{"id":42759,"date":"2019-04-03T18:15:03","date_gmt":"2019-04-03T16:15:03","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=42759"},"modified":"2022-08-27T15:31:33","modified_gmt":"2022-08-27T13:31:33","slug":"pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/","title":{"rendered":"Pete Oxley &#8211; Nicolas Meier:The alluring Ascent (MGP Records 2019) [Grabaci\u00f3n]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-42760 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>The alluring Ascent<\/em> es un viaje por un mundo amable y armonioso, tranquilo, bello y optimista que el mismo Pat Metheny aprobar\u00eda sin pesta\u00f1ear. No faltan las pinceladas \u00e9tnicas siempre acompa\u00f1adas de las estructuras jazz de mayor solidez y virtuosismo aderezadas de texturas coloristas y paisajes sonoros ricos en matices emotivos.<\/p>\n<p>Con \u201cThe Austin Bar\u201d comienza una aventura en la que Pete Oxley y Nicolas Meier se baten en duelo con pasi\u00f3n como espadachines a lo Larry Coryell &amp; Philip Catherine y con la inclusi\u00f3n del <em>sitar guitar<\/em> de Pete Oxley que nos lleva a pensar en el Pat Metheny Group.<\/p>\n<p>\u201cThe Gift\u201d es el sosiego y la paz, es la b\u00fasqueda de lo bello y lo emotivo. <em>Smooth Jazz<\/em> intimista interpretado con delicadeza y sutilidad para producir placer con arreglos precisos y preciosos.<\/p>\n<p>\u201cEast Coast Joys\u201d suena a <em>jazz-rock<\/em> suave y entusiasta donde destaca el solo de bajo el\u00e9ctrico de Raph Mizraki y Pete Oxley a la guitarra el\u00e9ctrica.<\/p>\n<p>\u201cManzanita Samba\u201d una pieza que me vuelve a recordar a Pat Metheny por sonido y estructura en una nueva exhibici\u00f3n de Pete Oxley y Nicolas Meier con la guitarras ac\u00fasticas de cuerdas de <em>nylon<\/em>.<\/p>\n<p>\u201cSeptembre Song\u201d es una balada de <em>tempo lento<\/em> de sonido cristalino y aterciopelado de belleza turbadora y cautivadora donde Pete Oxley y Nicolas Meier se funden en un abrazo largamente amoroso.<\/p>\n<p>\u201cOur Homeland\u201d de marcado car\u00e1cter \u00e9tnico nos lleva a visitar el Medio Oriente, quiz\u00e1s Turqu\u00eda, vali\u00e9ndose de una perfecta comuni\u00f3n entre Pete Oxley y Nicolas Meier y el complemento de uni\u00f3n de la <em>darbuka<\/em> y la bater\u00eda de Paul Cavaciuti.<\/p>\n<p>Parece inevitable y quiz\u00e1s lo sea, pero el esp\u00edritu de Pat Metheny reaparece en \u201cAutumn Enters\u201d a trav\u00e9s del <em>sitar guitar<\/em> de Pete Oxley con un Nicolas Meier en perfecta conjunci\u00f3n.<\/p>\n<p>\u201cThe Key of Klimt\u201d, es fresca, ingeniosa y una fiesta virtuosa de dos guitarristas que beben de las fuentes de Latinoam\u00e9rica.<\/p>\n<p>No puedo evitarlo pero \u00e9ste \u201cWalk in the Sky\u201d me recuerda a guitarristas como el brit\u00e1nico Stephen Caudel y su sonido <em>New Age<\/em> tan descriptivo como limpio e intimista.<\/p>\n<p>El \u00faltimo eslab\u00f3n lo completa la composici\u00f3n \u201cOur Beautiful Frantic Lives\u201d donde el <em>blues<\/em> y el <em>rock<\/em> se dan la mano con un Pete Oxley estelar en la guitarra de jazz al que responde Nicolas Meier con finos punteos en la guitarra ac\u00fastica.<\/p>\n<p>A modo de conclusi\u00f3n Pete Oxley y Nicolas Meier han hecho de este <em>The alluring Ascent<\/em> una obra para disfrute propio que provocar\u00e1 el placer a quien lo escuche.<\/p>\n<p style=\"text-align: right;\">\u00a9 <strong>Enrique Farelo<\/strong>, 2019<\/p>\n<p>Pete Oxley y Nicolas Meier: <em>The alluring Ascent<\/em><\/p>\n<p>M\u00fasicos: Pete Oxley y Nicolas Meier (Guitarras) con Raph Mizraki (Bajo el\u00e9ctrico, Contrabajo y Darbuka en 6), Paul Cavaciuti (Bater\u00eda) y Keith Fairbairn (Percusi\u00f3n en 2, 3, 5,7 y 8)<\/p>\n<p>Composiciones: 1\/\u201cThe Austin Bar\u201d, 2\/\u201cThe Gift\u201d, 3\/\u201cEast Coast Joys\u201d, 4\/ \u201cManzanita Samba\u201d, 5\/ \u201cSeptembre Song\u201d, 6\/\u201cOur Homeland\u201d, 7\/\u201cAutumn Enters\u201d, 8\/\u201cThe Key of Klimt\u201d, 9\/\u201cWalk in the Sky\u201d y 10\/\u201cOur Beautiful Frantic Lives\u201d.<br \/>\nTodas las composiciones de Pete Oxley y Nicolas Meier.<\/p>\n<p>Grabado en diciembre de 2018 en Blue Moon estudio (Oxforshire) y en MGP estudios de Nicolas Meier de Mark Lee en enero de 2019. Publicado en 2019 por MGP Records.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Enrique Farelo. The alluring Ascent es un viaje por un mundo amable y armonioso, tranquilo, bello y optimista que el mismo Pat Metheny aprobar\u00eda sin pesta\u00f1ear. No faltan las pinceladas \u00e9tnicas siempre acompa\u00f1adas de las estructuras jazz de mayor solidez y virtuosismo aderezadas de texturas coloristas y paisajes sonoros ricos<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":42760,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,15517,1038],"tags":[304,22826,18892,17546,18891,18889,22824,22825],"class_list":["entry","author-pachi","post-42759","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-enrique-farelo","tag-keith-fairbairn","tag-mgp-records","tag-nicolas-meier","tag-paul-cavaciuti","tag-pete-oxley","tag-pete-oxley-nicolas-meier","tag-ralph-mizraki"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-\u2013The-alluring-ascent-MGP-Records-2019.