{"id":40487,"date":"2018-12-16T19:15:04","date_gmt":"2018-12-16T18:15:04","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=40487"},"modified":"2022-08-29T17:09:52","modified_gmt":"2022-08-29T15:09:52","slug":"hdo-478-especial-art-ensemble-of-chicago-the-theme-odwalla-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-478-especial-art-ensemble-of-chicago-the-theme-odwalla-podcast\/","title":{"rendered":"HDO 478. Especial Art Ensemble Of Chicago: The Theme &#8211; Odwalla [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40488 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1972_Art-Ensemble-Of-Chicago_Bap-Tizum-200x178.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1972_Art-Ensemble-Of-Chicago_Bap-Tizum-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1972_Art-Ensemble-Of-Chicago_Bap-Tizum-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40489 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1982_Art-Ensemble-Of-Chicago_Urban-Bushmen-200x200.jpeg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1982_Art-Ensemble-Of-Chicago_Urban-Bushmen-200x200.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1982_Art-Ensemble-Of-Chicago_Urban-Bushmen-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1982_Art-Ensemble-Of-Chicago_Urban-Bushmen-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1982_Art-Ensemble-Of-Chicago_Urban-Bushmen-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1982_Art-Ensemble-Of-Chicago_Urban-Bushmen.jpeg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40490 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1993-Salutes-The-Chicago-Blues-Tradition-2CD-200x200.jpeg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1993-Salutes-The-Chicago-Blues-Tradition-2CD-200x200.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1993-Salutes-The-Chicago-Blues-Tradition-2CD-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1993-Salutes-The-Chicago-Blues-Tradition-2CD-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1993-Salutes-The-Chicago-Blues-Tradition-2CD-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1993-Salutes-The-Chicago-Blues-Tradition-2CD.jpeg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40491 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1998_Art-Ensemble-of-Chicago_Coming-Home-Jamaica-200x197.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1998_Art-Ensemble-of-Chicago_Coming-Home-Jamaica-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1998_Art-Ensemble-of-Chicago_Coming-Home-Jamaica-56x55.png 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/1998_Art-Ensemble-of-Chicago_Coming-Home-Jamaica-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40492 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2003_Art-Ensemble-Of-Chicago_Urban-Magic-recorded-in-1997-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2003_Art-Ensemble-Of-Chicago_Urban-Magic-recorded-in-1997-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2003_Art-Ensemble-Of-Chicago_Urban-Magic-recorded-in-1997-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2003_Art-Ensemble-Of-Chicago_Urban-Magic-recorded-in-1997-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2003_Art-Ensemble-Of-Chicago_Urban-Magic-recorded-in-1997-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2003_Art-Ensemble-Of-Chicago_Urban-Magic-recorded-in-1997.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40493 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2006_Art-Ensemble-Of-Chicago_Non-Cognitive-Aspects-Of-The-City-Live-At-Iridium-2CD-200x200.jpeg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2006_Art-Ensemble-Of-Chicago_Non-Cognitive-Aspects-Of-The-City-Live-At-Iridium-2CD-200x200.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2006_Art-Ensemble-Of-Chicago_Non-Cognitive-Aspects-Of-The-City-Live-At-Iridium-2CD-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2006_Art-Ensemble-Of-Chicago_Non-Cognitive-Aspects-Of-The-City-Live-At-Iridium-2CD-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2006_Art-Ensemble-Of-Chicago_Non-Cognitive-Aspects-Of-The-City-Live-At-Iridium-2CD-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2006_Art-Ensemble-Of-Chicago_Non-Cognitive-Aspects-Of-The-City-Live-At-Iridium-2CD.jpeg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40494 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2007_Fundamental-Destiny-with-Don-Pullen-rec-in-1991-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2007_Fundamental-Destiny-with-Don-Pullen-rec-in-1991-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2007_Fundamental-Destiny-with-Don-Pullen-rec-in-1991-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2007_Fundamental-Destiny-with-Don-Pullen-rec-in-1991-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2007_Fundamental-Destiny-with-Don-Pullen-rec-in-1991-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/2007_Fundamental-Destiny-with-Don-Pullen-rec-in-1991.