{"id":40676,"date":"2018-12-26T18:30:30","date_gmt":"2018-12-26T17:30:30","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=40676"},"modified":"2022-08-29T17:01:10","modified_gmt":"2022-08-29T15:01:10","slug":"hdo-483-de-bach-a-braxton-especial-tubapede-records-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-483-de-bach-a-braxton-especial-tubapede-records-podcast\/","title":{"rendered":"HDO 483. De Bach a Braxton. Especial Tubapede Records [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40677 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Anthony-Braxton-Eight-Improvisations-Trio-2014.jpg 1596w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40678 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-200x201.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-768x771.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-597x600.jpg 597w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Solo-LP.jpg 1400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40679 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Brian-Osborne-Dan-Peck-Brian-Osborne-split-tape-200x150.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Brian-Osborne-Dan-Peck-Brian-Osborne-split-tape-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Brian-Osborne-Dan-Peck-Brian-Osborne-split-tape-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40680 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Joachim-Badenhorst-The-Salt-of-Deformation-200x196.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Joachim-Badenhorst-The-Salt-of-Deformation-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Joachim-Badenhorst-The-Salt-of-Deformation-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-and-Joachim-Badenhorst-The-Salt-of-Deformation-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40681 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-200x199.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-768x766.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-600x598.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dan-Peck-Bryan-Reeder-1685.jpg 1421w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40682 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Erica-Dicker-Taking-Auspices-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40683 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Joe-Moffett-More-of-it-and-Closer-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40684 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-200x200.gif\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-200x200.gif 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-150x150.gif 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-768x768.gif 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-600x600.gif 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-55x55.gif 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Matt-Nelson-Lower-Bottoms-50x50.gif 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40685 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Island-Virus-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40686 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Live-200x150.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Live-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/The-Gate-Live-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-40687 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Tom-Blancarte-The-Shortening-of-the-Way-200x203.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Tom-Blancarte-The-Shortening-of-the-Way-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Tom-Blancarte-The-Shortening-of-the-Way-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Tom-Blancarte-The-Shortening-of-the-Way-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><strong>HDO 483<\/strong>\u00a0un especial dedicado al sello\u00a0<strong>Tubapede Records<\/strong>, dirigido por el tubista <strong>Dan Peck<\/strong>.\u00a0<strong>Pachi Tapiz<\/strong>\u00a0realiza un repaso por el sello que comienza con temas de <em>1685<\/em> de\u00a0<strong>Dan Peck &#8211; Bryan Reeder<\/strong> en el que repasan m\u00fasica de Bach, H\u00e4ndel y Escalatti. A continuaci\u00f3n suena\u00a0<em>Solo LP\u00a0<\/em>de\u00a0<strong>Dan Peck<\/strong>, y\u00a0<em>Dan Peck \/ Brian Osborne Split Tape<\/em>. Contin\u00faa el programa con\u00a0<em>The Salt Of Deformation<\/em>, grabaci\u00f3n a d\u00fao de Peck con\u00a0<strong>Joachim Badenhorst<\/strong>. Contin\u00faan temas de las grabaciones\u00a0<em>Island Virus\u00a0<\/em>y\u00a0<em>Live!\u00a0<\/em>del tr\u00edo\u00a0<strong>The Gate\u00a0<\/strong>(Dan Peck, <strong>Tom Blancharte<\/strong>, <strong>Brian Osborne<\/strong>). La m\u00fasica que sigue a continuaci\u00f3n pertenece a cuatro grabaciones en solitario:\u00a0<em>The Shortening of the Way\u00a0<\/em>(<strong>Tom Blancharte<\/strong>),\u00a0<em>Lower Bottoms\u00a0<\/em>(<strong>Matt Nelson<\/strong>),\u00a0<em>More of it and<\/em> Closer (<strong>Joe Moffett<\/strong>),\u00a0<em>Taking Auspices\u00a0<\/em>(<strong>Erica Dicker<\/strong>). Finaliza el programa con dos temas de\u00a0<em>Eight Improvisations &#8211; (Trio) 2014\u00a0<\/em>de\u00a0<strong>Anthony Braxton\u00a0<\/strong>&#8211;\u00a0<strong>Taylor Ho Bynum &#8211; Bob Bresnan<\/strong>.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_30992500' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_30992500_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. HDO 483\u00a0un especial dedicado al sello\u00a0Tubapede Records, dirigido por el tubista Dan Peck.