{"id":4179,"date":"2013-01-23T21:13:20","date_gmt":"2013-01-23T20:13:20","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4179"},"modified":"2016-11-13T21:28:48","modified_gmt":"2016-11-13T20:28:48","slug":"en-la-casa-del-mundo-xliii-opening-gambit-trevor-watts-moire-music-drum-ensemble-1994","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xliii-opening-gambit-trevor-watts-moire-music-drum-ensemble-1994\/","title":{"rendered":"En \u00abLa casa del Mundo\u00bb (XLIII): \u00abOpening Gambit\u00bb (Trevor Watts Moir\u00e9 Music Drum Ensemble, 1994)"},"content":{"rendered":"

\"trevor<\/a><\/p>\n

El saxofonista Trevor<\/strong> Watts<\/strong> es una figura importante dentro de la libre improvisaci\u00f3n brit\u00e1nica. El Spontaneous Music Ensemble o la London Jazz Composers Orchestra<\/strong> son algunas de las formaciones en las que ha participado a lo largo de su carrera. En la d\u00e9cada de los 80 lider\u00f3 dos grupos (Moir\u00e9<\/strong> Music<\/strong> y Drum<\/strong> Orchestra<\/strong>) que en el siguiente decenio se transformaron en el Moir\u00e9 Music Drum Ensemble<\/strong>. En 1994 se publicaba A Wider Embrace<\/em> en ECM que inclu\u00eda la composici\u00f3n de Watts<\/strong> \u00abOpening Gambit\u00bb en la que el saxofonista se explayaba con un potente solo de saxo soprano sobre las voces y percusiones de Nana<\/strong> Tsiboe<\/strong>, Nee<\/strong>–Daku<\/strong> Patato<\/strong>, Jojo<\/strong> Yates<\/strong>, Mana<\/strong> Appiah<\/strong>, Paapa<\/strong> J.<\/strong> Mensah<\/strong> y el bajo de \u00a0Colin<\/strong> McKenzie<\/strong>.<\/p>\n

Como a\u00f1adido jazz\u00edstico al programa La Casa del Mundo<\/em>, en esta ocasi\u00f3n la entrevista habitual tuvo como protagonista al fot\u00f3grafo de jazz Sergio<\/strong> Cabanillas<\/strong>, habitual de Tomajazz desde sus inicios.<\/p>\n

\u00abOpening Gambit\u00bb
\nTrevor Watts Moir\u00e9 Music Drum Ensemble<\/strong>
\nA Wider Embrace
\n<\/em>ECM (1994)
\n<\/em><\/p>\n

