{"id":38826,"date":"2018-09-25T11:11:52","date_gmt":"2018-09-25T09:11:52","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=38826"},"modified":"2022-08-31T20:06:19","modified_gmt":"2022-08-31T18:06:19","slug":"hdo-470-al-habla-con-samuel-blaser-early-in-the-morning-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-470-al-habla-con-samuel-blaser-early-in-the-morning-podcast\/","title":{"rendered":"HDO 470. Al habla con&#8230; Samuel Blaser \u00abEarly In The Mornin'\u00bb [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38827\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/samuel_blaser_early_in_the_morning.jpg\" alt=\"\" width=\"500\" height=\"448\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/samuel_blaser_early_in_the_morning.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/samuel_blaser_early_in_the_morning-200x179.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/samuel_blaser_early_in_the_morning-61x55.jpg 61w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>El trombonista suizo\u00a0<strong>Samuel Blaser<\/strong>\u00a0(integrante del <a href=\"https:\/\/tomajazz.com\/web\/?p=37582\" target=\"_blank\" rel=\"noopener\"><strong>Cuarteto<\/strong> <strong>Europa<\/strong> de <strong>Baldo<\/strong> <strong>Mart\u00ednez<\/strong><\/a>), ha publicado en septiembre de 2018\u00a0<em>Early In The Mornin&#8217;\u00a0<\/em>(Out There Music &#8211; Out Note Records).\u00a0Al igual que ocurre con alguna de sus grabaciones anteriores, esta obra est\u00e1 centrada en una tem\u00e1tica determinada, que en este caso es la del blues. En esta inmersi\u00f3n musical aparecen revisiones de temas tradicionales como \u00abBlack Betty\u00bb, \u00abCreepy Crawler\u00bb o \u00abLonesome Road Blues\u00bb de Sam Collins, junto a sus composiciones que se introducen en esta tradici\u00f3n musical.<\/p>\n<p>Para este nuevo proyecto (que en su gira de presentaci\u00f3n tendr\u00e1 una parada en C\u00e1diz), cuenta con la colaboraci\u00f3n del pianista y teclista <strong>Russ<\/strong> <strong>Lossing<\/strong>, el contrabajista <strong>Masa<\/strong> <strong>Kamaguchi<\/strong> y el baterista <strong>Gerry<\/strong> <strong>Hemingway<\/strong>, as\u00ed como con la participaci\u00f3n como invitados especiales en algunos de los temas de <strong>Oliver<\/strong> <strong>Lake<\/strong> (saxo alto), y <strong>Wallace<\/strong> <strong>Roney<\/strong> (trompeta).<\/p>\n<p>En <strong>HDO 470<\/strong> escuchamos a Samuel Blaser (en ingl\u00e9s) hablar sobre la grabaci\u00f3n, y como no pod\u00eda ser de otra manera, algunos de los temas de\u00a0<em>Early In The Mornin&#8217;<\/em>:\u00a0\u00abThe House Carpenter\u00bb, \u00abMal&#8217;s Blues\u00bb, \u00abBlack Betty\u00bb y \u00abLonesome Road Blues\u00bb.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_28785362\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_28785362_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. El trombonista suizo\u00a0Samuel Blaser\u00a0(integrante del Cuarteto Europa de Baldo Mart\u00ednez), ha publicado en septiembre de 2018\u00a0Early In The Mornin&#8217;\u00a0(Out There Music &#8211; Out Note Records).\u00a0Al igual que ocurre con alguna de sus grabaciones anteriores, esta obra est\u00e1 centrada en una tem\u00e1tica determinada, que en este caso es la<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-470-al-habla-con-samuel-blaser-early-in-the-morning-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38827,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,17048,5,13298,21698,12814,15518,1038],"tags":[1489,60,13,26,166,21831,21830,31,351,6834,66],"class_list":["entry","author-pachi","post-38826","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-audioentrevistas-en-hdo","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-blues","tag-gerry-hemingway","tag-jazz","tag-masa-kamaguchi","tag-oliver-lake","tag-out-note-records","tag-out-there-music","tag-pachi-tapiz","tag-russ-lossing","tag-samuel-blaser","tag-wallace-roney"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/samuel_blaser_early_in_the_morning.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":66635,"url":"https:\/\/tomajazz.com\/web\/roosters-pierre-favre-samuel-blaser\/","url_meta":{"origin":38826,"position":0},"title":"\u00abRoosters\u00bb [ Pierre Favre Samuel Blaser: Same Place, Another Time (Blaser Music, 2022)] Por Pachi Tapiz. JazzX5 #513 [Minipodcast de jazz]","author":"Tomajazz","date":"13 septiembre, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"Roosters\" de Same Place, Another Time (Blaser Music, 2022), del d\u00fao de m\u00fasicos suizos Pierre Favre Samuel Blaser. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\"Roosters\" [ Pierre Favre - Samuel Blaser: Same Place, Another Time (Blaser Music, 2022)] Por Pachi Tapiz. JazzX5 #513 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0513.