{"id":37814,"date":"2018-07-13T12:00:30","date_gmt":"2018-07-13T10:00:30","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=37814"},"modified":"2022-09-02T16:22:26","modified_gmt":"2022-09-02T14:22:26","slug":"razones-para-el-jazz-un-disco-waltz-for-debby-bill-evans-trio-448","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-waltz-for-debby-bill-evans-trio-448\/","title":{"rendered":"Razones para el jazz. Un disco: Waltz For Debby (Bill Evans Trio) [448]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35633 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby-200x200.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby-200x200.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby-55x55.png 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby.png 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco. <strong>Bill Evans Trio<\/strong>:\u00a0<em>Waltz For Debby\u00a0<\/em>(Riverside Records, 1962)<\/p>\n<p>Seleccionado, escuchado y disfrutado (antes, ahora y siempre) por\u00a0<strong>Pachi Tapiz<\/strong><\/p>\n<p>Con Bill Evans, Scott LaFaro, Paul Motian.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco. Bill Evans Trio:\u00a0Waltz For Debby\u00a0(Riverside Records, 1962) Seleccionado, escuchado y disfrutado (antes, ahora y siempre) por\u00a0Pachi Tapiz Con Bill Evans, Scott LaFaro, Paul Motian.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-waltz-for-debby-bill-evans-trio-448\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35633,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,20689,15517,1038],"tags":[427,31,5019,18689,2192],"class_list":["entry","author-pachi","post-37814","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-bill-evans","tag-pachi-tapiz","tag-paul-motian","tag-riverside-records","tag-scott-lafaro"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Bill_Evans_Trio_-_Waltz_for_Debby.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29711,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-que-me-gustaria-escuchar-en-este-minuto-waltz-for-debby-de-bill-evans-76\/","url_meta":{"origin":37814,"position":0},"title":"365 razones para amar el jazz: Un tema (que me gustar\u00eda escuchar en este minuto): \u00abWaltz for Debby\u00bb de Bill Evans. [76]","author":"Tomajazz","date":"17 marzo, 2017","format":false,"excerpt":"Un tema que me gustar\u00eda escuchar en este minuto): \"Waltz for Debby\" de Bill Evans. Seleccionado por\u00a0Kuto. En, por ejemplo: Bill Evans Trio: Waltz For Debby\u00a0(Riverside Records, 1962) Bill Evans, Scott LaFaro, Paul Motian.","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Bill-Evans-Trio_Waltz-For-Debby_Riverside-Original-Jazz-Classics_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Bill-Evans-Trio_Waltz-For-Debby_Riverside-Original-Jazz-Classics_1962.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Bill-Evans-Trio_Waltz-For-Debby_Riverside-Original-Jazz-Classics_1962.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29024,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-waltz-for-debby-1961-36\/","url_meta":{"origin":37814,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abWaltz For Debby\u00bb (1961) [36]","author":"Tomajazz","date":"5 febrero, 2017","format":false,"excerpt":"Un tema. \"Waltz For Debby\" (1961).\u00a0M\u00fasica: Bill Evans Seleccionado por\u00a0Luis Escalante Ozalla. Bill Evans Trio: Waltz For Debby\u00a0(Riverside Records, 1962) Bill Evans, Scott LaFaro, Paul Motian.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Bill-Evans-Trio_Waltz-For-Debby_Riverside-Original-Jazz-Classics_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Bill-Evans-Trio_Waltz-For-Debby_Riverside-Original-Jazz-Classics_1962.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Bill-Evans-Trio_Waltz-For-Debby_Riverside-Original-Jazz-Classics_1962.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29136,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-complete-village-vanguard-recordings-1961-bill-evans-44\/","url_meta":{"origin":37814,"position":2},"title":"365 razones para amar el jazz: un disco. The Complete Village Vanguard Recordings, 1961 (Bill Evans) [44]","author":"Tomajazz","date":"13 febrero, 2017","format":false,"excerpt":"Un disco. The Complete Village Vanguard Recordings, 1961. Bill Evans (Riverside Records, 1961) Seleccionado por\u00a0Juanma Castro Medina. Con Bill Evans, Scott LaFaro, Paul Motian.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4376,"url":"https:\/\/tomajazz.com\/web\/chick-corea-eddie-gomez-paul-motian-further-explorations-concord-jazz-2012\/","url_meta":{"origin":37814,"position":3},"title":"Chick Corea, Eddie Gomez &#038; Paul Motian &#8211; Further Explorations (Concord Jazz, 2012)","author":"Tomajazz","date":"15 septiembre, 2012","format":false,"excerpt":"Comentario:\u00a0La producci\u00f3n musical de Chick Corea en los \u00faltimos a\u00f1os est\u00e1 siendo gigantesca. Numerosos CD en variadas formaciones est\u00e1n documentando su trabajo con diligencia. En este caso contin\u00faa incrementando su\u00a0output\u00a0con un disco doble grabado en directo en el Blue Note de Nueva York donde juega a ser Bill Evans en\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2012_09\/ccegpm_fe.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":43648,"url":"https:\/\/tomajazz.com\/web\/hdo-510-tres-gigantes-del-piano-bill-evans-paul-bley-y-horace-tapscott-podcast\/","url_meta":{"origin":37814,"position":4},"title":"HDO 510. Tres gigantes del piano: Bill Evans, Paul Bley y Horace Tapscott [Podcast]","author":"Tomajazz","date":"4 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":48405,"url":"https:\/\/tomajazz.com\/web\/bill-evans-iii-la-odisea-de-la-musica-afroamericana-221-podcast\/","url_meta":{"origin":37814,"position":5},"title":"Bill Evans (III). La Odisea de la M\u00fasica Afroamericana (221) [Podcast]","author":"Tomajazz","date":"13 enero, 2020","format":false,"excerpt":"En la entrega 221 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante contin\u00faa adentr\u00e1ndose en la figura del pianista Bill Evans.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=37814"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37814\/revisions"}],"predecessor-version":[{"id":37815,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/37814\/revisions\/37815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35633"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=37814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=37814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=37814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}