{"id":42984,"date":"2019-04-19T18:00:45","date_gmt":"2019-04-19T16:00:45","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=42984"},"modified":"2022-08-27T15:22:40","modified_gmt":"2022-08-27T13:22:40","slug":"vasil-hadzimanov-band-lines-in-sand-moonjune-records-2019-grabacion","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/vasil-hadzimanov-band-lines-in-sand-moonjune-records-2019-grabacion\/","title":{"rendered":"Vasil Hadzimanov Band: Lines in Sand (Moonjune Records 2019) [Grabaci\u00f3n]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-42986 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019.jpg 225w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Es como el latido de un coraz\u00f3n pausado, es como el sonido de un pulsar espiritual y m\u00e1gico de profundo sentimiento ar\u00e1bigo-flamenco encarnado en la voz de Bojan Ivkovic. As\u00ed comienza <em>Lines In Sand<\/em> con la pieza hom\u00f3nima, causando impresiones de calado profundo.<\/p>\n<p><em>Lines In Sand<\/em> encadena una pieza tras otra como eslabones de una cadena, como perlas de un collar, piezas cortas a modo de <em>suite<\/em> donde la secci\u00f3n r\u00edtmica suena compacta, fluida y presente, donde los solos de guitarra y teclados economizan sus intervenciones con finura y elegancia. M\u00fasica que bebe de diferentes fuentes que van desde el jazz, <em>rock, R&amp;B, soul, funk, psicodelia<\/em> o <em>world music<\/em>.<\/p>\n<p>En \u201cMr. MoonJune\u201d encontramos un claro homenaje a Leonardo Pavkovic (due\u00f1o del sello <em>Moonjune Records<\/em>). La pieza se debate entre el <em>funk<\/em> o el <em>smooth jazz<\/em> de John Klemmer o del grupo alem\u00e1n Passport de los a\u00f1os 80\/90 a trav\u00e9s de la figura del saxo de Rastko Obradovic.<\/p>\n<p>El tercer corte, \u201cSan Snova\u201d, es el jazz quien domina con el piano ac\u00fastico de Vasil Hadzimanov como protagonista; \u201cLost\u201d, destaca por la voz de Marta Hadzimanov de similar textura t\u00edmbrica a cantantes como Gayle Moran o Flora Purim e incluso Norma Winstone y el piano ac\u00fastico de Vasil Hadzimanov y la guitarra de Branko Trijic.<\/p>\n<p>\u201cKazi\u201d supone un tr\u00e1nsito <em>ambient <\/em>para enlazar con \u201cKazi Gradiska\u201d que por estructura y sonido se acerca a la m\u00fasica de Chick Corea y que termina en \u201cMaklik\u201d donde encuentra acomodo el piano el\u00e9ctrico setentero y convincente de Vasil Hadzimanov.<\/p>\n<p>Composiciones como \u201cFor Clara\u201d se transmutan y personalizan en la voz del que fuera vocalista de <em>Screaming Headless Torsos<\/em>, Dean Bowman que con su <em>soul<\/em> lis\u00e9rgico de ecos setenteros y reverberaciones espaciales dan paso al saxo de Rastko Obradovic que rompe el tema en dos y que se oculta bajo el sonido c\u00f3smico de la guitarra de Branko Trijic en \u201cWaiting For&#8230;\u201d encentrando un manantial de riqueza \u00e9tnica que se funde con el sonido lun\u00e1tico del grupo <em>Gong<\/em> \u00a0en \u201cFreedom from the Past\u201d.<\/p>\n<p>\u201cRatnici Podzemlja\u201d es otra demostraci\u00f3n de la fusi\u00f3n de estilos aportando <em>funk<\/em> y <em>groove<\/em> din\u00e1mico y negro muy gusto de los a\u00f1os 70 del pasado siglo.<\/p>\n<p>Con \u201cRege Hadzi\u201d ponemos el punto y aparte en la carrera del teclista serbio Vasil Hadzimanov.<\/p>\n<p>La composici\u00f3n es un ejercicio sincopado de <em>reggae<\/em> instrumental minimalista y futurista que se pierde en un horizonte inacabado.<\/p>\n<p style=\"text-align: right;\">\u00a9 <strong>Enrique Farelo<\/strong>, 2019<\/p>\n<p><strong>Vasil Hadzimanov Band<\/strong>: Lines in Sand (<em>Moonjune Records<\/em> 2019)<\/p>\n<p>Vasil Hadzimanov (teclados), Branko Trijic (guitarra el\u00e9ctrica), Mirosav Tovirac (guitarra Bajo), Bojan Ivkovic (percusi\u00f3n y voz), Pedja Milutinovic (bater\u00eda), Rastko Obradovic (saxos) (2, 8), Marta Hadzimanov (voz solista) (4), Dean Bowman (voz solista) (8).