{"id":37526,"date":"2018-06-30T12:00:46","date_gmt":"2018-06-30T10:00:46","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37526"},"modified":"2022-09-02T16:53:58","modified_gmt":"2022-09-02T14:53:58","slug":"razones-para-el-jazz-un-club-de-jazz-ronnie-scotts-443","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-ronnie-scotts-443\/","title":{"rendered":"Razones para el jazz. Un club de jazz: Ronnie Scott&#8217;s [443]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37527\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ronnie-Scott-Big-Band-600x279.jpg\" alt=\"\" width=\"600\" height=\"279\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ronnie-Scott-Big-Band-600x279.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ronnie-Scott-Big-Band-200x93.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ronnie-Scott-Big-Band-768x357.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ronnie-Scott-Big-Band-118x55.jpg 118w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Un club de jazz: <strong>Ronnie Scott\u2019s<\/strong>\u00a0(Soho, Londres)<\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n<p>Sobre el escenario\u00a0<strong>Ronnie Scott\u2019s Big Band<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un club de jazz: Ronnie Scott\u2019s\u00a0(Soho, Londres) Seleccionado por\u00a0Luis Escalante Ozalla Sobre el escenario\u00a0Ronnie Scott\u2019s Big Band<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-ronnie-scotts-443\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37527,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,20689,15517,1038],"tags":[12816,21581],"class_list":["entry","author-pachi","post-37526","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-luis-escalante-ozalla","tag-ronnie-scotts"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ronnie-Scott-Big-Band.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":63718,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-the-lost-album-from-ronnie-scotts-resonance-records-2022-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":37526,"position":0},"title":"Charles Mingus The Lost Album From Ronnie Scott&#8217;s (Resonance Records, 2022) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"25 mayo, 2022","format":false,"excerpt":"En Tomajazz repasamos Charles Mingus The Lost Album From Ronnie Scott's (Resonance Records, 2022), grabaci\u00f3n in\u00e9dita del enorme contrabajista publicada un d\u00eda despu\u00e9s del centenario de su nacimiento con motivo del Record Store Day de 2022.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Charles Mingus The Lost Album From Ronnie Scott's (Resonance Records, 2022) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/Charles-Mingus-The-Lost-Album-From-Ronnie-Scotts-Resonance-Records-2022-Por-Pachi-Tapiz-Grabacion-de-jazz_WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/Charles-Mingus-The-Lost-Album-From-Ronnie-Scotts-Resonance-Records-2022-Por-Pachi-Tapiz-Grabacion-de-jazz_WEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/Charles-Mingus-The-Lost-Album-From-Ronnie-Scotts-Resonance-Records-2022-Por-Pachi-Tapiz-Grabacion-de-jazz_WEB.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/Charles-Mingus-The-Lost-Album-From-Ronnie-Scotts-Resonance-Records-2022-Por-Pachi-Tapiz-Grabacion-de-jazz_WEB.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":53284,"url":"https:\/\/tomajazz.com\/web\/bill-evans-live-at-ronnie-scotts-ecos-del-pasado-en-formato-del-lujo-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":37526,"position":1},"title":"Bill Evans Live At Ronnie Scott\u2019s. Ecos del pasado en formato del lujo. [Grabaci\u00f3n de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"9 diciembre, 2020","format":false,"excerpt":"Juan F. Trillo repasa la grabaci\u00f3n \"Live at Ronnie Scott's\" de Bill Evans , \"una pieza de coleccionista realmente excepcional\".","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/12\/Cover-Bill-Evans-Ronnie-Scotts_peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34771,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-the-open-door-377\/","url_meta":{"origin":37526,"position":2},"title":"Razones para el jazz: un club de jazz. The Open Door [377]","author":"Tomajazz","date":"27 enero, 2018","format":false,"excerpt":"\u00a0 Un club de jazz: The Open Door. Greenwich Village. New York Seleccionado por\u00a0Luis Escalante Ozalla Sobre el escenario (izq-der): Charles Mingus, Roy Haynes, Thelonious Monk, Charlie Parker. 1953. Fot\u00f3grafo: Bob Parent.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":37526,"position":3},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. 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Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36018,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-mintons-playhouse-409\/","url_meta":{"origin":37526,"position":4},"title":"Razones para el jazz: un club de jazz. Minton\u2019s Playhouse [409]","author":"Tomajazz","date":"13 abril, 2018","format":false,"excerpt":"Un club de jazz: Minton\u2019s Playhouse. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda de Thelonious Monk, Howard McGhee, Roy Eldridge y Teddy Hill en\u00a0Minton's Playhouse, New York, N.Y. ca. Sept. 1947. Fotogaf\u00eda por\u00a0\u00a9\u00a0William P. Gottlieb","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":37529,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-three-deuces-444\/","url_meta":{"origin":37526,"position":5},"title":"Razones para el jazz. Un club de jazz: Three Deuces [444]","author":"Tomajazz","date":"1 julio, 2018","format":false,"excerpt":"Un club the jazz: Three Deuces. 52nd Street. New York. Seleccionado por\u00a0Luis Escalante Ozalla Sobre el escenario (izq-der): Tommy Potter, Charlie Parker, Miles Davis, Duke Jordan. (Max Roach, fuera de campo). 1947.\u00a0Fot\u00f3grafo: William Gottlieb.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Three-Deuces-e1530299167260.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Three-Deuces-e1530299167260.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Three-Deuces-e1530299167260.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Three-Deuces-e1530299167260.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37526"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37526\/revisions"}],"predecessor-version":[{"id":37528,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37526\/revisions\/37528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/37527"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}