{"id":38814,"date":"2018-09-22T12:00:58","date_gmt":"2018-09-22T10:00:58","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38814"},"modified":"2022-08-31T20:12:56","modified_gmt":"2022-08-31T18:12:56","slug":"razones-para-el-jazz-el-trio-das-kapital-471","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-el-trio-das-kapital-471\/","title":{"rendered":"Razones para el jazz. El tr\u00edo Das Kapital [471]"},"content":{"rendered":"<p>Por <strong>Joan Cort\u00e8s<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-38815\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn-600x401.jpg\" alt=\"\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Tr\u00edo, de nombre expl\u00edcito, formado por el guitarrista dan\u00e9s <strong>Hasse Poulsen<\/strong>, el saxofonista alem\u00e1n <strong>Daniel Erdmann<\/strong> y el baterista\/percusionista franc\u00e9s <strong>Edward Perraud<\/strong>.<\/p>\n<p>Las propuestas <em>Ballads &amp; Barricades<\/em>\u00a0(2008) y <em>Eisler Explosion<\/em>\u00a0(2013) con temas de <strong>Hanns Eisler<\/strong> (Leipzig, 1898 &#8211; Berl\u00edn Este, 1962), compositor perseguido primero por el nazismo, despu\u00e9s por el macartismo y finalmente por el comunismo.<\/p>\n<p style=\"text-align: left;\">Seleccionado, comentado y fotografiado\u00a0\u00a9\u00a0<strong>Joan Cort\u00e8s<\/strong>, 2018<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Joan Cort\u00e8s. Tr\u00edo, de nombre expl\u00edcito, formado por el guitarrista dan\u00e9s Hasse Poulsen, el saxofonista alem\u00e1n Daniel Erdmann y el baterista\/percusionista franc\u00e9s Edward Perraud. Las propuestas Ballads &amp; Barricades\u00a0(2008) y Eisler Explosion\u00a0(2013) con temas de Hanns Eisler (Leipzig, 1898 &#8211; Berl\u00edn Este, 1962), compositor perseguido primero por el nazismo,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-el-trio-das-kapital-471\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38815,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17853,20689,15517,1038],"tags":[7192,7183,7193,21826,1041],"class_list":["entry","author-pachi","post-38814","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-razones-para-el-jazz","category-textos","category-contenidos","tag-daniel-erdmann","tag-das-kapital","tag-edward-perraud","tag-hasse-poulsen","tag-joan-cortes"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/R06_Ds-Kptl-\u00a9-Joan-Cort\u00e8s_11stm18_Rzns-pr-mr-l-jzz_Grn.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38814"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38814\/revisions"}],"predecessor-version":[{"id":38816,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38814\/revisions\/38816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38815"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}