{"id":40896,"date":"2019-01-05T18:00:55","date_gmt":"2019-01-05T17:00:55","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=40896"},"modified":"2022-08-29T16:57:27","modified_gmt":"2022-08-29T14:57:27","slug":"razones-para-el-jazz-syzygy-michael-brecker-1987-486","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-syzygy-michael-brecker-1987-486\/","title":{"rendered":"Razones para el jazz. \u00abSyzygy\u00bb (Michael Brecker, 1987) [486]"},"content":{"rendered":"

Por\u00a0Pachi Tapiz<\/strong>.<\/p>\n

\"\"Un tema: \u00abSyzygy\u00bb de\u00a0Michael Brecker<\/strong>:\u00a0Michael Brecker\u00a0<\/em>(1987)
\nTremenda demostraci\u00f3n de poder\u00edo al saxo que abr\u00eda el estreno discogr\u00e1fico como l\u00edder de Michael Brecker, que public\u00f3 con 38 a\u00f1os de edad. En ese mismo tema se puede disfrutar adem\u00e1s del sonido org\u00e1nico del saxo, del sintetizado del EWI.<\/p>\n","protected":false},"excerpt":{"rendered":"

Por\u00a0Pachi Tapiz. Un tema: \u00abSyzygy\u00bb de\u00a0Michael Brecker:\u00a0Michael Brecker\u00a0(1987) Tremenda demostraci\u00f3n de poder\u00edo al saxo que abr\u00eda el estreno discogr\u00e1fico como l\u00edder de Michael Brecker, que public\u00f3 con 38 a\u00f1os de edad. En ese mismo tema se puede disfrutar adem\u00e1s del sonido org\u00e1nico del saxo, del sintetizado del EWI.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":40897,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17847,20689,15517,1038],"tags":[764,31],"class_list":["entry","author-pachi","post-40896","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-michael-brecker","tag-pachi-tapiz"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1982,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-michael-brecker-michael-brecker-1987\/","url_meta":{"origin":40896,"position":0},"title":"Tomajazz recomienda… un CD: Michael Brecker (Michael Brecker, 1987)","author":"Adolphus van Tenzing","date":"18 abril, 2011","format":false,"excerpt":"\u00a0El fallecimiento del saxofonista Michael Brecker en 2007 nos dej\u00f3 hu\u00e9rfanos de uno de los m\u00e1ximos exponentes del jazz contempor\u00e1neo. Su disco de debut, hom\u00f3nimo, inclu\u00eda la colaboraci\u00f3n de otro fallecido, el pianista Kenny Kirkland, junto a Pat Metheny (guitarra), Charlie Haden (contrabajo) y Jack DeJohnette (bater\u00eda). Un disco tan\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Michael_Brecker_Cover","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Michael_Brecker_Cover-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":67926,"url":"https:\/\/tomajazz.com\/web\/michael-brecker-band-live-at-fabrik-jazzx5\/","url_meta":{"origin":40896,"position":1},"title":"\u00abUpside Downside\u00bb [Michael Brecker Band: Live At Fabrik. Hamburg 1987 (2CD. Jazzline Classics. 2022)] Por Pachi Tapiz. JazzX5 #539 [Minipodcast de jazz]","author":"Tomajazz","date":"30 octubre, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"Upside Downside\" de la grabaci\u00f3n de Michael Brecker Band Live At Fabrik. Hamburg 1987 (2CD. Jazzline Classics. 2022), un CD compartido con Randy Brecker Band:. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/JazzX5_0539.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/JazzX5_0539.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/JazzX5_0539.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/JazzX5_0539.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100541,"url":"https:\/\/tomajazz.com\/web\/juan-chiavassa-fourth-generation-2025\/","url_meta":{"origin":40896,"position":2},"title":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 octubre, 2025","format":false,"excerpt":"Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13856,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-mi-recuerdo-de-michael-brecker-por-randy-sandke\/","url_meta":{"origin":40896,"position":3},"title":"Tomajazz recupera… Mi recuerdo de Michael Brecker, por Randy Sandke","author":"Tomajazz","date":"11 septiembre, 2014","format":false,"excerpt":"Considerado por muchos como el saxofonista m\u00e1s influyente desde John Coltrane, Michael Brecker falleci\u00f3 el 13 de enero de 2007, a causa de una leucemia derivada de un s\u00edndrome mielodispl\u00e1stico (MDS), un tipo infrecuente de c\u00e1ncer de m\u00e9dula. El trompetista Randy Sandke conoci\u00f3 a Michael Brecker durante casi 40 a\u00f1os,\u2026","rel":"","context":"En \u00ab*_Sergio Cabanillas\u00bb","block_context":{"text":"*_Sergio Cabanillas","link":"https:\/\/tomajazz.com\/web\/category\/sergio-cabanillas\/"},"img":{"alt_text":"Directions In Music, Vitoria 2002 Herbie Hancock \/ Michael Brecker \/ George Mraz \/ Roy Hargrove \/ Willie Jones \u00a9 Sergio Cabanillas, 2002","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/brecker_sandke_vitoria2002_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/brecker_sandke_vitoria2002_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/brecker_sandke_vitoria2002_1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1203,"url":"https:\/\/tomajazz.com\/web\/david-garfield-friends-the-state-of-things-esc-records\/","url_meta":{"origin":40896,"position":4},"title":"David Garfield & Friends – The State Of Things (ESC Records","author":"Autor1","date":"17 mayo, 2011","format":false,"excerpt":"Como la mayor\u00eda de grabaciones con muchos invitados (\u201c& Friends\u201d), este trabajo de David Garfield presenta varias caras, siendo m\u00e1s un compendio de sonoridades y sub-g\u00e9neros que una obra cohesionada. En el mismo disco conviven ejemplos de jazz-rock descarnado (\u201cTsunami\u201d) con devaneos de rhythm&blues vocal (\u201cIf Six Was Nine\u201d), funk\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/garfield_state.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1974,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-peter-erskine-peter-erskine\/","url_meta":{"origin":40896,"position":5},"title":"Tomajazz recomienda… un CD: Peter Erskine (Peter Erskine, 1982)","author":"Adolphus van Tenzing","date":"21 marzo, 2011","format":false,"excerpt":"Tras su paso por las bandas de Stan Kenton y Maynard Ferguson en los a\u00f1os setenta, en 1982 el bater\u00eda Peter Erskine integraba el grupo Weather Report. Para grabar este su primer CD, Erskine cont\u00f3 con los que en breve ser\u00edan compa\u00f1eros suyos en Steps Ahead, otra de las grandes\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Peter-Erskine.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/front.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=40896"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40896\/revisions"}],"predecessor-version":[{"id":40901,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/40896\/revisions\/40901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/40897"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=40896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=40896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=40896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}