{"id":37529,"date":"2018-07-01T12:00:29","date_gmt":"2018-07-01T10:00:29","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37529"},"modified":"2022-09-02T16:53:38","modified_gmt":"2022-09-02T14:53:38","slug":"razones-para-el-jazz-un-club-de-jazz-three-deuces-444","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-three-deuces-444\/","title":{"rendered":"Razones para el jazz. Un club de jazz: Three Deuces [444]"},"content":{"rendered":"

\"\"<\/p>\n

Un club the jazz: Three Deuces<\/strong>. 52nd<\/sup> Street. New York.<\/p>\n

Seleccionado por\u00a0Luis Escalante Ozalla<\/strong><\/p>\n

Sobre el escenario (izq-der): Tommy Potter, Charlie Parker, Miles Davis, Duke Jordan. (Max Roach, fuera de campo). 1947.\u00a0Fot\u00f3grafo: William Gottlieb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un club the jazz: Three Deuces. 52nd Street. New York. Seleccionado por\u00a0Luis Escalante Ozalla Sobre el escenario (izq-der): Tommy Potter, Charlie Parker, Miles Davis, Duke Jordan. (Max Roach, fuera de campo). 1947.\u00a0Fot\u00f3grafo: William Gottlieb.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37530,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,20689,15517,1038],"tags":[7079,8282,12816,1978,2004,21582,8651,20939],"class_list":["entry","author-pachi","post-37529","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-charlie-parker","tag-duke-jordan","tag-luis-escalante-ozalla","tag-max-roach","tag-miles-davis","tag-three-deuces","tag-tommy-potter","tag-william-gottlieb"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Three-Deuces-e1530299167260.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18253,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-001\/","url_meta":{"origin":37529,"position":0},"title":"Presentaci\u00f3n. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 001) [Podcast]","author":"Tomajazz","date":"4 mayo, 2015","format":false,"excerpt":"En el primer programa de La Odisea de la M\u00fasica Afroamericana, Luis Escalante Ozalla define dos de los vectores que van a servir para dirigir un viaje musical a lo largo de m\u00e1s de un siglo de m\u00fasica. Por un lado est\u00e1 la direcci\u00f3n que marca el tiempo, con un\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Charlie_Parker_Tommy_Potter_Miles_Davis_Max_Roach_Gottlieb_06941.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Charlie_Parker_Tommy_Potter_Miles_Davis_Max_Roach_Gottlieb_06941.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Charlie_Parker_Tommy_Potter_Miles_Davis_Max_Roach_Gottlieb_06941.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29900,"url":"https:\/\/tomajazz.com\/web\/lester-young-iii-la-odisea-de-la-musica-afroamericana-091-podcast\/","url_meta":{"origin":37529,"position":1},"title":"Lester Young (III). La Odisea de la M\u00fasica Afroamericana (091) [Podcast]","author":"Tomajazz","date":"27 marzo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La entrega n\u00famero 91 de La Odisea de la M\u00fasica Afroamericana\u00a0vuelve\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester_Young_Gottlieb_09441.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester_Young_Gottlieb_09441.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester_Young_Gottlieb_09441.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester_Young_Gottlieb_09441.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24586,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast\/","url_meta":{"origin":37529,"position":2},"title":"Lugares m\u00edticos en la historia del jazz (III): Teatro Apollo, Connie’s Inn, Harlem Opera House… La Odisea de la M\u00fasica Afroamericana (051) [Podcast]","author":"Tomajazz","date":"23 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 51 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a lugares m\u00edticos del jazz tras los programas dedicados al Savoy y al Cotton Club y Harlem. El Teatro Apollo, Connie\u2019s Inn, Harlem Opera House, Barron Wilkin\u2019s, Mexico\u2019s o Monette Moore\u2019s Place son\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11815,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1963\/","url_meta":{"origin":37529,"position":3},"title":"Tomajazz recupera… Thelonious Monk en Jazz Magazine 1963","author":"Tomajazz","date":"30 abril, 2014","format":false,"excerpt":"\u00a0 \u00a0 Cada d\u00eda oigo a un mont\u00f3n de pianistas que utilizan procedimientos que son m\u00edos. Leer: Thelonious Monk en Jazz Magazine 1963. Entrevista por\u00a0\u00a0Jean Clouzet y Michel Delomme.\u00a0","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":43865,"url":"https:\/\/tomajazz.com\/web\/los-musicos-del-bebop-iv-duke-jordan-wardell-gray-la-odisea-de-la-musica-afroamericana-196-podcast\/","url_meta":{"origin":37529,"position":4},"title":"Los m\u00fasicos del BeBop (IV): Duke Jordan, Wardell Gray. La Odisea de la M\u00fasica Afroamericana (196) [Podcast]","author":"Tomajazz","date":"17 junio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 196 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Duke-Jordan_Flight-To-Jordan-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Duke-Jordan_Flight-To-Jordan-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Duke-Jordan_Flight-To-Jordan-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Duke-Jordan_Flight-To-Jordan-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Duke-Jordan_Flight-To-Jordan-1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":43753,"url":"https:\/\/tomajazz.com\/web\/los-musicos-del-bebop-iii-gene-ammons-duke-pearson-la-odisea-de-la-musica-afroamericana-195-podcast\/","url_meta":{"origin":37529,"position":5},"title":"Los m\u00fasicos del BeBop (III): Gene Ammons, Duke Jordan. La Odisea de la M\u00fasica Afroamericana (195) [Podcast]","author":"Tomajazz","date":"10 junio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 195 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Gene-Ammons_Boss-Tenor.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37529"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37529\/revisions"}],"predecessor-version":[{"id":37532,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37529\/revisions\/37532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/37530"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}