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0513.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0513.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0513.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":35198,"url":"https:\/\/tomajazz.com\/web\/hdo-372-nobusiness-records-novedades-podcast\/","url_meta":{"origin":38826,"position":1},"title":"HDO 372. NoBusiness Records: novedades [Podcast]","author":"Tomajazz","date":"20 febrero, 2018","format":false,"excerpt":"En HDO 370 suenan las cuatro \u00faltimas grabaciones publicadas por el sello lituano NoBusiness Records. Oostum de Gerry Hemingway - Samuel Blaser; Live At Caf\u00e9 Amores de Kang Tae Hwan; Oh My, Those Boys! de Barre Philips - Motoharu Yoshizawa; y Frames & Terrains de Martin Blume - Tobias Delius\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":37371,"url":"https:\/\/tomajazz.com\/web\/hdo-424-adelanto-de-baldo-martinez-cuarteto-europa-podcast\/","url_meta":{"origin":38826,"position":2},"title":"HDO 424. Adelanto de Baldo Mart\u00ednez Cuarteto Europa [Podcast]","author":"Tomajazz","date":"21 junio, 2018","format":false,"excerpt":"\u00a0 Tras varias giras y un proyecto de\u00a0crowfunding, el contrabajista\u00a0Baldo Mart\u00ednez ha publicado el estreno discogr\u00e1fico del Cuarteto Europa, un super grupo de m\u00fasicos de jazz e improvisaci\u00f3n europeo en el que cuenta con la colaboraci\u00f3n de Samuel Blaser, Dominique Pifarely y Ram\u00f3n L\u00f3pez. En HDO 424 escuchamos el tema\u00a0\"Isla\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Portada-copia.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Portada-copia.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Portada-copia.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Portada-copia.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Portada-copia.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Portada-copia.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":28098,"url":"https:\/\/tomajazz.com\/web\/hdo-208-aeby-bassdrumbone-eskelin-y-cia-jass-webber-podcast\/","url_meta":{"origin":38826,"position":3},"title":"HDO 208. Aeby &#8211; BassDrumBone &#8211; Eskelin y cia &#8211; JASS &#8211; Webber [Podcast]","author":"Tomajazz","date":"14 diciembre, 2016","format":false,"excerpt":"Nada m\u00e1s descriptivo que titular un programa de HDO con los nombres de los m\u00fasicos y grupos que suenan en el programa... m\u00e1s o menos. En esta ocasi\u00f3n los protagonistas son Stefan Aeby Trio (Stefan Aeby, Andr\u00e9 Pousaz, Michi Stulz) y su to the light (Intakt, 2016); BassDrumBone (o lo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/BassDrumBone_The-Long-Road_Auricle-Records_2016-e1481744307738-200x201.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":37582,"url":"https:\/\/tomajazz.com\/web\/hdo-431-al-habla-con-baldo-martinez-cuarteto-europa-imaxinasons-podcast\/","url_meta":{"origin":38826,"position":4},"title":"HDO 431. Al habla con&#8230; Baldo Mart\u00ednez: Cuarteto Europa &#8211; Imaxinasons [Podcast]","author":"Tomajazz","date":"4 julio, 2018","format":false,"excerpt":"Tras cinco a\u00f1os, varias giras y un proyecto de crowfunding, finalmente el contrabajista\u00a0Baldo Mart\u00ednez ha publicado el estreno discogr\u00e1fico del\u00a0Cuarteto Europa. Acompa\u00f1ado por\u00a0Dominique Pifar\u00e9ly (viol\u00edn),\u00a0Samuel Blaser\u00a0(tromb\u00f3n) y\u00a0Ram\u00f3n L\u00f3pez (bater\u00eda y percusiones mayores y menores), esta grabaci\u00f3n distribuida por Karonte, es candidata a estar entre lo mejor del jazz publicado en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/IMG_1239-Baldo-Martinez_firma.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":62098,"url":"https:\/\/tomajazz.com\/web\/gazzelloni-eric-dolphy-out-to-lunch-blue-note-1964-por-pachi-tapiz-jazzx5457-minipodcast-de-jazz\/","url_meta":{"origin":38826,"position":5},"title":"\u00abGazzelloni\u00bb [Eric Dolphy Out To Lunch! (Blue Note, 1964)] Por Pachi Tapiz. JazzX5#457 [Minipodcast de jazz]","author":"Tomajazz","date":"19 marzo, 2022","format":false,"excerpt":"En JazzX5 suena el cl\u00e1sico \"Gazzelloni\" que se public\u00f3 en el cl\u00e1sico Eric Dolphy Out To Lunch! (Blue Note, 1964). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=38826"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38826\/revisions"}],"predecessor-version":[{"id":38881,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/38826\/revisions\/38881"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/38827"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=38826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=38826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=38826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}