{"id":38680,"date":"2018-09-16T12:00:52","date_gmt":"2018-09-16T10:00:52","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38680"},"modified":"2022-08-31T20:17:41","modified_gmt":"2022-08-31T18:17:41","slug":"razones-para-el-jazz-un-disco-que-es-una-experiencia-jazztango-el-nuevo-tango-astor-piazzolla-gary-burton-470","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-que-es-una-experiencia-jazztango-el-nuevo-tango-astor-piazzolla-gary-burton-470\/","title":{"rendered":"Razones para el jazz. Un disco que es una experiencia (jazz+tango): El nuevo tango (Astor Piazzolla &#038; Gary Burton) [470]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-38681 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-200x199.jpg\" alt=\"\" width=\"200\" height=\"199\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-768x764.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-600x597.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango.jpg 1080w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco que es una experiencia (jazz+tango).\u00a0<strong>Astor Piazzolla &amp; Gary Burton<\/strong>: <em>El nuevo tango<\/em> (Atlantic Records, 1986)<\/p>\n<p>Seleccionado por <strong>Kuto<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco que es una experiencia (jazz+tango).\u00a0Astor Piazzolla &amp; Gary Burton: El nuevo tango (Atlantic Records, 1986) Seleccionado por Kuto<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-que-es-una-experiencia-jazztango-el-nuevo-tango-astor-piazzolla-gary-burton-470\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38681,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17843,20689,15517,1038],"tags":[4769,9592,6374,37],"class_list":["entry","author-pachi","post-38680","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-razones-para-el-jazz","category-textos","category-contenidos","tag-astor-piazzolla","tag-atlantic","tag-gary-burton","tag-kuto"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Astor-Piazzolla-Gary-Burton_The-New-Tango.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12644,"url":"https:\/\/tomajazz.com\/web\/gary-burton-learning-to-listen-the-jazz-journey-of-gary-burton-berklee-press-2013-libro\/","url_meta":{"origin":38680,"position":0},"title":"Gary Burton: Learning To Listen. The Jazz Journey Of Gary Burton (Berklee Press, 2013; libro)","author":"Arturo Mora","date":"10 junio, 2014","format":false,"excerpt":"La autobiograf\u00eda de Gary Burton es justo lo que muchos estaban esperando: un divertido compendio de an\u00e9cdotas y trapos sucios de los grandes del jazz en tiempos recientes. Sus elogios a Duke Ellington, Keith Jarrett, Pat Metheny, Chick Corea y Astor Piazzolla se ven compensados con \u00e1speras\u00a0caricaturas de Astrud Gilberto,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Learning To Listen The Jazz Journey Of Gary Burton","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Learning-To-Listen-The-Jazz-Journey-Of-Gary-Burton-195x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":44,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-close-your-eyes-and-listen-astor-piazzolla-1974\/","url_meta":{"origin":38680,"position":1},"title":"Tomajazz recomienda&#8230; un tema: \u00abClose Your Eyes And Listen\u00bb (Astor Piazzolla, 1974)","author":"Adolphus van Tenzing","date":"18 mayo, 2009","format":false,"excerpt":"Aunque su nombre est\u00e1 intr\u00ednsecamente asociado con el tango, Astor Piazzolla tambi\u00e9n estuvo relacionado con el jazz. En 1958 (un a\u00f1o antes de Piazzolla interpreta a Piazzolla en el que inclu\u00eda su eterno \"Adi\u00f3s Nonino\"), Piazzolla grab\u00f3 el decepcionante Take Me Dancing! The Latin Rhythms of Astor Piazzolla (1958), en\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"20090518_piazzolla-mulligan-reunion-cumbre","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2009\/05\/20090518_piazzolla-mulligan-reunion-cumbre.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2140,"url":"https:\/\/tomajazz.com\/web\/orchestre-national-de-jazz-piazzolla-jazz-village-2012\/","url_meta":{"origin":38680,"position":2},"title":"Orchestre National de Jazz: Piazzolla! (Jazz Village, 2012)","author":"Tomajazz","date":"15 enero, 2013","format":false,"excerpt":"Bajo la direcci\u00f3n de Daniel Yvinec la Orchestre National de Jazz de Francia (conocida por las siglas ONJ) afronta en su nueva grabaci\u00f3n un repertorio en el que Astor Piazzolla es el eje central. El gran autor argentino tuvo a lo largo de su carrera algunos acercamientos al jazz. Desde\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-To6ovorIrZ4\/UPXMI9zs3mI\/AAAAAAAAGYE\/nRV1U7sGEOw\/s200\/onj_piazzolla.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3111,"url":"https:\/\/tomajazz.com\/web\/portishead-bach-y-astor-piazzolla-con-tango-siempre\/","url_meta":{"origin":38680,"position":3},"title":"Portishead, Bach y Astor Piazzolla con Tango Siempre","author":"Tomajazz","date":"10 marzo, 2009","format":false,"excerpt":"Only Human del quinteto Tango Siempre es una peque\u00f1a sopresa. Su \u00faltimo trabajo contin\u00faa transitando por los terrenos del tango contempor\u00e1neo con aproximaciones a la danza, el chaman\u00e9 o la milonga, sin olvidar un toque jazz\u00edstico e improvisado.El tema m\u00e1s sorprendente de este disco son los siete minutos y medio\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6221,"url":"https:\/\/tomajazz.com\/web\/the-new-gary-burton-quartet-guided-tour-mack-avenue-2013-aka-veteranos-en-la-brecha-lvi-en-la-casa-del-mundo-liii\/","url_meta":{"origin":38680,"position":4},"title":"The New Gary Burton Quartet: Guided Tour (Mack Avenue, 2013) [AKA Veteranos en la brecha LVI] [En \u00abLa Casa del Mundo\u00bb (LIII)]","author":"Tomajazz","date":"3 mayo, 2013","format":false,"excerpt":"Gary Burton (1943) sigue en plena forma a pesar de su edad. Buena muestra de ello es Guided Tour, la nueva grabaci\u00f3n a nombre de The New Gary Burton Quartet, grupo con el que a pesar de su nombre ya hab\u00eda grabado anteriormente. Sin cambios en su formaci\u00f3n, sus tres\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"The New Gary Burton Quartet_Guided Tour_Mack Avenue 2013","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/The-New-Gary-Burton-Quartet_Guided-Tour_Mack-Avenue-2013.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16208,"url":"https:\/\/tomajazz.com\/web\/grand-fatilla-global-shuffle-grand-fatilla-records-2014\/","url_meta":{"origin":38680,"position":5},"title":"Grand Fatilla: Global Shuffle (Grand Fatilla Records, 2014)","author":"Tomajazz","date":"8 enero, 2015","format":false,"excerpt":"El cuarteto Gran Fatilla no es un grupo m\u00e1s de los muchos que hay dedicados a difundir la \u201cworld music\u201d dentro de la cual caben muchos estilos como el folk y el etno-jazz. La base del grupo, radicado en Boston, es el contrabajista Mike Rivard, el mandolinista el\u00e9ctrico Matt Glover\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/Grand-Fatilla_Grand-Fatilla_Fatilla-Records_2014-e1420669731394.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38680"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38680\/revisions"}],"predecessor-version":[{"id":38682,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38680\/revisions\/38682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38681"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}