{"id":39247,"date":"2018-10-13T12:00:34","date_gmt":"2018-10-13T10:00:34","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=39247"},"modified":"2022-08-25T17:29:05","modified_gmt":"2022-08-25T15:29:05","slug":"razones-para-el-jazz-un-directo-live-at-the-lighthouse-lee-morgan-477","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-directo-live-at-the-lighthouse-lee-morgan-477\/","title":{"rendered":"Razones para el jazz. Un directo: Live at the Lighthouse (Lee Morgan) [477]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-39248 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse.jpg 410w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un directo. <strong>Lee Morgan<\/strong>: <em>Live at the Lighthouse<\/em> (Blue Note). Un directo de julio de 1970 que fue el \u00faltimo disco del genial trompetista que apareci\u00f3 antes de su tr\u00e1gica muerte en febrero de 1972. Posteriormente se publicar\u00eda <em>The Last Session<\/em> que fue un disco p\u00f3stumo.<\/p>\n<p>Seleccionado por\u00a0<strong>Juan Antonio Serrano Cervantes<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un directo. Lee Morgan: Live at the Lighthouse (Blue Note). Un directo de julio de 1970 que fue el \u00faltimo disco del genial trompetista que apareci\u00f3 antes de su tr\u00e1gica muerte en febrero de 1972. Posteriormente se publicar\u00eda The Last Session que fue un disco p\u00f3stumo. Seleccionado por\u00a0Juan Antonio Serrano<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-directo-live-at-the-lighthouse-lee-morgan-477\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":39248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17844,20689,15517,1038],"tags":[1487,12547,5659],"class_list":["entry","author-pachi","post-39247","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-antonio-serrano-cervantes","category-razones-para-el-jazz","category-textos","category-contenidos","tag-blue-note","tag-juan-antonio-serrano-cervantes","tag-lee-morgan"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2048,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-cajita-de-tres-cedes-live-at-the-lighthouse-de-lee-morgan\/","url_meta":{"origin":39247,"position":0},"title":"Tomajazz recomienda\u2026 una cajita (de tres ced\u00e9s): Live at The Lighthouse (Lee Morgan, 1970)","author":"Adolphus van Tenzing","date":"27 febrero, 2012","format":false,"excerpt":"\u00a0 Las \u00faltimas grabaciones de Lee Morgan suelen quedar un tanto oscurecidas frente a sus primeros discos en solitario y con los Jazz Messengers de Art Blakey, que le propulsaron como uno de los m\u00e1ximos exponentes del hard bop. En los a\u00f1os previos a su muerte (asesinado con s\u00f3lo 34\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Lee Morgan Live At The Lighthouse","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/Lee-Morgan-Live-At-The-Lighthouse-200x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33816,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-blue-train-john-coltrane-341\/","url_meta":{"origin":39247,"position":1},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Blue Train (John Coltrane) [341]","author":"Tomajazz","date":"7 diciembre, 2017","format":false,"excerpt":"Un disco.\u00a0John Coltrane:\u00a0Blue Train\u00a0(Blue Note, 1957) Seleccionado por\u00a0Juan Antonio Serrano Cervantes. Con\u00a0John Coltrane, Lee Morgan, Curtis Fuller, Paul Chambers, Kenny Drew, Philly Joe Jones.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":33167,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-live-at-the-montmartre-jazzhus-dexter-gordon-312\/","url_meta":{"origin":39247,"position":2},"title":"365 razones para amar el jazz: un disco. Live at the Montmartre Jazzhus (Dexter Gordon) [313]","author":"Tomajazz","date":"9 noviembre, 2017","format":false,"excerpt":"Un disco.\u00a0Dexter Gordon:\u00a0Live at the Montmartre Jazzhus\u00a0(Steeplechase) Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Dexter-Gordon_Live-at-the-Montmartre-Jazzhus.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":37164,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-unas-grabaciones-bud-powell-trio-at-the-golden-circle-434\/","url_meta":{"origin":39247,"position":3},"title":"Razones para el jazz. Unas grabaciones. Bud Powell Trio: At The Golden Circle [434]","author":"Tomajazz","date":"9 junio, 2018","format":false,"excerpt":"Unas grabaciones.\u00a0Bud Powell Trio:\u00a0At The Golden Circle (SteeplechaseI Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bud-Powell-Trio_At-The-Golden-Circle-Vol-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bud-Powell-Trio_At-The-Golden-Circle-Vol-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Bud-Powell-Trio_At-The-Golden-Circle-Vol-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29724,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-empresario-de-jazz-norman-granz-jazz-at-the-philharmonic-80\/","url_meta":{"origin":39247,"position":4},"title":"365 razones para amar el jazz: un empresario de jazz. Norman Granz. Jazz At The Philharmonic [80]","author":"Tomajazz","date":"21 marzo, 2017","format":false,"excerpt":"Un empresario de jazz. Norman Granz. Jazz At The Philharmonic Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Norman-Granz_Jazz-At-The-Philharmonic_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Norman-Granz_Jazz-At-The-Philharmonic_1955.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Norman-Granz_Jazz-At-The-Philharmonic_1955.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Norman-Granz_Jazz-At-The-Philharmonic_1955.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32155,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-concierto-the-duke-at-fargo-1940-250\/","url_meta":{"origin":39247,"position":5},"title":"365 razones para amar el jazz: un concierto: The Duke At Fargo 1940 [250]","author":"Tomajazz","date":"7 septiembre, 2017","format":false,"excerpt":"Un concierto: The Duke At Fargo 1940\u00a0(Storyville \u2013 Special 60Th Anniversary Edition) Seleccionado por Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/The-Duke-At-Fargo.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/39247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=39247"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/39247\/revisions"}],"predecessor-version":[{"id":65848,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/39247\/revisions\/65848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/39248"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=39247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=39247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=39247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}