{"id":38066,"date":"2018-08-04T12:00:21","date_gmt":"2018-08-04T10:00:21","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38066"},"modified":"2022-09-01T20:59:23","modified_gmt":"2022-09-01T18:59:23","slug":"razones-para-el-jazz-una-grabacion-both-directions-at-once-john-coltrane-453","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-grabacion-both-directions-at-once-john-coltrane-453\/","title":{"rendered":"Razones para el jazz. Una grabaci\u00f3n: Both Directions At Once (John Coltrane) [455]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-37997 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una grabaci\u00f3n.\u00a0<strong>John<\/strong> <strong>Coltrane<\/strong>:\u00a0<em>Both Directions At Once. The Lost Album\u00a0<\/em>(Impulse!)<\/p>\n<p>Seleccionado por\u00a0<strong>Pachi Tapiz<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una grabaci\u00f3n.\u00a0John Coltrane:\u00a0Both Directions At Once. The Lost Album\u00a0(Impulse!) Seleccionado por\u00a0Pachi Tapiz<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-grabacion-both-directions-at-once-john-coltrane-453\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":37997,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,20689,15517,1038],"tags":[1840,1870,31],"class_list":["entry","author-pachi","post-38066","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-impulse","tag-john-coltrane","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":37333,"url":"https:\/\/tomajazz.com\/web\/hdo-422-adelanto-la-nueva-grabacion-de-john-coltrane-both-directions-at-once-the-lost-album-podcast\/","url_meta":{"origin":38066,"position":0},"title":"","author":"Tomajazz","date":"18 junio, 2018","format":false,"excerpt":"","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/John-Coltrane_Both-Directions-At-Once-The-Lost-Album.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/John-Coltrane_Both-Directions-At-Once-The-Lost-Album.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/John-Coltrane_Both-Directions-At-Once-The-Lost-Album.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":38064,"url":"https:\/\/tomajazz.com\/web\/hdo-435-coltrane-inedito-both-directions-at-once-podcast\/","url_meta":{"origin":38066,"position":1},"title":"HDO 435: Coltrane in\u00e9dito: Both Directions At Once [Podcast]","author":"Tomajazz","date":"3 agosto, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz En HDO 435 escuchamos al completo la versi\u00f3n sencilla de la grabaci\u00f3n in\u00e9dita en estudio del 6 de marzo de 1963 de John Coltrane, publicada por Impulse! en 2018 con el t\u00edtulo Both Directions At Once. The Lost Album. Acompa\u00f1aron a Trane sus fieles McCoy Tyner, Jimmy Garrison\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/John-Coltrane_Both-Directions-At-Once.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":41315,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-1963-new-directions-impulse-2018-grabacion\/","url_meta":{"origin":38066,"position":2},"title":"John Coltrane: 1963: New Directions (Impulse!, 2018) [Grabaci\u00f3n]","author":"Tomajazz","date":"24 enero, 2019","format":false,"excerpt":"Por Carlos Lara. Para John Coltrane el a\u00f1o 1963 fue uno de los m\u00e1s activos de su mete\u00f3rica carrera profesional. En esas fechas dos sellos discogr\u00e1ficos editaban sus temas, independientemente del d\u00eda y a\u00f1o de grabaci\u00f3n, Prestige e Impulse! Pero, como es conocido, en los \u00faltimos a\u00f1os hasta su muerte\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/John-Coltrane_1963-New-Directions.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":39177,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-018-2018-10-09-jpt-t2-02-podcast\/","url_meta":{"origin":38066,"position":3},"title":"Jazz Para Ti. Programa 018 (2018-10-09) JPT.T2.02 [Podcast]","author":"Tomajazz","date":"10 octubre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. El segundo programa de la segunda temporada de Jazz Para Ti vuelve a su forma habitual, es decir, estructurado en secciones. Comienza con \"Jazz de aqu\u00ed\", con la nueva grabaci\u00f3n del\u00a0Javier L\u00f3pez Jaso - Marcelo Escrich Quartet: Apor\u00eda, un disco muy recomendable. En \"Jazz de hoy\" van otros\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/JazzParaTi_programa018_Collage_1-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/JazzParaTi_programa018_Collage_1-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/JazzParaTi_programa018_Collage_1-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/JazzParaTi_programa018_Collage_1-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36430,"url":"https:\/\/tomajazz.com\/web\/algo-de-lo-mejor-que-escuche-en-2018-por-pachi-tapiz-articulo\/","url_meta":{"origin":38066,"position":4},"title":"(Algo de) lo mejor (que escuch\u00e9) en 2018 por Pachi Tapiz [Art\u00edculo]","author":"Tomajazz","date":"6 enero, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz Sin pretender ser una lista exhaustiva, puesto que el orden es simplemente la forma en que aparecen listados los discos, esta ha sido una entrada en progreso continuo realizada a lo largo de todo el a\u00f1o 2018. A continuaci\u00f3n est\u00e1n las portadas y la lista de algunas de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36958,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-014-2018-05-29-podcast\/","url_meta":{"origin":38066,"position":5},"title":"Jazz Para Ti (Programa 014. 2018-05-29) [Podcast]","author":"Tomajazz","date":"30 mayo, 2018","format":false,"excerpt":"Jazz en vivo, con m\u00fasica perteneciente a cuatro directos grabados en Europa, suena en la entrega n\u00famero catorce de Jazz Para Ti. Ir a descargar \u00a0 En primer lugar suenan tres novedades que posiblemente estar\u00e1n entre lo mejor de 2018:\u00a0Live In Europe\u00a0(Fred Hersch Trio; Palmetto Records), e.s.t.\u00a0Live In London\u00a0(Esbj\u00f6rn Svensson\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/JazzParaTi_Logo_001.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38066"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38066\/revisions"}],"predecessor-version":[{"id":38068,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38066\/revisions\/38068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/37997"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}