{"id":38769,"date":"2018-09-21T11:00:05","date_gmt":"2018-09-21T09:00:05","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38769"},"modified":"2022-08-31T20:12:17","modified_gmt":"2022-08-31T18:12:17","slug":"hdo-459-de-formaciones-amplias-grupos-vocales-y-estrenos-tardios-tjo-john-bailey-kicks-and-sticks-the-real-group-university-of-toronto-12tet-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-459-de-formaciones-amplias-grupos-vocales-y-estrenos-tardios-tjo-john-bailey-kicks-and-sticks-the-real-group-university-of-toronto-12tet-podcast\/","title":{"rendered":"HDO 459. De formaciones amplias, grupos vocales y estrenos tard\u00edos: TJO, John Bailey, Kicks And Sticks, The Real Group, University Of Toronto 12tet [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38770 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/John-Bailey_In-Real-Time-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\"> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38771 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/the-Real-Group-Kicks-And-Sticks_Friendship-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/the-Real-Group-Kicks-And-Sticks_Friendship-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/the-Real-Group-Kicks-And-Sticks_Friendship-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/the-Real-Group-Kicks-And-Sticks_Friendship-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/the-Real-Group-Kicks-And-Sticks_Friendship-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/the-Real-Group-Kicks-And-Sticks_Friendship.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38772 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Toronto-Jazz-Orchestra_20-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Toronto-Jazz-Orchestra_20-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Toronto-Jazz-Orchestra_20-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Toronto-Jazz-Orchestra_20-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Toronto-Jazz-Orchestra_20-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Toronto-Jazz-Orchestra_20.jpg 210w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-38773 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/University-Of-Toronto-12Tet_When-Day-Slips-Into-Night-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><strong>HDO 459\u00a0<\/strong>versa sobre formaciones extensas (<strong>TJO<\/strong> &#8211; <strong>Toronto Jazz Orchestra<\/strong> y\u00a0<em>20\u00a0<\/em>-Autoeditado, 2018; <strong>University Of Toronto 12Tet<\/strong> y <em>When Day Slips Into Night<\/em> -UofT Jazz, 2018); de formaciones extensas con grupo vocal (<em>Friendship\u00a0<\/em>-Chaos Records, 2018- de <strong>The Real Group<\/strong> &#8211; <strong>Kicks &amp; Sticks<\/strong>); y de un estreno discogr\u00e1fico m\u00e1s que notable pasados los cincuenta (<em>In Real Time\u00a0<\/em>-Summit Records, 2018- de\u00a0<strong>John Bailey<\/strong>).<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_28637134' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_28637134_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. HDO 459\u00a0versa sobre formaciones extensas (TJO &#8211; Toronto Jazz Orchestra y\u00a020\u00a0-Autoeditado, 2018; University Of Toronto 12Tet y When Day Slips Into Night -UofT Jazz, 2018); de formaciones extensas con grupo vocal (Friendship\u00a0-Chaos Records, 2018- de The Real Group &#8211; Kicks &amp; Sticks); y de un estreno discogr\u00e1fico m\u00e1s<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-459-de-formaciones-amplias-grupos-vocales-y-estrenos-tardios-tjo-john-bailey-kicks-and-sticks-the-real-group-university-of-toronto-12tet-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38770,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[21813,13299,13,19078,21815,31,21816,21814,21811,21812,19331,19332],"class_list":["entry","author-pachi","post-38769","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-chaos-records","tag-hdo","tag-jazz","tag-john-bailey","tag-kicks-and-sticks","tag-pachi-tapiz","tag-summit-records","tag-the-real-group","tag-tjo","tag-toronto-jazz-orchestra","tag-university-of-toronto-12tet","tag-uoft-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/John-Bailey_In-Real-Time-e1537209721685.