{"id":39177,"date":"2018-10-10T19:00:39","date_gmt":"2018-10-10T17:00:39","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=39177"},"modified":"2022-08-31T19:49:14","modified_gmt":"2022-08-31T17:49:14","slug":"jazz-para-ti-programa-018-2018-10-09-jpt-t2-02-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-018-2018-10-09-jpt-t2-02-podcast\/","title":{"rendered":"Jazz Para Ti. Programa 018 (2018-10-09) JPT.T2.02 [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39178 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Charles-Lloyd-The-Marvels-Lucinda-Williams_Vanished-Garderns-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Charles-Lloyd-The-Marvels-Lucinda-Williams_Vanished-Garderns-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Charles-Lloyd-The-Marvels-Lucinda-Williams_Vanished-Garderns-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Charles-Lloyd-The-Marvels-Lucinda-Williams_Vanished-Garderns-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Charles-Lloyd-The-Marvels-Lucinda-Williams_Vanished-Garderns-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Charles-Lloyd-The-Marvels-Lucinda-Williams_Vanished-Garderns.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39179 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Ernesto-Cervinis-Turboprop_Abundance.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39180 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Hubert-Nuss_Standards-And-Other-Stories-200x180.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Hubert-Nuss_Standards-And-Other-Stories-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Hubert-Nuss_Standards-And-Other-Stories-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39181 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Javier-L\u00f3pez-Jaso-Marcelo-Escrich-Quartet_Apor\u00eda-200x181.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Javier-L\u00f3pez-Jaso-Marcelo-Escrich-Quartet_Apor\u00eda-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Javier-L\u00f3pez-Jaso-Marcelo-Escrich-Quartet_Apor\u00eda-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39182 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Coltrane_Both-Directions-At-Once.-The-Lost-Album.jpg 800w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39183 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Scofield_Combo-66-200x180.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Scofield_Combo-66-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/John-Scofield_Combo-66-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39184 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Wayne-Escoffery_Vortex-200x181.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Wayne-Escoffery_Vortex-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Wayne-Escoffery_Vortex-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>El segundo programa de la segunda temporada de <em>Jazz Para Ti<\/em> vuelve a su forma habitual, es decir, estructurado en secciones. Comienza con \u00abJazz de aqu\u00ed\u00bb, con la nueva grabaci\u00f3n del\u00a0<strong>Javier L\u00f3pez Jaso &#8211; Marcelo Escrich Quartet<\/strong>: <em>Apor\u00eda<\/em>, un disco muy recomendable. En \u00abJazz de hoy\u00bb van otros cuantos estrenos m\u00e1s que disfrutables:\u00a0<strong>Charles Lloyd &amp; The Marvels + Lucinda Williams<\/strong>: <em>Vanished Garderns<\/em>;<strong>\u00a0Ernesto Cervini&#8217;s Turboprop<\/strong>: <em>Abundance<\/em>;\u00a0<strong>John Scofield<\/strong>: <em>Combo 66<\/em>;\u00a0<strong>Wayne Escoffery<\/strong>: <em>Vortex<\/em>. En \u00abJazz de siempre\u00bb revisamos un cl\u00e1sico de Disney, \u00abSomeday My Prince Will Come\u00bb, que ha sido interpretado por grandes m\u00fasicos de jazz, y que en 2018 abre la grabaci\u00f3n de\u00a0<strong>Hubert Nuss<\/strong> titulada\u00a0 <em>Standards And Other Stories<\/em>. Finaliza el programa con la secci\u00f3n \u00abJazz Imprescindible\u00bb y la versi\u00f3n que de \u00abImpressions\u00bb realizaba el\u00a0<strong>John Coltrane Quartet<\/strong> el 6 de marzo de 1963 y que aparece en\u00a0<em>Both Directions At Once. The Lost Album<\/em>.