{"id":38041,"date":"2018-07-22T12:00:47","date_gmt":"2018-07-22T10:00:47","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38041"},"modified":"2022-09-02T16:10:51","modified_gmt":"2022-09-02T14:10:51","slug":"razones-para-el-jazz-un-musico-jaco-pastorius-452","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-musico-jaco-pastorius-452\/","title":{"rendered":"Razones para el jazz. Un m\u00fasico: Jaco Pastorius [452]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38042\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87.jpg\" alt=\"\" width=\"600\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87-50x50.jpg 50w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/center>Un m\u00fasico: <strong>Jaco Pastorius\u00a0<\/strong>(1951 &#8211; 1987)<\/p>\n<p>Seleccionado y <a href=\"https:\/\/marichehuertas.wordpress.com\/2018\/02\/01\/33\/\" target=\"_blank\" rel=\"noopener\">comentado<\/a> por\u00a0<strong>Mariche Huertas de la C\u00e1mara<\/strong><\/p>\n<p>Fotograf\u00eda de Jaco Pastorius en concierto en 1986 en Bolonia. Fotograf\u00eda por\u00a0\u00a9 <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jaco_pastorius_87.jpg\" target=\"_blank\" rel=\"noopener\">Pino Alpino<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un m\u00fasico: Jaco Pastorius\u00a0(1951 &#8211; 1987) Seleccionado y comentado por\u00a0Mariche Huertas de la C\u00e1mara Fotograf\u00eda de Jaco Pastorius en concierto en 1986 en Bolonia. Fotograf\u00eda por\u00a0\u00a9 Pino Alpino<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-musico-jaco-pastorius-452\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38042,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17879,20689,15517,1038],"tags":[1101,13931,21649],"class_list":["entry","author-pachi","post-38041","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mariche-huertas-de-la-camara","category-razones-para-el-jazz","category-textos","category-contenidos","tag-jaco-pastorius","tag-mariche-huertas","tag-pino-alpino"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jaco_pastorius_87.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1866,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-continuum-jaco-pastorius-1976\/","url_meta":{"origin":38041,"position":0},"title":"Tomajazz recomienda\u2026 un tema: \u201cContinuum\u201d (Jaco Pastorius, 1976)","author":"Adolphus van Tenzing","date":"21 diciembre, 2009","format":false,"excerpt":"Cuando uno se plantea el bajo el\u00e9ctrico como instrumento solista, el primer m\u00fasico en mente suele ser Jaco Pastorius (basta con pensar en el mero instrumento para que sea Pastorius quien, tambi\u00e9n, se aparezca cual criatura celestial).","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Jaco Pastorius - Jaco Pastorius","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2009\/12\/jaco.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30693,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-donna-lee-por-jaco-pastorius-javier-nombela-145\/","url_meta":{"origin":38041,"position":1},"title":"365 razones para amar el jazz: una versi\u00f3n. \u00abDonna Lee\u00bb por Jaco Pastorius [145]","author":"Tomajazz","date":"25 mayo, 2017","format":false,"excerpt":"Un tema. \"Donna Lee\" por Jaco Pastorius (Jaco Pastorius; EPIC, 1976) Seleccionado por Arturo Mora","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Jaco-Pastorius_Jaco-Pastorius_EPIC_1976.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":96853,"url":"https:\/\/tomajazz.com\/web\/jaco-pastorius-legacy-5tet-jazztival-2025\/","url_meta":{"origin":38041,"position":2},"title":"Jaco Pastorius Legacy 5tet (XVII Jazztival. Miranda de Ebro, Burgos. 