<\/p>\n<p>\u201cLines in Sand\u201d; \u201cMr. MoonJune\u201d; \u201cSan Snova\u201d; \u201cLost\u201d; \u201cKazi\u201d; \u201cKazi Gradiska\u201d; \u201cMaklik\u201d; \u201cFor Clara\u201d; \u201cWaiting For&#8230;\u201d; \u201cFreedom from the Past\u201d; \u201cRatnici Podzemlja\u201d; \u201cRege Hadzi\u201d.<br \/>\nTodas las composiciones de Vasil Hadzimanov excepto \u201cMr. MoonJune\u201d y \u201cRatnici Podzemlja\u201d de Vasil Hadzimanov band, \u201cFor Clara\u201d de Mirosav Tovirac, \u201cWaiting For&#8230;\u201d de Branko Trijic, \u201cFreedom from the Past\u201d tradicional\/ Vasil Hadzimanov.<\/p>\n<p>Grabado en el estudio Binta y German Ambassador\u2019s en Belgrado (Serbia) en noviembre de 2017.<br \/>\nPublicado en 2019 por Moonjune Records.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Enrique Farelo. Es como el latido de un coraz\u00f3n pausado, es como el sonido de un pulsar espiritual y m\u00e1gico de profundo sentimiento ar\u00e1bigo-flamenco encarnado en la voz de Bojan Ivkovic. As\u00ed comienza Lines In Sand con la pieza hom\u00f3nima, causando impresiones de calado profundo. Lines In Sand encadena una<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/vasil-hadzimanov-band-lines-in-sand-moonjune-records-2019-grabacion\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":42986,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,15517,1038],"tags":[15082,22874,22878,304,6008,22877,22875,5991,15085,22876,15081,15087],"class_list":["entry","author-pachi","post-42984","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-bojan-ivkovic","tag-brako-trijic","tag-dean-bowman","tag-enrique-farelo","tag-leonardo-pavkovic","tag-marta-hadzimanov","tag-mirosav-tovirac","tag-moonjune-records","tag-pedja-milutinovic","tag-rastko-obradovic","tag-vasil-hadzimanov","tag-vasil-hadzimanov-band"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Vasil-Hadzimanov-Band-Lines-In-Sand-2019.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22510,"url":"https:\/\/tomajazz.com\/web\/vasil-hadzimanov-band-feat-david-binney-alive-2016-moonjune-records-2016\/","url_meta":{"origin":42984,"position":0},"title":"Vasil Hadzimanov Band feat. David Binney: Alive 2016 (Moonjune Records, 2016; CD)","author":"Tomajazz","date":"4 marzo, 2016","format":false,"excerpt":"Vasil Hadzimanov es una nueva apuesta de riesgo y compromiso del sello de Leonardo Pavkovic. El teclista y compositor serbio nos ofrece una suerte de composiciones que van desde la fusi\u00f3n, el jazz, el rock progresivo o la m\u00fasica \u00e9tnica. El haber sido grabado en directo le da un valor\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Vasil-Hadzimanov_Alive_MoonJune-Records_2016-e1457038317192.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Vasil-Hadzimanov_Alive_MoonJune-Records_2016-e1457038317192.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Vasil-Hadzimanov_Alive_MoonJune-Records_2016-e1457038317192.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":35372,"url":"https:\/\/tomajazz.com\/web\/dusan-jevtovic-live-at-home-moonjune-records-2018-cd-grabacion\/","url_meta":{"origin":42984,"position":1},"title":"Dusan Jevtovic: Live at Home (Moonjune Records, 2018) [CD \u2013 Grabaci\u00f3n]","author":"Tomajazz","date":"27 febrero, 2018","format":false,"excerpt":"Dusan Jevtovic maneja su grupo como si de una monta\u00f1a rusa se tratara, subiendo y bajando, se ralentiza y acelera hasta el v\u00e9rtigo, y modulando desde la reflexi\u00f3n intimista hasta la pasi\u00f3n desenfrenada y disonante desde su guitarra gru\u00f1ona en contraposici\u00f3n al piano y Fender Rhodes de Vasil Hadzimanov