{"id":4324,"date":"2013-01-26T11:00:33","date_gmt":"2013-01-26T10:00:33","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4324"},"modified":"2016-11-13T17:20:32","modified_gmt":"2016-11-13T16:20:32","slug":"who-the-fuck-1280-almas-jim-thompson-1964-0172-26012013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/who-the-fuck-1280-almas-jim-thompson-1964-0172-26012013\/","title":{"rendered":"Who the Fuck?: <i>1280 almas<\/i> (Jim Thompson, 1964) [0172, 26\/01\/2013]"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/1280-almas.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-4325 alignleft\" alt=\"Jim Thompson. 1280 almas\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/1280-almas-204x300.jpg\" width=\"200\" height=\"294\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/1280-almas-204x300.jpg 204w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/1280-almas.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><em>1280 almas<\/em><br \/>\nJim Thompson<br \/>\nRoca Editorial (2010; publicado 1964)<\/p>\n<p>Agradecimiento a <strong>Gonzalo Ar\u00f3stegui Lasarte<\/strong> de\u00a0<em><a href=\"http:\/\/raggedglory.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener\">Ragged Glory<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1280 almas Jim Thompson Roca Editorial (2010; publicado 1964) Agradecimiento a Gonzalo Ar\u00f3stegui Lasarte de\u00a0Ragged Glory.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/who-the-fuck-1280-almas-jim-thompson-1964-0172-26012013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4325,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,2386,4758],"tags":[4957,4955,4956,31,16099,16100],"class_list":["entry","author-pachi","post-4324","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-who-the-fuck","category-blogs","tag-gonzalo-arostegui-lasarte","tag-jim-thompson","tag-libro-2","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/1280-almas.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2256,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-la-madre-de-whistler-gonzalo-arostegui-lasarte-especial-agosto-2012\/","url_meta":{"origin":4324,"position":0},"title":"Who The Fuck?: La madre de Whistler (Gonzalo Ar\u00f3stegui Lasarte) [Especial agosto 2012]","author":"Tomajazz","date":"14 agosto, 2012","format":false,"excerpt":"La madre de Whistler Por Gonzalo Ar\u00f3stegui Lasarte: novelista y autor del blog Ragged GloryHas posado sentadapara que tu hijo te pinte,sin saber que vas a prefigurara Mondrian, a Mal\u00e9vich,a todo el arte abstracto que surgir\u00e1\u2014violento y extraordinario\u2014el siglo que viene.Tu mirada, tu postura y tu ropason una abstracci\u00f3n de\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7640,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-erice-y-lopez-lopez-y-erice-especial-agosto-2013\/","url_meta":{"origin":4324,"position":1},"title":"Who The Fuck?: Erice y L\u00f3pez, L\u00f3pez y Erice [Especial agosto 2013]","author":"Tomajazz","date":"6 agosto, 2013","format":false,"excerpt":"Por Gonzalo Ar\u00f3stegui Lasarte: novelista y autor del\u00a0blog\u00a0Ragged Glory Erice y L\u00f3pez, L\u00f3pez y Erice Quiere captar la luz imposible Antonio L\u00f3pez, bajo la atenta mirada de V\u00edctor Erice, mirada de orfebre que parece ocultarse en cada plano, convirtiendo el documental en ficci\u00f3n, la ficci\u00f3n en documental, sin ser lo\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"membrillo","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8166,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-noche-salvaje-jim-thompson-0226-14092013\/","url_meta":{"origin":4324,"position":2},"title":"Who the Fuck?: Noche Salvaje (Jim Thompson) [0226, 14\/09\/2013]","author":"Tomajazz","date":"14 septiembre, 2013","format":false,"excerpt":"Noche Salvaje Jim Thompson (Savage Night, 1953)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Jim Thompson Noche Salvaje","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/Jim-Thompson-Noche-Salvaje-197x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2317,"url":"https:\/\/tomajazz.com\/web\/en-los-antipodas-del-dia-gonzalo-arostegui-lasarte-baile-del-sol-2012\/","url_meta":{"origin":4324,"position":3},"title":"En los ant\u00edpodas del d\u00eda (Gonzalo Ar\u00f3stegui Lasarte, Baile del Sol, 2012)","author":"Tomajazz","date":"29 mayo, 2012","format":false,"excerpt":"Mejores me parecieron los BellRays, militante grupo yanqui con cantante negra al frente que cantaba cosas tan (aparentemente) contradictorias como \"Stupid Fuckin\u2019 People\" y \"Have a Little Faith on Me\" sin hacer concesiones a la galer\u00eda, improvisando largos solos de guitarra de ascendencia free jazz entre furiosos y cortos pelotazos\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-sBfTy2AFjMU\/T8UtrCtL-XI\/AAAAAAAAExU\/roJKkPHdSt4\/s320\/En%2Blos%2Bant%C3%ADpodas%2Bdel%2Bd%C3%ADa.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2206,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-forever-changes-love-1967-0140-6102012\/","url_meta":{"origin":4324,"position":4},"title":"Who the Fuck?: Forever Changes (Love, 1967) [0140, 6\/10\/2012]","author":"Tomajazz","date":"6 octubre, 2012","format":false,"excerpt":"Forever ChangesLoveElektra (1967)Nota: como es costumbre, en la entrada de la secci\u00f3n \"Who the Fuck?\" no se a\u00f1ade comentario alguno. Sin embargo, para esta ocasi\u00f3n, se recomienda el repaso de Gonzalo Ar\u00f3stegui en su blog Ragged Glory: http:\/\/raggedglory.blogspot.com.es\/2012\/10\/forever-changes.html","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-ZLu3MKmcwV4\/UG7RbYJsA9I\/AAAAAAAAFqc\/-lL5TBPnvOs\/s200\/love_Forever%2BChanges.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7553,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-125-jim-keays-0219-20072013\/","url_meta":{"origin":4324,"position":5},"title":"Who the Fuck?: \u00ab125\u00bb (Jim Keays) [0219, 20\/07\/2013]","author":"Tomajazz","date":"20 julio, 2013","format":false,"excerpt":"\"125\" Jim Keays Dirty, Dirty (2012)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/jim-keays.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/jim-keays.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/jim-keays.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4324"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4324\/revisions"}],"predecessor-version":[{"id":4474,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4324\/revisions\/4474"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4325"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}