{"id":39832,"date":"2018-11-16T07:45:31","date_gmt":"2018-11-16T06:45:31","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=39832"},"modified":"2022-08-30T17:33:35","modified_gmt":"2022-08-30T15:33:35","slug":"hdo-479-improvisando-the-necks-perelman-mahall-zach-sakata-nabatos-aka-uhdjsi-iii-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-479-improvisando-the-necks-perelman-mahall-zach-sakata-nabatos-aka-uhdjsi-iii-podcast\/","title":{"rendered":"HDO 479. Improvisando: The Necks, Perelman, Mahall, Zach, Sakata, Nabatos&#8230; AKA UHDJSI III [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39833 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-768x767.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Akira-Sakata-Simon-Nabatov-Takashi-Seo-Darren-Moore_Not-Seeing-Is-A-Flower_Leo-Records.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39834 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ingar-Zach-Speak-Percussion_Before-Nightfall-One_-SOFA-200x200.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ingar-Zach-Speak-Percussion_Before-Nightfall-One_-SOFA-200x200.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ingar-Zach-Speak-Percussion_Before-Nightfall-One_-SOFA-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ingar-Zach-Speak-Percussion_Before-Nightfall-One_-SOFA-55x55.png 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ingar-Zach-Speak-Percussion_Before-Nightfall-One_-SOFA-50x50.png 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ingar-Zach-Speak-Percussion_Before-Nightfall-One_-SOFA.png 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39835 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Jason-Stein_Spiritual-Prayers_Leo-Records-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Jason-Stein_Spiritual-Prayers_Leo-Records-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Jason-Stein_Spiritual-Prayers_Leo-Records-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Jason-Stein_Spiritual-Prayers_Leo-Records-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Jason-Stein_Spiritual-Prayers_Leo-Records-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Jason-Stein_Spiritual-Prayers_Leo-Records.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39836 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Rudi-Mahall_Kindred-Spirits_Leo-Records-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Rudi-Mahall_Kindred-Spirits_Leo-Records-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Rudi-Mahall_Kindred-Spirits_Leo-Records-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Rudi-Mahall_Kindred-Spirits_Leo-Records-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Rudi-Mahall_Kindred-Spirits_Leo-Records-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Ivo-Perelman-Rudi-Mahall_Kindred-Spirits_Leo-Records.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39837 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Jon-Rose-Chris-Abrahams_Peggy_ReR-Megacorp.jpg 700w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-39838 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/The-Necks_Body_ReR-Megacorp.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>Media docena de propuestas centradas en la improvisaci\u00f3n conviven en la entrega 479 de <strong>HDO<\/strong> Hablando De O\u00eddas. Improvisaciones que beben de muy diversas fuentes y que muestran la incre\u00edble riqueza de esta manera de afrontar la creaci\u00f3n musical. Este es el listado de grabaciones:<br \/>\n<strong>Akira Sakata &#8211; Simon Nabatov &#8211; Takashi Seo &#8211; Darren Moore<\/strong>: Not Seeing Is A Flower (Leo Records)<br \/>\n<strong>The Necks<\/strong>: <em>Body<\/em> (ReR Megacorp)<br \/>\n<strong>Ingar Zach &#8211; Speak Percussion<\/strong>: <em>Before Nightfall One<\/em> (SOFA)<br \/>\n<strong>Jon Rose &#8211; Chris Abrahams<\/strong>: <em>Peggy<\/em> (ReR Megacorp)<br \/>\n<strong>Ivo Perelman &#8211; Jason Stein<\/strong>: <em>Spiritual Prayers<\/em> (Leo Records)<br \/>\n<strong>Ivo Perelman &#8211; Rudi Mahall<\/strong>: <em>Kindred Spirits<\/em> (Leo Records)<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_30083194\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_30083194_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. Media docena de propuestas centradas en la improvisaci\u00f3n conviven en la entrega 479 de HDO Hablando De O\u00eddas. Improvisaciones que beben de muy diversas fuentes y que muestran la incre\u00edble riqueza de esta manera de afrontar la creaci\u00f3n musical. Este es el listado de grabaciones: Akira Sakata &#8211;<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-479-improvisando-the-necks-perelman-mahall-zach-sakata-nabatos-aka-uhdjsi-iii-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":39842,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[8981,22118,8727,22120,13299,9287,22121,6201,22125,22126,16773,6776,22124,1931,31,8730,11130,12051,22123,22122,22119,8726],"class_list":["entry","author-pachi","post-39832","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-akira-sakata","tag-akira-sakata-simon-nabatov-takashi-seo-darren-moore","tag-chris-abrahams","tag-darren-moore","tag-hdo","tag-ingar-zach","tag-ingar-zach-speak-percussion","tag-ivo-perelman","tag-ivo-perelman-jason-stein","tag-ivo-perelman-rudi-mahall","tag-jason-stein","tag-jon-rose","tag-jon-rose-chris-abrahams","tag-leo-records","tag-pachi-tapiz","tag-rer-megacorp","tag-rudi-mahall","tag-simon-nabatov","tag-sofa","tag-speak-percussion","tag-takashi-seo","tag-the-necks"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-479_improvisando_Collage_1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":40346,"url":"https:\/\/tomajazz.com\/web\/hdo-482-leo-records-marilyn-crispell-ivo-perelman-hank-roberts-mat-maneri-podcast\/","url_meta":{"origin":39832,"position":0},"title":"HDO 