<\/p>\n<p style=\"text-align: right;\">Programa y presentaci\u00f3n: \u00a9 <strong>Pachi Tapiz<\/strong>, 2018<\/p>\n<p><em>Jazz Para Ti<\/em>\u00a0es un programa presentado y dirigido por\u00a0<strong>Pachi Tapiz<\/strong>\u00a0que se emite los martes, de 20:00 a 21:00 en RCB.<\/p>\n<p><iframe id=\"audio_29198414\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_29198414_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Jazz Para Ti<\/em>\u00a0se comenz\u00f3 a emitir el martes 13 de febrero de 2018, D\u00eda Internacional de la Radio.\u00a0Mail de contacto de\u00a0<em>Jazz Para Ti\u00a0<\/em>:\u00a0<a href=\"mailto:jazzparati@tomajazz.com\">jazzparati@tomajazz.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. El segundo programa de la segunda temporada de Jazz Para Ti vuelve a su forma habitual, es decir, estructurado en secciones. Comienza con \u00abJazz de aqu\u00ed\u00bb, con la nueva grabaci\u00f3n del\u00a0Javier L\u00f3pez Jaso &#8211; Marcelo Escrich Quartet: Apor\u00eda, un disco muy recomendable. En \u00abJazz de hoy\u00bb van otros<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-018-2018-10-09-jpt-t2-02-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":39185,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17847,20911,12814,15518,1038],"tags":[21727,6268,20848,7165,5153,5152,20914,1870,21936,9498,412,31,5254],"class_list":["entry","author-pachi","post-39177","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-jazz_para_ti","category-podcast","category-sonidos","category-contenidos","tag-charles-lloyd-and-the-marvels","tag-ernesto-cervini","tag-ernesto-cervinis-turboprop","tag-hubert-nuss","tag-javier-lopez-jaso","tag-javier-lopez-jaso-marcelo-escrich-quartet","tag-jazz-para-ti","tag-john-coltrane","tag-john-coltrane-quartet","tag-john-scofield","tag-marcelo-escrich","tag-pachi-tapiz","tag-wayne-escoffery"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/JazzParaTi_programa018_Collage_1-1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":83859,"url":"https:\/\/tomajazz.com\/web\/javier-lopez-jaso-inmarcesible-2023\/","url_meta":{"origin":39177,"position":0},"title":"Javier L\u00f3pez Jaso: Inmarcesible Zimelezin (CD. Errabal Jazz, 2023) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 febrero, 2024","format":false,"excerpt":"Pachi Tapiz repasa Inmarcesible Zimelezin (Errabal Jazz, 2023), la nueva grabaci\u00f3n del acordeonista Javier L\u00f3pez Jaso. Intervienen Javier L\u00f3pez Jaso, Mikel Andueza, Marcelo Escrich, Daniel Lizarraga, Luis Gim\u00e9nez, \u00cd\u00f1igo Arregui","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Javier L\u00f3pez Jaso: Inmarcesible Zimelezin (CD. Errabal Jazz, 2023) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Pachi Tapiz repasa Inmarcesible Zimelezin (Errabal Jazz, 2023), la nueva grabaci\u00f3n del acordeonista Javier L\u00f3pez Jaso. Intervienen Javier L\u00f3pez Jaso, Mikel Andueza, Marcelo Escrich, Daniel Lizarraga, Luis Gim\u00e9nez, \u00cd\u00f1igo Arregui","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/02\/Javier-Lopez-Jaso-Inmarcesible-Errabal-Jazz-2023-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/02\/Javier-Lopez-Jaso-Inmarcesible-Errabal-Jazz-2023-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/02\/Javier-Lopez-Jaso-Inmarcesible-Errabal-Jazz-2023-.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24906,"url":"https:\/\/tomajazz.com\/web\/hdo-130-marcelo-escrich-sus-palabras-y-sus-musicas-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":39177,"position":1},"title":"HDO 130. Marcelo Escrich: sus palabras y sus m\u00fasicas. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"14 junio, 2016","format":false,"excerpt":"El contrabajista Marcelo Escrich acaba de publicar en el sello Errabal Charlie Haden Songbook, su personal homenaje a Charlie Haden liderando el grupo Silent Trio. Una formaci\u00f3n sin piano ni bater\u00eda, en la que le acompa\u00f1an el saxofonista Alberto Arteta y el guitarrista Luis Gim\u00e9nez. Tanto estos como Escrich son\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Marcelo-Escrich-Silent-Trio_Charlie-Haden-Songbook_Errabal_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Marcelo-Escrich-Silent-Trio_Charlie-Haden-Songbook_Errabal_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Marcelo-Escrich-Silent-Trio_Charlie-Haden-Songbook_Errabal_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Marcelo-Escrich-Silent-Trio_Charlie-Haden-Songbook_Errabal_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Marcelo-Escrich-Silent-Trio_Charlie-Haden-Songbook_Errabal_2016.