<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

El saxofonista Trevor Watts es una figura importante dentro de la libre improvisaci\u00f3n brit\u00e1nica. El Spontaneous Music Ensemble o la London Jazz Composers Orchestra son algunas de las formaciones en las que ha participado a lo largo de su carrera. En la d\u00e9cada de los 80 lider\u00f3 dos grupos (Moir\u00e9Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4180,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17850,4313,1038,4758],"tags":[1354,4803,4806,1663,4797,4800,4801,4805,4807,4798,4799,4802,187,16099,16100,4804],"class_list":["entry","author-pachi","post-4179","post","type-post","status-publish","format-standard","has-post-thumbnail","category-sergio-cabanillas","category-bun","category-contenidos","category-blogs","tag-1354","tag-colin-mckenzie","tag-drum-orchestra","tag-ecm","tag-en-la-casa-del-mundo","tag-jojo-yates","tag-mana-appiah","tag-moire-music","tag-moire-music-drum-ensemble","tag-nana-tsiboe","tag-nee-daku-patato","tag-paapa-j-mensah","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-trevor-watts"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/trevor-watts.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":56671,"url":"https:\/\/tomajazz.com\/web\/charlie-watts-in-memoriam\/","url_meta":{"origin":4179,"position":0},"title":"Charlie Watts In Memoriam","author":"Tomajazz","date":"25 agosto, 2021","format":false,"excerpt":"Desde Tomajazz un homenaje a Charlie Watts, baterista de The Rolling Stones y de jazz.","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Rolling_Stones_18-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Rolling_Stones_18-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Rolling_Stones_18-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Rolling_Stones_18-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Rolling_Stones_18-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Rolling_Stones_18-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":7305,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-challenge-new-surfacing-spontaneous-music-ensemble\/","url_meta":{"origin":4179,"position":1},"title":"Tomajazz recomienda… Challenge \/ New Surfacing (Spontaneous Music Ensemble)","author":"Adolphus van Tenzing","date":"9 julio, 2013","format":false,"excerpt":"La recomendaci\u00f3n de esta ocasi\u00f3n son dos CD reci\u00e9n reeditados, aunque igualmente la recomendaci\u00f3n podr\u00eda estar centrada en el grupo (Spontaneous Music Ensemble), su l\u00edder (John Stevens), la discogr\u00e1fica que los publica (Emanem) o incuso su cabeza visible (Martin Davidson). El Spontaneous Music Ensemble fue un grupo brit\u00e1nico en activo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"spontaneous music ensemble new surfacing","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/spontaneous-music-ensemble-new-surfacing.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15740,"url":"https:\/\/tomajazz.com\/web\/spontaneous-music-ensemble-oliv-familie-19689-emanem-2014\/","url_meta":{"origin":4179,"position":2},"title":"Spontaneous Music Ensemble: Oliv & Familie (1968\/9) (Emanem, 2014)","author":"Tomajazz","date":"28 noviembre, 2014","format":false,"excerpt":"Martin Davidson sigue documentando con su sello Emanem la escena improvisada brit\u00e1nica. En ella, el baterista John Stevens tuvo un papel esencial, especialmente gracias al mutante y multiforme Spontaneous Music Ensemble que mantuvo en activo a lo largo de d\u00e9cadas. Un ejemplo m\u00e1s que patente y rotundo para esta afirmaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Spontaneous Music Ensemble_Oliv & Familie_Emanem_2014","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Spontaneous-Music-Ensemble_Oliv-Familie_Emanem_2014-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25582,"url":"https:\/\/tomajazz.com\/web\/hdo-147-emanem-musicas-del-pasado-y-del-presente-que-miran-hacia-el-futuro-podcast\/","url_meta":{"origin":4179,"position":3},"title":"HDO 147. Emanem: m\u00fasicas del pasado y del presente que miran hacia el futuro [Podcast]","author":"Tomajazz","date":"20 julio, 2016","format":false,"excerpt":"Pachi Tapiz repasa brevemente y lleva al podcast HDO cuatro referencias publicadas por el sello Emanem de Kent Carter, Tony Marsh - Chefa Alonso, Duck Baker y el Spontaneous Music Ensemble de John Stevens con Evan Parker, Barry Guy, Derek Bailey, Trevor Watts, Kenny Wheeler...","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Duck Baker_Outside_Emanem_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-200x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8102,"url":"https:\/\/tomajazz.com\/web\/barry-guy-new-orchestra-small-formations-mad-dogs-not-two-2013\/","url_meta":{"origin":4179,"position":4},"title":"Barry Guy New Orchestra. Small Formations: Mad Dogs (Not Two, 2013)","author":"Tomajazz","date":"10 septiembre, 2013","format":false,"excerpt":"El qu\u00edntuple CD Mad Dogs, publicado en edici\u00f3n limitada y en un c\u00f3modo formato LP es un documento imprescindible, un monumento dedicado a Barry Guy, uno de los m\u00fasicos m\u00e1s vers\u00e1tiles y creativos del panorama actual de la improvisaci\u00f3n. Entre el 16 y el 19 de noviembre de 2010, en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/barry-guy-new-orchestra-mad-dogs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/barry-guy-new-orchestra-mad-dogs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/barry-guy-new-orchestra-mad-dogs.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/barry-guy-new-orchestra-mad-dogs.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/barry-guy-new-orchestra-mad-dogs.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2523,"url":"https:\/\/tomajazz.com\/web\/trevor-watts-veryan-weston-5-more-dialogues-emanem-2011\/","url_meta":{"origin":4179,"position":5},"title":"Trevor Watts – Veryan Weston: 5 More Dialogues (Emanem, 2011)","author":"Tomajazz","date":"20 septiembre, 2011","format":false,"excerpt":"En lo no musical 5 More Dialogs contiene dos elementos de especial inter\u00e9s. El primero, la portada e ilustraciones interiores, enigm\u00e1ticas las tres, de Gus Cummins. El segundo, que realmente ser\u00eda el tercero, son los t\u00edtulos de los temas, que juegan y se interrelacionan entre ellos. Finalmente toca se\u00f1alar el\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-r8DN7G9CkW4\/Tnjn808qR3I\/AAAAAAAADak\/ZHG8DAo7fUk\/s200\/watts_weston-5_more_dialogues.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4179"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4179\/revisions"}],"predecessor-version":[{"id":24332,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4179\/revisions\/24332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4180"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}