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>En <strong>HDO 478 Pachi Tapiz<\/strong> homenajea al <strong>Art Ensemble Of Chicago<\/strong> revisando las versiones grabadas de \u00abThe Theme &#8211; Odwalla\u00bb, un tema que ha acompa\u00f1ado en directo a lo largo de toda su carrera a este grupo. Sin soluci\u00f3n de continuidad suenan las versiones que aparecen en <em>Bap Tizum<\/em>, <em>Urban Bushmen<\/em>, <em>Salutes The Chicago Blues Tradition<\/em>, <em>Coming Home Jamaica<\/em>, <em>Urban Magic<\/em>, <em>Fundamental Destiny<\/em> y <em>Non-Cognitive Aspects Of The City<\/em>.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_30823426\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_30823426_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. En HDO 478 Pachi Tapiz homenajea al Art Ensemble Of Chicago revisando las versiones grabadas de \u00abThe Theme &#8211; Odwalla\u00bb, un tema que ha acompa\u00f1ado en directo a lo largo de toda su carrera a este grupo. Sin soluci\u00f3n de continuidad suenan las versiones que aparecen en Bap<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-478-especial-art-ensemble-of-chicago-the-theme-odwalla-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":40495,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,13298,21698,12814,15518,1038],"tags":[9264,13299,31],"class_list":["entry","author-pachi","post-40487","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-art-ensemble-of-chicago","tag-hdo","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Collage_programa-0478-Especial-AEOC-Odwalla-The-Theme.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":44150,"url":"https:\/\/tomajazz.com\/web\/hdo-519-jazz-en-gran-formato-the-art-ensemble-of-chicago-tom-pierson-orchestra-fred-hersch-the-wdr-big-band-podcast\/","url_meta":{"origin":40487,"position":0},"title":"HDO 519. Jazz en gran formato: The Art Ensemble Of Chicago, Tom Pierson Orchestra, Fred Hersch &#038; The WDR Big Band [Podcast]","author":"Tomajazz","date":"4 julio, 2019","format":false,"excerpt":"Por Pachi Tapiz. Tres propuestas de jazz en gran formato, muy distintas entre s\u00ed, suenan en la entrega 519 de HDO. The Art Ensemble Of Chicago,\u00a0Tom Pierson Orchestra,\u00a0Fred Hersch\u00a0con la\u00a0WDR Big Band. The Art Ensemble Of Chicago\u00a0(expandido y magn\u00edficamente acompa\u00f1ado), sigue trabajando en su concepto de la Great Black Music\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Collage_programa-0519_Jazz-en-gran-formato.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":41381,"url":"https:\/\/tomajazz.com\/web\/hdo-488-mirando-hacia-el-free-jazz-y-otros-lugares-con-anti-rubber-brain-fact0ry-y-healing-factory-podcast\/","url_meta":{"origin":40487,"position":1},"title":"HDO 488. Mirando hacia el free jazz (y otros lugares) con Anti Rubber Brain Fact0ry y Healing Factory [Podcast]","author":"Tomajazz","date":"29 enero, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. \u00a0 En HDO 488 escuchamos cuatro grabaciones publicadas por el sello franc\u00e9s Le Fondeur de Son, que miran hacia el free jazz. Repeat Please (LFDS, 2018), la nueva grabaci\u00f3n de Healing Unit, quinteto dirigido por el pianista Paul Wacrenier, mira hacia el Art Ensemble Of Chicago, Albert Ayler,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Collage_programa-0488-Anti-Rubber-Brain-Factory-Healing-Factory.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Collage_programa-0488-Anti-Rubber-Brain-Factory-Healing-Factory.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Collage_programa-0488-Anti-Rubber-Brain-Factory-Healing-Factory.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Collage_programa-0488-Anti-Rubber-Brain-Factory-Healing-Factory.