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Marcelo-Escrich-Silent-Trio_Charlie-Haden-Songbook_Errabal_2016.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":11535,"url":"https:\/\/tomajazz.com\/web\/all-jazz-sera-javier-lopez-jaso-marcelo-escrich-quartet\/","url_meta":{"origin":39177,"position":2},"title":"All Jazz Sera: Javier L\u00f3pez Jaso \u2013 Marcelo Escrich Quartet","author":"Tomajazz","date":"17 abril, 2014","format":false,"excerpt":"Javier L\u00f3pez Jaso \u2013 Marcelo Escrich Quartet (de izquierda a derecha: Luis Gim\u00e9nez, Marcelo Escrich, Javier L\u00f3pez Jaso, Juanma Urriza) Ciclo de Jazz. Ciudadelarte 2012 Ciudadela, Pamplona, Navarra. 2013-08-28","rel":"","context":"En \u00ab*_Sera Mart\u00edn\u00bb","block_context":{"text":"*_Sera Mart\u00edn","link":"https:\/\/tomajazz.com\/web\/category\/sera-martin\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/IMG_6841.JPG-Lopez-Jaso-Quartertwm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/IMG_6841.JPG-Lopez-Jaso-Quartertwm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/IMG_6841.JPG-Lopez-Jaso-Quartertwm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4610,"url":"https:\/\/tomajazz.com\/web\/javier-lopez-jaso-marcelo-escrich-quartet-ciudadela-pamplona-navarra-28-viii-2012\/","url_meta":{"origin":39177,"position":3},"title":"Javier L\u00f3pez Jaso &#8211; Marcelo Escrich Quartet (Ciudadela, Pamplona, Navarra, 28-VIII-2012)","author":"Tomajazz","date":"28 agosto, 2012","format":false,"excerpt":"Ciclo de Jazz. Ciudadelarte 2012 Fecha:\u00a028 de agosto de 2012. Lugar:\u00a0Ciudadela, Pamplona (Navarra). Componentes: Javier L\u00f3pez Jaso - Marcelo Escrich Quartet Javier L\u00f3pez Jaso: acorde\u00f3n Luis Gim\u00e9nez: guitarrra Marcelo Escrich: contrabajo Juanma Urriza: bater\u00eda Comentario:\u00a0La asociaci\u00f3n entre el contrabajista Marcelo Escrich y el acordeonista Javier L\u00f3pez Jaso viene de tiempo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/IMG_6860_LOPEZJAZOQUARTET_CUIDADELA2012_conmarco.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/IMG_6860_LOPEZJAZOQUARTET_CUIDADELA2012_conmarco.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/IMG_6860_LOPEZJAZOQUARTET_CUIDADELA2012_conmarco.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48154,"url":"https:\/\/tomajazz.com\/web\/javier-lopez-jaso-marcelo-escrich-quartet-aporia-errabal-jazz-rzecords-2018-grabacion\/","url_meta":{"origin":39177,"position":4},"title":"Javier L\u00f3pez Jaso &#038; Marcelo Escrich Quartet: Apor\u00eda (Errabal Jazz Records 2018) [Grabaci\u00f3n]","author":"Tomajazz","date":"2 enero, 2020","format":false,"excerpt":"Enrique Farelo repasa Apor\u00eda, la grabaci\u00f3n del Javier L\u00f3pez Jaso & Marcelo Escrich Quartet publicada por Errabal Jazz.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Javier-Lopez-Jaso-Marcelo-Escrich-Quartet_Aporia.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Javier-Lopez-Jaso-Marcelo-Escrich-Quartet_Aporia.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Javier-Lopez-Jaso-Marcelo-Escrich-Quartet_Aporia.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Javier-Lopez-Jaso-Marcelo-Escrich-Quartet_Aporia.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Javier-Lopez-Jaso-Marcelo-Escrich-Quartet_Aporia.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Javier-Lopez-Jaso-Marcelo-Escrich-Quartet_Aporia.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":39982,"url":"https:\/\/tomajazz.com\/web\/hdo-477-jazzspainx27-aka-uhdjsi-iv-podcast\/","url_meta":{"origin":39177,"position":5},"title":"HDO 477. JazzSpainX27 AKA UHDJSI IV [Podcast]","author":"Tomajazz","date":"23 noviembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. Coincidiendo con la celebraci\u00f3n del \"Black Friday\" de 2018, en HDO lanzamos un programa muy especial. 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