{"id":41214,"date":"2019-01-20T18:00:38","date_gmt":"2019-01-20T17:00:38","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=41214"},"modified":"2022-08-28T19:14:31","modified_gmt":"2022-08-28T17:14:31","slug":"razones-para-el-jazz-masterpieces-by-ellington-duke-ellington-1950-487","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-masterpieces-by-ellington-duke-ellington-1950-487\/","title":{"rendered":"Razones para el jazz. Masterpieces by Ellington (Duke Ellington, 1950) [487]"},"content":{"rendered":"

Por\u00a0Juli\u00e1n Ruesga Bono<\/strong>.<\/p>\n

\"\"<\/p>\n

Ellington ya llevaba 25 a\u00f1os grabando cuando public\u00f3 este disco. Fue el primer LP que public\u00f3 y la primera vez que su banda pod\u00eda mostrar en disco lo que tocaban en concierto sin reducirlo al est\u00e1ndar de tres minutos propio de los discos de 78 rpm. Aprovechando los nuevos 33 1\/3 rpm, que permit\u00edan grabar y publicar piezas m\u00e1s largas, Ellington elabora unos arreglos que otorgan nueva vida a temas ya conocidos, haci\u00e9ndolos sonar de forma diferente, las nuevas orquestaciones les infunde otra identidad sonora.<\/p>\n

El \u00e1lbum est\u00e1 compuesto por versiones extendidas y modernizadas de temas originalmente estrenados a principios de los a\u00f1os 30 \u2013s\u00f3lo \u201cThe Tattooed Bride\u201d era una composici\u00f3n reciente cuando se grab\u00f3 el disco. Masterpieces<\/em> es uno de los m\u00e1s celebrados discos de Ellington, una experiencia sonora que confirma al m\u00fasico en el lugar que ocupa en el Olimpo hist\u00f3rico del jazz. Resaltar del \u00e1lbum la voz de Yvonne Lanauze en \u00abMood Indigo\u00bb y \u00abSolitude\u00bb y la intensidad con la que los solistas tocan en \u201cThe Tattooed Bride\u201d.<\/p>\n

Esta edici\u00f3n en CD a\u00f1ade a las cuatro piezas del LP original, tres temas adicionales. Todas las grabaciones est\u00e1n remasterizadas para esta edici\u00f3n.<\/p>\n

Tomajazz: \u00a9\u00a0Juli\u00e1n Ruesga Bono<\/strong>, 2019<\/p>\n

Artista:<\/strong> Duke Ellington
\nAlbum:<\/strong> Masterpieces by Ellington
\n<\/em>Discogr\u00e1fica:<\/strong> Columbia \/ Legacy
\nGrabaci\u00f3n:<\/strong> 1950
\nPublicaci\u00f3n original:<\/strong> 1951
\nPublicaci\u00f3n edici\u00f3n remasterizada:<\/strong> 2004<\/p>\n

Temas:<\/strong><\/p>\n

    \n
  1. \u00abMood Indigo\u00bb (15:28)<\/li>\n
  2. \u00abSophisticated Lady\u00bb (11:29)<\/li>\n
  3. \u00abThe Tattooed Bride\u00bb (11:44)<\/li>\n
  4. \u00abSolitude\u00bb (8:26)<\/li>\n<\/ol>\n

    Bonus tracks:<\/strong><\/p>\n

      \n
    1. \u00abVagabonds\u00bb (3:11)<\/li>\n
    2. \u00abSmada\u00bb (2:48)<\/li>\n
    3. \u00abRock-Skippin\u2019 At The Blue Note\u00bb (2:27)<\/li>\n<\/ol>\n

      Personal: <\/strong>Duke Ellington, Billy Strayhorn: piano; Cat Anderson (pistas 1-4, 6 y 7), Shorty Baker, Mercer Ellington (pistas 1-4), Fats Ford (pistas 1-4), Ray Nance, Nelson Williams: trompeta; Lawrence Brown (pistas 1-4), Tyree Glenn (pistas 1-4), Quentin Jackson, Britt Woodman (pistas 5-7): tromb\u00f3n; Jimmy Hamilton: clarinete, saxof\u00f3n tenor; Johnny Hodges (pistas 1-4), Willie Smith (pistas 5-7): saxof\u00f3n alto; Russell Procope: saxof\u00f3n alto, clarinete; Paul Gonsalves: saxofon tenor; Harry Carney: saxof\u00f3n bar\u00edtono, clarinete bajo (pista 2), Wendell Marshall: bajo; Sonny Greer (pistas 1-4), Louis Bellson (pistas 5-7): bater\u00eda; Yvonne Lanauze: voz.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Juli\u00e1n Ruesga Bono selecciona para el especial Razones para el Jazz, Masterpieces by Ellington del a\u00f1o 1950.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":41216,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17854,24918,5,20689,15517,1038],"tags":[6637,603],"class_list":["entry","author-pachi","has-excerpt","post-41214","post","type-post","status-publish","format-standard","has-post-thumbnail","category-julian-ruesga-bono","category-cada-semana-un-imprescindible","category-grabaciones","category-razones-para-el-jazz","category-textos","category-contenidos","tag-duke-ellington","tag-julian-ruesga-bono"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Duke-Ellington_Masterpieces-by-Ellington.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":41214,"position":0},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. 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