482. Leo Records: Marilyn Crispell, Ivo Perelman, Hank Roberts, Mat Maneri&#8230; [Podcast]","author":"Tomajazz","date":"7 diciembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. Cuatro novedades del sello brit\u00e1nico Leo Records en la entrega 482 de HDO Hablando de o\u00eddas, como suele ser habitual con nombres de relumbr\u00f3n (Marilyn Crispell, Ivo Perelman, Mat Maneri, Hank Roberts, Richard Teitelbaum...), y propuestas libres que adem\u00e1s de interesantes en alg\u00fan caso son exquisitamente inclasificables (Fourth\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/HDO-482_Leo_Records_2018-11_Collage_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/HDO-482_Leo_Records_2018-11_Collage_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/HDO-482_Leo_Records_2018-11_Collage_1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/HDO-482_Leo_Records_2018-11_Collage_1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23742,"url":"https:\/\/tomajazz.com\/web\/hdo-ivo-perelman-en-leo-records-101-podcast\/","url_meta":{"origin":39832,"position":1},"title":"HDO 101. Ivo Perelman en Leo Records [Podcast]","author":"Tomajazz","date":"22 abril, 2016","format":false,"excerpt":"El saxofonista (y tambi\u00e9n pintor) Ivo Perelman contin\u00faa con su incansable actividad discogr\u00e1fica en Leo Records. En abril de 2016 publica cinco nuevas grabaciones que hacen que sean ya m\u00e1s de 25 referencias las publicadas en el sello dirigido por Leo Feigin en los \u00faltimos cinco a\u00f1os. En formato de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":26853,"url":"https:\/\/tomajazz.com\/web\/hdo-177-ivo-perelman-y-the-art-of-the-improv-trio-podcast\/","url_meta":{"origin":39832,"position":2},"title":"HDO 177. Ivo Perelman y The Art Of The Improv Trio [Podcast]","author":"Tomajazz","date":"13 octubre, 2016","format":false,"excerpt":"\u00a0 El saxofonista Ivo Perelman ha publicado los vol\u00famenes uno al seis de The Art Of The Improv Trio en el sello Leo Records. En HDO 177 escuchamos improvisaciones de todas y cada una de estas grabaciones. En ellas est\u00e1 acompa\u00f1ado por los bateristas Gerald Cleaver y Whit Dickey; Joe\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Ivo-Perelman-Karl-Berger-Gerald-Cleaver_The-Art-Of-The-Improv-Trio-Volume-1_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19224,"url":"https:\/\/tomajazz.com\/web\/hdo-de-homenajes-i-entrega-0004-audioblog\/","url_meta":{"origin":39832,"position":3},"title":"Perelman &#8211; Dickey \/ Cappelletti &#8211; di Castri &#8211; Ditmas. HDO: de homenajes I (entrega 0004) [Audioblog]","author":"Tomajazz","date":"28 julio, 2015","format":"image","excerpt":"La cuarta\u00a0entrega de HDO\u00a0versa sobre un par de homenajes. Homenaje a saxofonistas tenores por parte del saxofonista Ivo Perelman y el baterista Whit Dickey en el CD de m\u00fasica improvisada Tenorhood (Leo Records). Suena en el audiopost el solo de bater\u00eda que da t\u00edtulo al CD y los\u00a0homenajes a John\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/WP_20150723_001-e1437687671176.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/WP_20150723_001-e1437687671176.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/WP_20150723_001-e1437687671176.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30055,"url":"https:\/\/tomajazz.com\/web\/hdo-258-the-art-of-perelman-shipp-podcast\/","url_meta":{"origin":39832,"position":4},"title":"HDO 258. The Art Of Perelman &#8211; Shipp [Podcast]","author":"Tomajazz","date":"8 abril, 2017","format":false,"excerpt":"En marzo de 2017, el saxofonista\u00a0Ivo Perelman y el pianista\u00a0Matthew Shipp han publicado en el sello\u00a0Leo Records, los siete vol\u00famenes de su serie\u00a0The Art Of Perelman - Shipp en formato de d\u00fao, tr\u00edo y cuarteto, acompa\u00f1ados -cuando corresponde- por distintos m\u00fasicos como\u00a0William Parker,\u00a0Whit Dickey,\u00a0Michael Bisio,\u00a0Andrew Cyrille y\u00a0Bobby Kapp. En\u00a0hdo 258\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Ivo-Perelman-Matthew-Shipp_The-Art-Of-Perelman-Shipp_Vol-6_Saturn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32874,"url":"https:\/\/tomajazz.com\/web\/hdo-331-ivo-perelman-en-leo-records-una-vez-mas-y-que-siga-podcast\/","url_meta":{"origin":39832,"position":5},"title":"HDO 331. Ivo Perelman en Leo Records&#8230; una vez m\u00e1s (\u00a1y que siga!) [Podcast]","author":"Tomajazz","date":"24 octubre, 2017","format":false,"excerpt":"Una vez m\u00e1s, el sello brit\u00e1nico Leo Records publica en un mes un pu\u00f1ado de referencias lideradas por el saxofonista Ivo Perelman. Tras publicar las series The Art Of The Improv Trio y The Art Of Perelman Shipp, la discogr\u00e1fica dirigida por Leo Feigin publica en octubre de 2017 media\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Perelman-Shipp_Live-In-Brussels_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/39832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=39832"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/39832\/revisions"}],"predecessor-version":[{"id":39844,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/39832\/revisions\/39844"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/39842"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=39832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=39832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=39832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}