{"id":38582,"date":"2018-09-09T13:49:05","date_gmt":"2018-09-09T11:49:05","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38582"},"modified":"2022-09-01T20:40:13","modified_gmt":"2022-09-01T18:40:13","slug":"razones-para-el-jazz-un-libro-tercera-corriente-el-nuevo-jazz-valenciano-del-siglo-xxi-jose-prunonosa-468","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-libro-tercera-corriente-el-nuevo-jazz-valenciano-del-siglo-xxi-jose-prunonosa-468\/","title":{"rendered":"Razones para el jazz. Un libro. Tercera Corriente. El nuevo jazz valenciano del siglo XXI (Jos\u00e9 Pru\u00f1onosa) [468]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-38583 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Jose-Pru\u00f1onosa_Tercera-Corriente-el-nuevo-Jazz-valenciano-del-siglo-XXI-200x282.jpg\" alt=\"\" width=\"200\" height=\"282\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Jose-Pru\u00f1onosa_Tercera-Corriente-el-nuevo-Jazz-valenciano-del-siglo-XXI-200x282.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Jose-Pru\u00f1onosa_Tercera-Corriente-el-nuevo-Jazz-valenciano-del-siglo-XXI-425x600.jpg 425w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Jose-Pru\u00f1onosa_Tercera-Corriente-el-nuevo-Jazz-valenciano-del-siglo-XXI-39x55.jpg 39w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Jose-Pru\u00f1onosa_Tercera-Corriente-el-nuevo-Jazz-valenciano-del-siglo-XXI.jpg 726w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Por\u00a0<strong>Juli\u00e1n Ruesga Bono<\/strong>.<\/p>\n<p>Un libro. <strong>Jos\u00e9 Pru\u00f1onosa<\/strong>: <em>Tercera Corriente. El nuevo jazz valenciano del siglo XXI\u00a0<\/em>(2017, EdictOr\u00e0lia M\u00fasica, Valencia)<\/p>\n<p>Un libro que presenta y reflexiona sobre una parte significativa del jazz actual en Espa\u00f1a. Una aportaci\u00f3n historiogr\u00e1fica y cr\u00edtica importante a la cultura jazz espa\u00f1ola, a la vez que una valiosa aportaci\u00f3n al debate en torno al desarrollo y significaci\u00f3n de los procesos creativos en el jazz contempor\u00e1neo. M\u00e1s que recomendable. Es dif\u00edcil encontrar un libro como \u00e9ste escrito en Espa\u00f1a: jazz espa\u00f1ol de hoy, ahora.<\/p>\n<p>Seleccionado y comentado por\u00a0\u00a9\u00a0<strong>Juli\u00e1n Ruesga Bono<\/strong>, 2018<\/p>\n<p>Toda la informaci\u00f3n en\u00a0<a href=\"https:\/\/www.edictoralia.com\/tercera-corriente-nuevo-jazz-valenciano\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.edictoralia.com\/tercera-corriente-nuevo-jazz-valenciano\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Juli\u00e1n Ruesga Bono. Un libro. Jos\u00e9 Pru\u00f1onosa: Tercera Corriente. El nuevo jazz valenciano del siglo XXI\u00a0(2017, EdictOr\u00e0lia M\u00fasica, Valencia) Un libro que presenta y reflexiona sobre una parte significativa del jazz actual en Espa\u00f1a. Una aportaci\u00f3n historiogr\u00e1fica y cr\u00edtica importante a la cultura jazz espa\u00f1ola, a la vez que una<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-libro-tercera-corriente-el-nuevo-jazz-valenciano-del-siglo-xxi-jose-prunonosa-468\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38583,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17854,3,20689,15517,1038],"tags":[21773,17775,603],"class_list":["entry","author-pachi","post-38582","post","type-post","status-publish","format-standard","has-post-thumbnail","category-julian-ruesga-bono","category-libros","category-razones-para-el-jazz","category-textos","category-contenidos","tag-edicoralia","tag-jose-prunonosa","tag-julian-ruesga-bono"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Jose-Pru\u00f1onosa_Tercera-Corriente-el-nuevo-Jazz-valenciano-del-siglo-XXI.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":27298,"url":"https:\/\/tomajazz.com\/web\/ximotebar-la-guitarra-del-jazz-mediterraneo-son-mediterraneo-25-aniversario-1990-2015-piles-editorial-de-musica-s-a-valencia-2016-libro\/","url_meta":{"origin":38582,"position":0},"title":"Ximo T\u00e9bar, la guitarra del jazz mediterr\u00e1neo. Son Mediterr\u00e1neo, 25 aniversario, 1990-2015 (Jos\u00e9 Pru\u00f1onosa. Piles, Editorial de M\u00fasica S.A., Valencia, 2016) Por Juli\u00e1n Ruesga Bono [Libro]","author":"Tomajazz","date":"4 noviembre, 2016","format":false,"excerpt":"No es frecuente la publicaci\u00f3n de monograf\u00edas sobre m\u00fasicos de jazz espa\u00f1oles. Recordando, s\u00f3lo me viene a la memoria la dedicada a Tete Montoliu. Quiz\u00e1s haya otras que no recuerdo. As\u00ed que esta publicaci\u00f3n, XimoT\u00e9bar, La guitarra del jazz mediterr\u00e1neo, que ya lleva varios meses en la calle, es una\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"jose-prunonosa_ximo-tebar_la-guitarra-del-jazz-mediterraneo_libro_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Jos%C3%A9-Pru%C3%B1onosa_Ximo-Tebar_La-guitarra-del-Jazz-mediterr%C3%A1neo_libro_2016-197x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":42502,"url":"https:\/\/tomajazz.com\/web\/jazz-en-espanol-emision-21-de-marzo-de-2019-noticias\/","url_meta":{"origin":38582,"position":1},"title":"Jazz en espa\u00f1ol. Emisi\u00f3n 21 de marzo de 2019 [Noticias]","author":"Tomajazz","date":"21 marzo, 2019","format":false,"excerpt":"Por Redacci\u00f3n. Juli\u00e1n Ruesga presenta un programa que explora y difunde el jazz de Hispanoam\u00e9rica y Espa\u00f1a. Un vuelo a los mundos sonoros del jazz de dos continentes: Jazz en espa\u00f1ol. En la semana del 21 de marzo de 2019 Jos\u00e9 Pru\u00f1onosa, autor del libro Ximo T\u00e8bar, la guitarra del\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jazz-en-espa%C3%B1ol_LogoJulio2018-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jazz-en-espa%C3%B1ol_LogoJulio2018-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jazz-en-espa%C3%B1ol_LogoJulio2018-2.