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":76870,"url":"https:\/\/tomajazz.com\/web\/pete-oxley-mercurial-indigo-2023\/","url_meta":{"origin":42759,"position":0},"title":"Pete Oxley &#038; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"1 agosto, 2023","format":false,"excerpt":"Pete Oxley y Nicolas Meier han publicado Mercurial Indigo (MGP Records; 2023). Enrique Farelo repasa la grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Pete Oxley & Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Pete Oxley  y Nicolas Meier han publicado Mercurial Indigo (MGP Records; 2023). Enrique Farelo repasa la grabaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29219,"url":"https:\/\/tomajazz.com\/web\/pete-oxley-y-nicolas-meier-the-colours-of-time-mgp-records-2016\/","url_meta":{"origin":42759,"position":1},"title":"Pete Oxley &#038; Nicolas Meier: The Colours Of Time (MGP Records 2016) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 febrero, 2017","format":false,"excerpt":"Diez piezas componen el primero de los CD de The Colours Of Time, dos guitarristas y multitud de guitarras ac\u00fasticas, el\u00e9ctricas, sintetizadas o con cuerdas de nailon que sirven de pretexto para alcanzar un fin bello en s\u00ed mismo a trav\u00e9s de un recorrido colorista y ameno como pocos, no\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Pete Oxley & Nicolas Meier: The Colours Of Time (MGP Records 2016) [CD] - Tomajazz 9.0","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Pete-Oxley-Nicolas-Meier_The-Colours-of-Time_MGP-Records_2016-e1486500293808.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Pete-Oxley-Nicolas-Meier_The-Colours-of-Time_MGP-Records_2016-e1486500293808.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Pete-Oxley-Nicolas-Meier_The-Colours-of-Time_MGP-Records_2016-e1486500293808.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":26888,"url":"https:\/\/tomajazz.com\/web\/nicolas-meier-infinity-favored-nations-records-2016-cd\/","url_meta":{"origin":42759,"position":2},"title":"Nicolas Meier: Infinity (Favored Nations Records, 2016) [CD]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Composiciones como \u201cRiversides\u201d, \u201cTales\u201d o \u201cSerene\u201d formaron parte de su anterior trabajo Chasing Tales (MGP Records 2015) grabado al alim\u00f3n entre el propio Nicolas Meier y el tambi\u00e9n guitarrista Pete Oxley. De Nicolas Meier se pueden decir muchas cosas ya que \u00e9l no es un m\u00fasico al uso, es m\u00e1s\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nicolas-Meier_Infinity_X_2016-e1476380920660.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nicolas-Meier_Infinity_X_2016-e1476380920660.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nicolas-Meier_Infinity_X_2016-e1476380920660.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":45247,"url":"https:\/\/tomajazz.com\/web\/nicolas-meier-world-group-peaceful-mgp-records-2019-grabacion\/","url_meta":{"origin":42759,"position":3},"title":"Nicolas Meier World Group: Peaceful (MGP Records, 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"6 septiembre, 2019","format":false,"excerpt":"Por\u00a0Enrique Farelo. Nicolas Meier es sin duda un ciudadano del mundo, as\u00ed lo expresa en su m\u00fasica y lo lleva impreso en la denominaci\u00f3n de su grupo. Nicolas Meier recorre el mundo a trav\u00e9s de su m\u00fasica y sus diferentes guitarras. Ecl\u00e9ctico en su concepci\u00f3n musical no deja de lado\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Nicolas Meier World Group: Peaceful (MGP Records, 2019) [Grabaci\u00f3n]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":26994,"url":"https:\/\/tomajazz.com\/web\/dwiki-dharmawan-pasar-klewer-moonjune-records-2016-2cd-cd\/","url_meta":{"origin":42759,"position":4},"title":"Dwiki Dharmawan: Pasar Klewer (Moonjune records, 2016. 2CD) [CD]","author":"Tomajazz","date":"21 octubre, 2016","format":false,"excerpt":"Pasar Klewer es el segundo trabajo del pianista y compositor indonesio Dwiki Dharmawan para moonjune records y pasa por ser una de sus obras m\u00e1s importantes por originalidad y creatividad, donde es dif\u00edcil encontrar una definici\u00f3n que encaje a la perfecci\u00f3n con lo que se ofrece en el mismo. De\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Dwiki-Dharmawan_Pasar-Klewer_Moonjune_2016_2CD-e1476992279186.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Dwiki-Dharmawan_Pasar-Klewer_Moonjune_2016_2CD-e1476992279186.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Dwiki-Dharmawan_Pasar-Klewer_Moonjune_2016_2CD-e1476992279186.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103372,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-the-gathering-2024-vrsn-2026\/","url_meta":{"origin":42759,"position":5},"title":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 enero, 2026","format":false,"excerpt":"The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/42759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=42759"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/42759\/revisions"}],"predecessor-version":[{"id":42762,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/42759\/revisions\/42762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/42760"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=42759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=42759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=42759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}