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30215,"url":"https:\/\/tomajazz.com\/web\/hdo-0260-de-orquestas-de-jazz-y-de-grandes-formaciones-podcast\/","url_meta":{"origin":38769,"position":0},"title":"HDO 260. De Orquestas de Jazz y de grandes formaciones [Podcast]","author":"Tomajazz","date":"18 abril, 2017","format":false,"excerpt":"Cuatro propuestas discogr\u00e1ficas en HDO 260, dedicado a orquestas y grandes formaciones de jazz. Suenan Gil Evans Paris Workshop de Laurent Cugny (Spoonful\u00a0-Jazz & People, 2017, 2CD), Joshua Green & The Cyborg Orchestra (Telepathy & Bop\u00a0-National Sawdust, 2017), University Of Toronto Jazz Orchestra (Sweet Ruby Suite -UofT Jazz, 2017), y\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Laurent-Cugny-Gil-Evans-Paris-Workshop_Spoonful_Jazz-And-People_2017_2CD-e1492461034860.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Laurent-Cugny-Gil-Evans-Paris-Workshop_Spoonful_Jazz-And-People_2017_2CD-e1492461034860.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Laurent-Cugny-Gil-Evans-Paris-Workshop_Spoonful_Jazz-And-People_2017_2CD-e1492461034860.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29828,"url":"https:\/\/tomajazz.com\/web\/hdo-252-university-of-toronto-jazz-orchestra-edward-maclean-jason-anick-jason-yeager-podcast\/","url_meta":{"origin":38769,"position":1},"title":"HDO 252. University Of Toronto Jazz Orchestra; Edward Maclean; Jason Anick &#8211; Jason Yeager [Podcast]","author":"Tomajazz","date":"23 marzo, 2017","format":false,"excerpt":"Sweet Ruby Suite\u00a0(University Of Toronto Jazz Studios, 2017) de la\u00a0University Of Toronto Jazz Orchestra\u00a0(rindiendo un magn\u00edfico homenaje a\u00a0Kenny Wheeler, contando para ello con la colaboraci\u00f3n de\u00a0Norma Winstone y\u00a0Dave Liebman);\u00a0Me & You\u00a0(r3w records, 2017) de\u00a0Edward Maclean\u00a0(junto a\u00a0Tobias Backhaus,\u00a0Christian K\u00f6gel,\u00a0Matti Klein,\u00a0Sebastian Borkowski);\u00a0United\u00a0(Inner Circle Music, 2017)\u00a0de\u00a0Jason Anick - Jason Eager\u00a0(con la colaboraci\u00f3n de\u00a0George\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/University-Of-Toronto-Jazz-Orchestra_Sweet-Ruby-Suite_University-Of-Toronto-Jazz-Orchestra_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/University-Of-Toronto-Jazz-Orchestra_Sweet-Ruby-Suite_University-Of-Toronto-Jazz-Orchestra_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/University-Of-Toronto-Jazz-Orchestra_Sweet-Ruby-Suite_University-Of-Toronto-Jazz-Orchestra_2017.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":62176,"url":"https:\/\/tomajazz.com\/web\/struttin-ball-state-university-jazz-ensemble-i-can-see-the-other-side-autoeditado-2022-por-pachi-tapiz-jazzx5459-minipodcast-de-jazz\/","url_meta":{"origin":38769,"position":2},"title":"\u00abStruttin'\u00bb [Ball State University Jazz Ensemble I Can See the Other Side (Autoeditado, 2022)] Por Pachi Tapiz. 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Tres propuestas de jazz en gran formato, muy distintas entre s\u00ed, suenan en la entrega 519 de HDO. The Art Ensemble Of Chicago,\u00a0Tom Pierson Orchestra,\u00a0Fred Hersch\u00a0con la\u00a0WDR Big Band. The Art Ensemble Of Chicago\u00a0(expandido y magn\u00edficamente acompa\u00f1ado), sigue trabajando en su concepto de la Great Black Music\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25694,"url":"https:\/\/tomajazz.com\/web\/hdo-149-cyrus-chestnut-rene-marie-myriad-3-3x3-07-podcast\/","url_meta":{"origin":38769,"position":4},"title":"HDO 149. 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John Vanore, The Liberation Music Collective, Gareth Lockrane: de big bands y grandes formaciones [Podcast]","author":"Tomajazz","date":"7 septiembre, 2017","format":false,"excerpt":"Tres propuestas con grupos en gran formato para HDO 305:\u00a0John Vanore\u00a0Stolen Moments. Celebrating Oliver Nelson\u00a0(Acoustical Concepts, 2017), magn\u00edfica revisi\u00f3n de m\u00fasica relacionada de uno u otro modo con Nelson, en el que cuenta con la participaci\u00f3n de Steve Wilson, Jim Ridl, Bob Mallach, Danny Gottlieb o Dave Ballou entre otros;\u00a0The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/John-Vanore_Stolen-Moments_Acoustical-Concepts_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38769"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38769\/revisions"}],"predecessor-version":[{"id":38812,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38769\/revisions\/38812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38770"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}