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":38404,"url":"https:\/\/tomajazz.com\/web\/jazz-en-espanol-emision-29-de-agosto-de-2018-noticias\/","url_meta":{"origin":38582,"position":2},"title":"Jazz en espa\u00f1ol. Emisi\u00f3n 29 de agosto de 2018 [Noticias]","author":"Tomajazz","date":"29 agosto, 2018","format":false,"excerpt":"Juli\u00e1n Ruesga presenta un programa que explora y difunde el jazz de Hispanoam\u00e9rica y Espa\u00f1a. Un vuelo a los mundos sonoros del jazz de dos continentes: Jazz en espa\u00f1ol. El programa de la semana del 29 de agosto de 2018 presenta el libro \"Tercera corriente. El nuevo jazz valenciano del\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jazz-en-espa%C3%B1ol_LogoJulio2018-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jazz-en-espa%C3%B1ol_LogoJulio2018-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Jazz-en-espa%C3%B1ol_LogoJulio2018-2.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100004,"url":"https:\/\/tomajazz.com\/web\/todo-es-flamenco-rock-efe-eme-2025\/","url_meta":{"origin":38582,"position":3},"title":"Todo es flamenco rock (Efe Eme; 2025) por Antonio Jes\u00fas Garc\u00eda y Ram\u00f3n Garc\u00eda. Por Juli\u00e1n Ruesga Bono [Libro de jazz]","author":"Tomajazz","date":"2 octubre, 2025","format":false,"excerpt":"Juli\u00e1n Ruesga repasa el libro Todo es flamenco rock (Efe Eme; 2025) de Antonio Jes\u00fas Garc\u00eda y Ram\u00f3n Garc\u00eda","rel":"","context":"En \u00abLibros...\u00bb","block_context":{"text":"Libros...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/libros\/"},"img":{"alt_text":"Todo es flamenco rock (Efe Eme; 2025) por Antonio Jes\u00fas Garc\u00eda y Ram\u00f3n Garc\u00eda. Por Juli\u00e1n Ruesga Bono [Libro de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antonio-Jesus-Garcia-y-Ramon-Garcia-Todo-es-flamenco-rock-2025-EfeEme-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antonio-Jesus-Garcia-y-Ramon-Garcia-Todo-es-flamenco-rock-2025-EfeEme-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antonio-Jesus-Garcia-y-Ramon-Garcia-Todo-es-flamenco-rock-2025-EfeEme-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antonio-Jesus-Garcia-y-Ramon-Garcia-Todo-es-flamenco-rock-2025-EfeEme-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30421,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-jazz-argentino-la-musica-negra-del-pais-blanco-berenice-corti-122\/","url_meta":{"origin":38582,"position":4},"title":"365 razones para amar el jazz: un libro. Jazz argentino. La m\u00fasica \u201cnegra\u201d del pa\u00eds \u201cblanco\u201d (Berenice Corti) [122]","author":"Tomajazz","date":"2 mayo, 2017","format":false,"excerpt":"Un libro. Berenice Corti: Jazz argentino. La m\u00fasica \u201cnegra\u201d del pa\u00eds \u201cblanco\u201d (Gourmet Musical Ediciones, Buenos Aires, 2015) A trav\u00e9s de entrevistas a m\u00fasicos de distintas generaciones y estilos, este libro aborda el desarrollo de la escena jazz de Buenos Aires entre finales del siglo XX e inicio del siglo\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Berenice-Corti_Jazz-Argentino_Libro_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Berenice-Corti_Jazz-Argentino_Libro_2015.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Berenice-Corti_Jazz-Argentino_Libro_2015.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":42444,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-la-modernidad-elusiva-ivan-iglesias-489\/","url_meta":{"origin":38582,"position":5},"title":"Razones para el jazz: La modernidad elusiva (Iv\u00e1n Iglesias) [489].","author":"Tomajazz","date":"17 marzo, 2019","format":false,"excerpt":"Por\u00a0Juli\u00e1n Ruesga Bono. El jazz en Espa\u00f1a durante la Guerra Civil y el franquismo. Un libro destacado por lo que es y representa: la investigaci\u00f3n m\u00e1s exhaustiva y detallada, realizada hasta ahora, sobre un periodo de la historia del jazz en Espa\u00f1a, de 1936 a 1968, pero tambi\u00e9n sobresaliente por\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/La-modernidad-elusiva.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38582"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38582\/revisions"}],"predecessor-version":[{"id":38585,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38582\/revisions\/38585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38583"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}