2025-06-20) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"30 junio, 2025","format":false,"excerpt":"Jaco Pastorius Legacy 5tet inaugur\u00f3 el XVII Jazztival en Miranda de Ebro, Burgos, el 20 de junio de 2025. Jos\u00e9 Luis Luna Rocafort retrata el concierto en INSTANTZZ. Actuaron Tom\u00e1s Merlo, Chris Kase, Jorge Casta\u00f1eda, Dani Morales, V\u00edctor Aceituno","rel":"","context":"En \u00abXVII Jazztival 2025\u00bb","block_context":{"text":"XVII Jazztival 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/xvii-jazztival-2025\/"},"img":{"alt_text":"Jaco Pastorius Legacy 5tet (XVII Jazztival. Miranda de Ebro, Burgos. 2025-06-20) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Jaco Pastorius Legacy 5tet inaugur\u00f3 el XVII Jazztival en Miranda de Ebro, Burgos, el 20 de junio de 2025. Jos\u00e9 Luis Luna Rocafort retrata el concierto en INSTANTZZ. Actuaron Tom\u00e1s Merlo, Chris Kase, Jorge Casta\u00f1eda, Dani Morales, V\u00edctor Aceituno","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Portada.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Portada.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Portada.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1724,"url":"https:\/\/tomajazz.com\/web\/jaco-pastorius-big-band-donna-lee-live-at-budokan-82-altus-2012\/","url_meta":{"origin":38041,"position":3},"title":"Jaco Pastorius Big Band &#8211; Donna Lee Live at Budokan &#8217;82 (Altus, 2012)","author":"Tomajazz","date":"20 diciembre, 2012","format":false,"excerpt":"Comentario:\u00a0Sentimientos encontrados se agolpan ante la aparici\u00f3n de un nuevo directo de Jaco Pastorius editado veinte a\u00f1os despu\u00e9s. Por un lado da gusto escuchar cada una de las interpretaciones que nos dej\u00f3 el maestro del bajo el\u00e9ctrico. Por otro se reabre el debate sobre las producciones musicales de bajo coste,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"jpbb_dllab82","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/jpbb_dllab82.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1414,"url":"https:\/\/tomajazz.com\/web\/jaco-the-extraordinary-and-tragic-life-of-jaco-pastorius-the-worlds-greatest-bass-player-bill-milkowsky-backbeat-books-1995\/","url_meta":{"origin":38041,"position":4},"title":"JACO. THE EXTRAORDINARY AND TRAGIC LIFE OF JACO PASTORIUS, \u201dTHE WORLD\u2019S GREATEST BASS PLAYER\u201d. Bill Milkowsky. Backbeat Books (1995)","author":"Autor1","date":"19 mayo, 2011","format":false,"excerpt":"JACO. THE EXTRAORDINARY AND TRAGIC LIFE OF JACO PASTORIUS, \u201dTHE WORLD\u2019S GREATEST BASS PLAYER\u201d Autor: Bill Milkowsky Editorial: Backbeat Books (1995) ISBN: 0-87930-426-X Idioma: ingl\u00e9s Bill Milkowsky, habitual de Downbeat, Guitar Player y Bass Player Magazine, narra en esta obra la carrera personal y profesional del que fue sin duda\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/mikowsky_jaco.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1875,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-bireli-lagrene-en-the-days-of-wine-and-roses\/","url_meta":{"origin":38041,"position":5},"title":"Tomajazz recomienda&#8230; un solo: Bireli Lagrene en \u00abThe Days Of Wine And Roses\u00bb","author":"Adolphus van Tenzing","date":"12 abril, 2010","format":false,"excerpt":"Como cualquier escalaf\u00f3n art\u00edstico, el canon del jazz es una jerarqu\u00eda cruel, injusta, imprecisa (todo eso especialmente para el oyente) y, por suerte, variable con el paso del tiempo. Para eso est\u00e1 el t\u00edo Adolphus, para se\u00f1alar joyitas que quedan fuera del canon. En 1986, con apenas 35 a\u00f1os, Jaco\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/userserve-ak.last.fm\/serve\/252\/364096.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38041"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38041\/revisions"}],"predecessor-version":[{"id":66302,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38041\/revisions\/66302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38042"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}