{"id":38049,"date":"2018-07-29T12:00:45","date_gmt":"2018-07-29T10:00:45","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38049"},"modified":"2022-09-02T16:04:02","modified_gmt":"2022-09-02T14:04:02","slug":"razones-para-el-jazz-un-disco-another-place-bunky-green-454","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-another-place-bunky-green-454\/","title":{"rendered":"Razones para el jazz. Un disco: Another Place (Bunky Green) [454]"},"content":{"rendered":"

\"\"Un disco. Bunky Green<\/strong>:\u00a0Another Place<\/em>\u00a0(Label Bleu, 2006)<\/p>\n

Seleccionado por\u00a0Juanma Castro Medina<\/strong><\/p>\n

Con\u00a0Bunky Green (saxo alto), Jason Moran (piano), Lonnie Plaxico (contrabajo), Nasheet Waits (bater\u00eda)<\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco. Bunky Green:\u00a0Another Place\u00a0(Label Bleu, 2006) Seleccionado por\u00a0Juanma Castro Medina Con\u00a0Bunky Green (saxo alto), Jason Moran (piano), Lonnie Plaxico (contrabajo), Nasheet Waits (bater\u00eda)Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38050,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,20689,15517,1038],"tags":[21651,5606,7636,21557,7298,170],"class_list":["entry","author-pachi","post-38049","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-razones-para-el-jazz","category-textos","category-contenidos","tag-bunky-green","tag-jason-moran","tag-juanma-castro-medina","tag-lable-bleu","tag-lonnie-plaxico","tag-nasheet-waits"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Bunky-Green_Another-Place.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":63465,"url":"https:\/\/tomajazz.com\/web\/wights-waits-for-weights-steve-coleman-group-motherland-pulse-jmt-1985-por-pachi-tapiz-jazzx5-499-minipodcast-de-jazz\/","url_meta":{"origin":38049,"position":0},"title":"\u00abWights Waits For Weights\u00bb [Steve Coleman Group Motherland Pulse (JMT, 1985)] Por Pachi Tapiz. JazzX5 #499 [Minipodcast de jazz]","author":"Tomajazz","date":"14 mayo, 2022","format":false,"excerpt":"\"Wights Waits For Weights\" de Steve Coleman Group Motherland Pulse (JMT, 1985) suena en JazzX5. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/JazzX5_0499.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/JazzX5_0499.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/JazzX5_0499.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/JazzX5_0499.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29273,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-don-byron-tuskegee-experiment-57\/","url_meta":{"origin":38049,"position":1},"title":"365 razones para amar el jazz: un disco. Don Byron: Tuskegee Experiment [57]","author":"Tomajazz","date":"26 febrero, 2017","format":false,"excerpt":"Un disco.\u00a0Don Byron:\u00a0Tuskegee Experiment (Nonesuch, 1992) Seleccionado por\u00a0Diego S\u00e1nchez Cascado. Con Don Byron, Joe Berkovitz, Kenny Davis, Pheeroan Aklaff, Richie Schwarz, Sadiq, Greta Buck, Reggie Workman, Ralph Peterson Jr., Lonnie Plaxico, Bill Frisell, Edsel Gomez. \u00a0","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Don-Byron_Tuskegee-Experiment_Nonesuch_1992.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36360,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-gene-harris-trio-plus-one-417\/","url_meta":{"origin":38049,"position":2},"title":"Razones para jazz: un disco. Gene Harris Trio Plus One [417]","author":"Tomajazz","date":"29 abril, 2018","format":false,"excerpt":"Un disco. Gene Harris:\u00a0Gene Harris Trio Plus One (Groove Note Records, 1986) Seleccionado por Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33849,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-way-we-play-marquis-hill-344\/","url_meta":{"origin":38049,"position":3},"title":"365 razones para amar el jazz: un disco. The Way We Play (Marquis Hill) [344]","author":"Tomajazz","date":"10 diciembre, 2017","format":false,"excerpt":"Un disco. Marquis Hill: The Way We Play (Concord, 2016) Seleccionado por Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":34471,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-crystal-stair-donald-harrison-y-terence-blanchard-368\/","url_meta":{"origin":38049,"position":4},"title":"Razones para el jazz: un disco. Crystal Stair (Donald Harrison y Terence Blanchard) [368]","author":"Tomajazz","date":"6 enero, 2018","format":false,"excerpt":"Un disco. Harrison \/ Blanchard: Crystal Stair (Columbia, 1987) Seleccionado por\u00a0Juanma Castro Medina Con Donald Harrison, Terence Blanchard, Cyrus Chestnut, Reginald Veal, Carl Allen","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Harrison-Blanchard_Crystal-Stair.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Harrison-Blanchard_Crystal-Stair.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Harrison-Blanchard_Crystal-Stair.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32998,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-blues-for-harvey-johnny-griffin-quartet-305\/","url_meta":{"origin":38049,"position":5},"title":"365 razones para amar el jazz: un disco. Blues For Harvey (Johnny Griffin Quartet) [306]","author":"Tomajazz","date":"2 noviembre, 2017","format":false,"excerpt":"Un disco. Johnny Griffin Quartet:\u00a0Blues For Harvey\u00a0(SteepleChase. 1973) Seleccionado por Juanma Castro Medina Con Johnny Griffin, Kenny Drew, Mads Vinding, Ed Thigpen","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Johnny-Griffin-Quartet_Blues-For-Harvey.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38049"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38049\/revisions"}],"predecessor-version":[{"id":38051,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38049\/revisions\/38051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38050"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}