{"id":38683,"date":"2018-09-18T11:00:06","date_gmt":"2018-09-18T09:00:06","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38683"},"modified":"2022-08-31T20:17:03","modified_gmt":"2022-08-31T18:17:03","slug":"hdo-456-kitamura-drake-phillips-threadgill-zorn-konstrukt-haino-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-456-kitamura-drake-phillips-threadgill-zorn-konstrukt-haino-podcast\/","title":{"rendered":"HDO 456. Kitamura \/ Drake &#8211; Phillips \/ Threadgill \/ Zorn \/ Konstrukt &#8211; Haino [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38684 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38685 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Henry-Threadgill-14-or-15-Kestra-Agg_Dirt...-And-More-Dirt-200x184.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Henry-Threadgill-14-or-15-Kestra-Agg_Dirt...-And-More-Dirt-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Henry-Threadgill-14-or-15-Kestra-Agg_Dirt...-And-More-Dirt-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38686 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/John-Zorn_The-Urmuz-Epigrams-200x204.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/John-Zorn_The-Urmuz-Epigrams-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/John-Zorn_The-Urmuz-Epigrams-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/John-Zorn_The-Urmuz-Epigrams-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38687 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Konstrukt-Keiji-Haino_A-Philosophy-Warping-Little-By-Little-That-Way-Lies-A-Quagmire.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38688 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Cinco propuestas suenan en la entrega 456 de HDO.\u00a0<em>Protean Labyrinth\u00a0<\/em>(Autoeditado, 2018) de la cantante\u00a0<strong>Kyokko Kitamura<\/strong>, a la que acompa\u00f1an Ingrid Laubrock, Ken Filiano y Dayeon Seok.\u00a0<em>Trail Of Inevitability\u00a0<\/em>(Lizard Breath Records, 2018), d\u00fao del guitarrista\u00a0<strong>Dan Phillips<\/strong> con el baterista\u00a0<strong>Hamid Drake<\/strong>;\u00a0<strong>Henry Threadgill 14 Or 15 Kestra: Agg<\/strong>\u00a0<em>Dirt&#8230; and More Dirt<\/em>\u00a0(Pi Recordings, 2018);\u00a0<em>The Urmuz Epigrams<\/em> (Tzadik, 2018) de\u00a0<strong>John Zorn<\/strong>\u00a0a d\u00fao con Ches Smith;\u00a0<em>A Philosophy Warping, Little By Little That Way Lies A Quagmire<\/em> (Karlrecords, 2018) grabaci\u00f3n en directo del grupo turco <strong>Konstrukt<\/strong> junto al guitarrista <strong>Keiji Haino<\/strong>.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_28589511\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_28589511_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. &nbsp; Cinco propuestas suenan en la entrega 456 de HDO.\u00a0Protean Labyrinth\u00a0(Autoeditado, 2018) de la cantante\u00a0Kyokko Kitamura, a la que acompa\u00f1an Ingrid Laubrock, Ken Filiano y Dayeon Seok.\u00a0Trail Of Inevitability\u00a0(Lizard Breath Records, 2018), d\u00fao del guitarrista\u00a0Dan Phillips con el baterista\u00a0Hamid Drake;\u00a0Henry Threadgill 14 Or 15 Kestra: Agg\u00a0Dirt&#8230; and More<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-456-kitamura-drake-phillips-threadgill-zorn-konstrukt-haino-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38688,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[21794,21793,672,501,21795,5798,21797,13093,8109,6505,21436,21796,31,6335],"class_list":["entry","author-pachi","post-38683","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-dan-phillips","tag-dayeon-seok","tag-hamid-drake","tag-henry-threadgill","tag-henry-threadgill-14-or-15-kestra-agg","tag-ingrid-laubrock","tag-karlrecords","tag-keiji-haino","tag-ken-filiano","tag-konstrukt","tag-kyoko-kitamura","tag-lizard-breath-records","tag-pachi-tapiz","tag-pi-recordings"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Kyoko-Kitamuras-Tidepool-Fauna_Protean-Labyrinth.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":39220,"url":"https:\/\/tomajazz.com\/web\/hdo-463-especial-henry-threadgill-xiii-very-very-circus-ii-podcast\/","url_meta":{"origin":38683,"position":0},"title":"HDO 463. Especial Henry Threadgill (XIII): Very Very Circus (II) [Podcast]","author":"Tomajazz","date":"12 octubre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. HDO 463, d\u00e9cimo tercera entrega del\u00a0especial dedicado a Henry Threadgill, es la segunda de las tres dedicada a la formaci\u00f3n de\u00a0Henry Threadgill,\u00a0Very Very Circus: suenan temas de\u00a0Carry The Day\u00a0y\u00a0Song Out Of My Trees\u00a0(*). Tomajazz: \u00a9 Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisaci\u00f3n (libre en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill_Carry-The-Day.