que\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31990,"url":"https:\/\/tomajazz.com\/web\/dusan-jevtovic-no-answer-moonjune-records-2017-grabacion\/","url_meta":{"origin":42984,"position":2},"title":"Dusan Jevtovic: No Answer (MoonJune Records, 2017) [Grabaci\u00f3n]","author":"Tomajazz","date":"29 agosto, 2017","format":false,"excerpt":"Podemos considerar No Answer como el tercer trabajo de Dusan Jevtovic junto con On The Edge (2009, L'Indi, Espa\u00f1a) y Am I Walking Wrong (MoonJune, 2013), si bien Live es un disco editado en formato digital y grabado en el 24 de abril y el 4 julio de 2014 entre\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dusan-Jevtovic_No-Answer_MoonJune_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":103993,"url":"https:\/\/tomajazz.com\/web\/dewa-budjana-praguenayama-2026\/","url_meta":{"origin":42984,"position":3},"title":"Dewa Budjana &#038; Czech Symphony Orchestra: Praguenayama (MoonJune Records; 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 febrero, 2026","format":false,"excerpt":"Praguenayama (MoonJune Records; 2026) es lo nuevo de Dewa Budjana con la Czech Symphony Orchestra. Enrique Farelo repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dewa Budjana & Czech Symphony Orchestra: Praguenayama (MoonJune Records; 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Praguenayama (MoonJune Records; 2026) es lo nuevo de Dewa Budjana con la Czech Symphony Orchestra. Enrique Farelo repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Dewa-Budjana-Czech-Symphony-Orchestra-Praguenayama-MoonJune-Records-2026-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Dewa-Budjana-Czech-Symphony-Orchestra-Praguenayama-MoonJune-Records-2026-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Dewa-Budjana-Czech-Symphony-Orchestra-Praguenayama-MoonJune-Records-2026-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Dewa-Budjana-Czech-Symphony-Orchestra-Praguenayama-MoonJune-Records-2026-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":103372,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-the-gathering-2024-vrsn-2026\/","url_meta":{"origin":42984,"position":4},"title":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 enero, 2026","format":false,"excerpt":"The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":73046,"url":"https:\/\/tomajazz.com\/web\/jaume-de-viala-calidoscopi-embruixat-2023\/","url_meta":{"origin":42984,"position":5},"title":"Jaume de Viala: Calidoscopi Embruixat (auto-producido 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"17 abril, 2023","format":false,"excerpt":"Jaume de Viala ha publicado Calidoscopi Embruixat (auto-producido 2023). Enrique Farelo repasa esta grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Jaume de Viala: Calidoscopi Embruixat (auto-producido 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Jaume de Viala ha publicado  Calidoscopi Embruixat (auto-producido 2023). Enrique Farelo repasa esta grabaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Jaume-de-Viala-Calidoscopi-Embruixat-auto-producido-2022-CDReview.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Jaume-de-Viala-Calidoscopi-Embruixat-auto-producido-2022-CDReview.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Jaume-de-Viala-Calidoscopi-Embruixat-auto-producido-2022-CDReview.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/42984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=42984"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/42984\/revisions"}],"predecessor-version":[{"id":42987,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/42984\/revisions\/42987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/42986"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=42984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=42984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=42984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}