\u00a0Pachi Tapiz\u00a0realiza un repaso por el sello que comienza con temas de 1685 de\u00a0Dan Peck &#8211; Bryan Reeder en el que repasan m\u00fasica de Bach, H\u00e4ndel y Escalatti. A continuaci\u00f3n suena\u00a0Solo LP\u00a0de\u00a0Dan Peck, y\u00a0Dan Peck \/<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-483-de-bach-a-braxton-especial-tubapede-records-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":40688,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[63,22358,22355,22352,7230,22357,13299,8346,22356,19376,31,7649,22353,22354,22351],"class_list":["entry","author-pachi","post-40676","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-anthony-braxton","tag-bob-bresnan","tag-brian-osborne","tag-bryan-reeder","tag-dan-peck","tag-erica-dickerr","tag-hdo","tag-joachim-badenhorst","tag-joe-moffett","tag-matt-nelson","tag-pachi-tapiz","tag-taylor-ho-bynum","tag-the-gate","tag-tom-blancharte","tag-tubapede-records"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Collage_programa-04838-Especial-Tubapede-Records_Version1.0.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31748,"url":"https:\/\/tomajazz.com\/web\/hdo-296-anthony-braxton-quartet-1985-i-podcast\/","url_meta":{"origin":40676,"position":0},"title":"HDO 296 &#8211; Anthony Braxton Quartet 1985 I [Podcast] [ABS I]","author":"Tomajazz","date":"13 agosto, 2017","format":false,"excerpt":"HDO 296\u00a0es el primero de los tres programas dedicados a las grabaciones del Anthony Braxton Quartet (Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. En la primera entrega el primer pase al completo del concierto\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-London-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31770,"url":"https:\/\/tomajazz.com\/web\/hdo-297-anthony-braxton-quartet-1985-ii-podcast\/","url_meta":{"origin":40676,"position":1},"title":"HDO 297 \u2013 Anthony Braxton Quartet 1985 II [Podcast] [ABS II]","author":"Tomajazz","date":"14 agosto, 2017","format":false,"excerpt":"HDO 297\u00a0es el segundo programa dedicado a las grabaciones del\u00a0Anthony Braxton Quartet\u00a0(Anthony Braxton,\u00a0Marilyn Crispell,\u00a0Mark Dresser,\u00a0Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del\u00a0Anthony Braxton\u00a0Quartet (Birmingham) 1985\u00a0(Leo Records, CD LR 202\/203). Un cuarteto excepcional.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31782,"url":"https:\/\/tomajazz.com\/web\/hdo-298-anthony-braxton-quartet-1985-iii-podcast\/","url_meta":{"origin":40676,"position":2},"title":"HDO 298. Anthony Braxton Quartet 1985 III [Podcast] [ABS III]","author":"Tomajazz","date":"15 agosto, 2017","format":false,"excerpt":"HDO 298\u00a0es el tercero y \u00faltimo programa dedicado a las grabaciones del\u00a0Anthony Braxton Quartet\u00a0(Anthony Braxton,\u00a0Marilyn Crispell,\u00a0Mark Dresser,\u00a0Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del\u00a0Anthony Braxton\u00a0Quartet (Coventry) 1985\u00a0(Leo Records, CD LR 204\/205). Un\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":31896,"url":"https:\/\/tomajazz.com\/web\/hdo-301-anthony-braxton-standards-quartet-iii-podcast-abs-vi\/","url_meta":{"origin":40676,"position":3},"title":"HDO 301. Anthony Braxton Standards (Quartet) III [Podcast] [ABS VI]","author":"Tomajazz","date":"24 agosto, 2017","format":false,"excerpt":"HDO 301\u00a0contin\u00faa centrado en la m\u00fasica de Anthony Braxton, y en concreto en su aproximaci\u00f3n a los standards que aparec\u00eda en los tres CD cu\u00e1druples publicados por Leo Records y titulados\u00a023 Standards Quartet 2003\u00a0(2004),\u00a020 Standards Quartet 2000 (2005), y\u00a019 Standards Quartet 2003. En ellos Braxton junto a\u00a0Kevin O'Neil, Kevin Norton\u00a0y\u00a0Andy\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_23-Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31891,"url":"https:\/\/tomajazz.com\/web\/hdo-300-anthony-braxton-standards-quartet-ii-podcast-abs-v\/","url_meta":{"origin":40676,"position":4},"title":"HDO 300. Anthony Braxton Standards (Quartet) II [Podcast] [ABS V]","author":"Tomajazz","date":"23 agosto, 2017","format":false,"excerpt":"En la carrera de\u00a0Anthony Braxton aparecen, adem\u00e1s de proyectos centrados en figuras concretas del jazz (tal y como escuch\u00e1bamos en la entrega anterior de HDO), otros cuyo fin es la recreaci\u00f3n de standards. De entre las varias grabaciones dedicadas a este fin, son especialmente recomendables los tres CD cu\u00e1druples publicados\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":31919,"url":"https:\/\/tomajazz.com\/web\/hdo-302-anthony-braxton-grandes-formaciones-y-mas-podcast-abs-vii\/","url_meta":{"origin":40676,"position":5},"title":"HDO 302. Anthony Braxton Grandes formaciones&#8230; y m\u00e1s [Podcast] [ABS VII]","author":"Tomajazz","date":"25 agosto, 2017","format":false,"excerpt":"Con la entrega 302 de\u00a0finaliza el peque\u00f1o especial veraniego dedicado a\u00a0Anthony Braxton. Tras los tres programas dedicados a su cuarteto por antonomasia (que se pueden escuchar aqu\u00ed, aqu\u00ed y aqu\u00ed), y los tres programas dedicados a su revisi\u00f3n de standards y repertorios de cl\u00e1sicos del jazz (que pueden escucharse aqu\u00ed,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton-Creative-Orchestra-Music-1976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton-Creative-Orchestra-Music-1976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton-Creative-Orchestra-Music-1976.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=40676"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40676\/revisions"}],"predecessor-version":[{"id":40690,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40676\/revisions\/40690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/40688"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=40676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=40676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=40676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}