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill_Carry-The-Day.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill_Carry-The-Day.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill_Carry-The-Day.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill_Carry-The-Day.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill_Carry-The-Day.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":39257,"url":"https:\/\/tomajazz.com\/web\/hdo-464-especial-henry-threadgill-xiv-very-very-circus-y-iii-podcast\/","url_meta":{"origin":38683,"position":1},"title":"HDO 464. Especial Henry Threadgill (XIV): Very Very Circus (y III) [Podcast]","author":"Tomajazz","date":"16 octubre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. Contin\u00faa en HDO el repaso a la carrera de Henry Threadgill. En la entrega 464 de\u00a0HDO, decimocuarta entrega del\u00a0especial Henry Threadgill, es la tercera dedicada a Very Very Circus: suenan temas de\u00a0Carry The Day\u00a0y\u00a0Makin' A Move, ambas grabaciones publicadas en Columbia en 1995. Tomajazz: \u00a9 Pachi Tapiz, 2018\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Henry-Threadgill-Very-Very-Circus_Makin-A-Move.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38643,"url":"https:\/\/tomajazz.com\/web\/hdo-453-especial-henry-threadgill-ix-x-75-podcast\/","url_meta":{"origin":38683,"position":2},"title":"HDO 453. Especial Henry Threadgill (IX): X-75 [Podcast]","author":"Tomajazz","date":"14 septiembre, 2018","format":false,"excerpt":"Por Pachi Tapiz. \u00a0 Si hay algo que caracteriza a\u00a0Henry Threadgill a lo largo de su carrera es el trabajar con formaciones in\u00e9ditas, o como m\u00ednimo infrecuentes. Es el caso de\u00a0X-75\u00a0(1979), una grabaci\u00f3n en formato de noneto (la primera publicada a su nombre cuando Threadgill mediaba la treintena), que inclu\u00eda\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Henry-Threadgill_X-75-Vol.1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38557,"url":"https:\/\/tomajazz.com\/web\/hdo-448-especial-henry-threadgill-vi-air-iv-podcast\/","url_meta":{"origin":38683,"position":3},"title":"HDO 448. Especial Henry Threadgill (VI): AIR (IV) [Podcast]","author":"Tomajazz","date":"6 septiembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. HDO 448 es la sexta entrega del especial dedicado a Henry Threadgill en HDO. En el cuarto programa dedicado a su tr\u00edo AIR suenan las grabaciones Air Lore\u00a0(el tr\u00edo retorn\u00f3 a sus or\u00edgenes reinterpretando m\u00fasica de Jelly Roll Morton y Scott Joplin), Air Mail\u00a0(el solo de flauta de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Air-Mail.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38500,"url":"https:\/\/tomajazz.com\/web\/hdo-447-especial-henry-threadgill-iv-air-ii-podcast\/","url_meta":{"origin":38683,"position":4},"title":"HDO 446. Especial Henry Threadgill (IV): AIR (II) [Podcast]","author":"Tomajazz","date":"4 septiembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. HDO 446 es el cuarto de los programas dedicados a Henry Threadgill. Su tr\u00edo AIR es su formaci\u00f3n por antonomasia, con una intensa carrera desde mediados de los 70 hasta principios de los 80 que dej\u00f3 grabados m\u00e1s de diez discos. En el segundo programa dedicado a este\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Air-Time.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38650,"url":"https:\/\/tomajazz.com\/web\/hdo-447-especial-henry-threadgill-v-air-iii\/","url_meta":{"origin":38683,"position":5},"title":"HDO 447. Especial Henry Threadgill (V): AIR (III)","author":"Tomajazz","date":"13 septiembre, 2018","format":false,"excerpt":"Por Pachi Tapiz. El especial Henry Threadgill\u00a0en HDO llega en su quinta parada al tercer programa dedicado al grupo AIR (con Henry Threadgill, Fred Hopkins y Steve McCall). En el programa suena m\u00fasica de las grabaciones Montreaux Suisse y Air Lore. Tomajazz: \u00a9 Pachi Tapiz, 2018 HDO es un podcast\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/air-lore.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/air-lore.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/air-lore.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/air-lore.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/air-lore.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/air-lore.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38683"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38683\/revisions"}],"predecessor-version":[{"id":38691,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38683\/revisions\/38691"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38688"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}