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26878,"url":"https:\/\/tomajazz.com\/web\/hdo-178-guy-crispell-lytton-nicole-mitchell-dominique-pifarely-podcast\/","url_meta":{"origin":40487,"position":2},"title":"HDO 178. Guy \u2013 Crispell \u2013 Lytton. Nicole Mitchell. Dominique Pifar\u00e9ly [Podcast]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Los m\u00e1s que recomendables Deep Memory (Intakt, 2016) del tr\u00edo formado por Barry Guy, Marilyn Crispell y Paul Lytton; Moments of Fatherhood (RogueArt, 2016) del Nicole Mitchell Black Earth Ensemble Ensemble Laborintus; y\u00a0Trac\u00e9 Provisoire (ECM, 2016) de Dominique Pifar\u00e9ly Quartet son las tres grabaciones protagonistas de HDO 178. \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"barry-guy-marilyn-crispell-paul-lytton_deep-memory_intakt_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy-Marilyn-Crispell-Paul-Lytton_Deep-Memory_Intakt_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":21395,"url":"https:\/\/tomajazz.com\/web\/albert-cirera-su-voz-y-su-musica-entrevista-por-pachi-tapiz-hdo-0051-audioblog\/","url_meta":{"origin":40487,"position":3},"title":"Albert Cirera: su voz y su m\u00fasica. Entrevista por Pachi Tapiz. HDO (0051) [Audioblog]","author":"Tomajazz","date":"22 diciembre, 2015","format":"audio","excerpt":"El saxofonista Albert Cirera es una de las figuras emergentes del jazz y la libre improvisaci\u00f3n en nuestro pa\u00eds, aunque en estos momentos est\u00e1 residiendo en Lisboa (\"la nueva Berl\u00edn\" seg\u00fan sus palabras). Es la mitad de Duot (grupo al que no hace mucho escuch\u00e1bamos en HDO con motivo de\u00a0la\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/IMJ051_ALBERT-CIRERA-%C2%A9Joan-Cort%C3%A8s_06set13_Duot-Abans-de-Lisboa_Jamboree_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":22374,"url":"https:\/\/tomajazz.com\/web\/memoria-uno-al-habla-con-ivan-gonzalez-entrevista-con-pachi-tapiz-hdo-0076-podcast\/","url_meta":{"origin":40487,"position":4},"title":"Memoria Uno. Al habla con Iv\u00e1n Gonz\u00e1lez. Entrevista con Pachi Tapiz. HDO 0076 [Podcast]","author":"Tomajazz","date":"23 febrero, 2016","format":false,"excerpt":"El trompetista y conductor Iv\u00e1n Gonz\u00e1lez presentar\u00e1 el pr\u00f3ximo viernes 26 de febrero (de 2016) su proyecto Memoria Uno en el Festival de Jazz de Granollers. Este concierto, que se grabar\u00e1 en directo, contar\u00e1 con la participaci\u00f3n de los trompetistas Pol Padr\u00f3s y Juli\u00e1n S\u00e1nchez; los saxofonistas Tom Chant, Albert\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/09_Mmr-n-s3-%C2%A9Joan-Cort%C3%A8s_02jun15_Sl-Fnx_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24764,"url":"https:\/\/tomajazz.com\/web\/hdo-121-juan-saiz-sus-palabras-y-sus-musicas-podcast\/","url_meta":{"origin":40487,"position":5},"title":"HDO 121. Juan Saiz: sus palabras y sus m\u00fasicas [Podcast]","author":"Tomajazz","date":"31 mayo, 2016","format":false,"excerpt":"Juan Saiz (1986) es un joven flautista c\u00e1ntabro que aunque ya hab\u00eda aparecido en algunas grabaciones como Crisis (Discordian Records, 2014) de Memoria Uno, o Vertebrats (Bebyne Records, 2014) de David Mengual Free Spirits Big Band, es en este inicio de 2016 cuando ha mostrado su magn\u00edfica capacidad como improvisador,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Juan-Saiz-01-Salvador-Cabre%CC%81-photography.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Juan-Saiz-01-Salvador-Cabre%CC%81-photography.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Juan-Saiz-01-Salvador-Cabre%CC%81-photography.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Juan-Saiz-01-Salvador-Cabre%CC%81-photography.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Juan-Saiz-01-Salvador-Cabre%CC%81-photography.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Juan-Saiz-01-Salvador-Cabre%CC%81-photography.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=40487"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40487\/revisions"}],"predecessor-version":[{"id":40499,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40487\/revisions\/40499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/40495"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=40487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=40487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=40487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}