02T16:59:01","modified_gmt":"2022-09-02T14:59:01","slug":"hdo-427-especial-vision-fugitive-ii-repertorios-jean-marc-foltz-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-427-especial-vision-fugitive-ii-repertorios-jean-marc-foltz-podcast\/","title":{"rendered":"HDO 427. Especial Vision Fugitive II: repertorios &#8211; Jean-Marc Foltz [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-37471 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning.jpg 1465w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-37472 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Foltz-Oliva_Gershwin-200x177.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Foltz-Oliva_Gershwin-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Foltz-Oliva_Gershwin-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-37473 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Jean-Marc-Foltz_Eleanora-Suite-200x182.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Jean-Marc-Foltz_Eleanora-Suite-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Jean-Marc-Foltz_Eleanora-Suite-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>En la segunda entrega dedicada al sello franc\u00e9s Vision Fugitive suenan tres grabaciones:\u00a0<em>Eleanora Suite. A Woman&#8217;s Love And Life\u00a0<\/em>(<strong>Jean-Marc Foltz<\/strong> acompa\u00f1ado por Regis Huby y Claudia Solal; 2014);\u00a0<em>Gershwin\u00a0<\/em>(<strong>Jean-Marc Foltz, Stephan Oliva<\/strong>; 2016); y\u00a0<em>Sunday Morning\u00a0<\/em>(<strong>Bill Carrothers<\/strong> con Peg Carrothers, Matt Turner, Jean-Marc Foltz, Nicolas Thys y coros; 2013). Repertorios es el t\u00edtulo del programa puesto que las m\u00fasicas de las que se nutren cada una de estas tres magn\u00edficas grabaciones est\u00e1n centradas en las de Billie Holiday, George Gershwin y la m\u00fasica de los domingos por la ma\u00f1ana de la ni\u00f1ez de Bill Carrothers. En esta ocasi\u00f3n Jean-Marc Foltz, uno de los m\u00fasicos que dirige Vision Fugitive, interviene con sus clarinetes en las tres grabaciones, las tres absolutamente recomendables, al igual que las tres que aparec\u00edan <a href=\"https:\/\/tomajazz.com\/web\/?p=37355\" target=\"_blank\" rel=\"noopener\">en la primera entrega de este especial<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_26743779\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_26743779_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En la segunda entrega dedicada al sello franc\u00e9s Vision Fugitive suenan tres grabaciones:\u00a0Eleanora Suite. A Woman&#8217;s Love And Life\u00a0(Jean-Marc Foltz acompa\u00f1ado por Regis Huby y Claudia Solal; 2014);\u00a0Gershwin\u00a0(Jean-Marc Foltz, Stephan Oliva; 2016); y\u00a0Sunday Morning\u00a0(Bill Carrothers con Peg Carrothers, Matt Turner, Jean-Marc Foltz, Nicolas Thys y coros; 2013). Repertorios es el<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-427-especial-vision-fugitive-ii-repertorios-jean-marc-foltz-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37471,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,21543,5,13298,20041,12814,15518,1038],"tags":[414,4784,9365,9162,13299,7336,691,424,31,21570,21569,7997,11534],"class_list":["entry","author-pachi","post-37470","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-especial-vision-fugitive","category-grabaciones","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-podcast","category-sonidos","category-contenidos","tag-bill-carrothers","tag-billie-holiday","tag-claudia-solal","tag-george-gershwin","tag-hdo","tag-jean-marc-foltz","tag-matt-turner","tag-nicolas-thys","tag-pachi-tapiz","tag-peg-carrothers","tag-regis-huby","tag-stephan-oliva","tag-vision-fugitive"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bill-Carrothers_Sunday-Morning.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37470"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37470\/revisions"}],"predecessor-version":[{"id":66314,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37470\/revisions\/66314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/37471"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}