{"id":43422,"date":"2019-05-17T18:30:56","date_gmt":"2019-05-17T16:30:56","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=43422"},"modified":"2022-08-27T14:55:23","modified_gmt":"2022-08-27T12:55:23","slug":"hdo-506-fred-frith-en-muy-buena-compania-live-at-the-stone-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-506-fred-frith-en-muy-buena-compania-live-at-the-stone-podcast\/","title":{"rendered":"HDO 506. Fred Frith (en muy buena compa\u00f1\u00eda) Live At The Stone [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43423 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Fred-Frith_Live-At-The-Stone-All-Is-Always-Now-200x183.jpg\" alt=\"\" width=\"200\" height=\"183\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Fred-Frith_Live-At-The-Stone-All-Is-Always-Now-200x183.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Fred-Frith_Live-At-The-Stone-All-Is-Always-Now-600x549.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Fred-Frith_Live-At-The-Stone-All-Is-Always-Now-60x55.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Fred-Frith_Live-At-The-Stone-All-Is-Always-Now.jpg 646w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/center><br \/>\nEl triple CD <em>Live At The Stone. All Is Always Now<\/em> (Intakt Records, 2019), del guitarrista <strong>Fred Frith<\/strong> suena en la entrega 506 de <strong>HDO<\/strong>.<\/p>\n<p>Entre 2006 y 2016, el guitarrista\u00a0<strong>Fred Frith\u00a0<\/strong>dio 80 conciertos en el neoyorkino\u00a0<strong>The Stone<\/strong>. Estos eran unos encuentros centrados en la improvisaci\u00f3n, algunos de los cuales fueron grabados. En 2019 el sello suizo Intakt Records publica en format de triple CD parte de lo registrado en estos conciertos. Un total de 23 piezas en las que Frith est\u00e1 acompa\u00f1ado por m\u00fasicos como Sylvie Courvoisier, Evan Parker, Nate Wooley, Ikue Mori, Pauline Oliveros, por nombrar a algunos de ellos. Absolutamente recomendable y disfrutable de principio a fin, gracias a la camale\u00f3nica capacidad del guitarrista de empatizar y colaborar con sus acompa\u00f1antes, en HDO 506 escuchamos el inicio, sin soluci\u00f3n de continuidad, del primero de los tres CD.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <strong>Pachi Tapiz<\/strong>, 2019<\/p>\n<p>HDO 506 te gustar\u00e1\u2026 si te gusta el jazz\u2026 si te gusta la improvisaci\u00f3n&#8230; si eres seguidor de Fred Frith&#8230;<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_35948046\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_35948046_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. El triple CD Live At The Stone. All Is Always Now (Intakt Records, 2019), del guitarrista Fred Frith suena en la entrega 506 de HDO. Entre 2006 y 2016, el guitarrista\u00a0Fred Frith\u00a0dio 80 conciertos en el neoyorkino\u00a0The Stone. Estos eran unos encuentros centrados en la improvisaci\u00f3n, algunos de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-506-fred-frith-en-muy-buena-compania-live-at-the-stone-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":43424,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[8779,13299,5084,31],"class_list":["entry","author-pachi","post-43422","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-fred-frith","tag-hdo","tag-intakt","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0506_Fred-Frith-Live-At-The-Stone.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":39546,"url":"https:\/\/tomajazz.com\/web\/hdo-480-intakt-records-a-gogo-thdjsi-i-podcast\/","url_meta":{"origin":43422,"position":0},"title":"HDO 480. Intakt Records a gog\u00f3 (THDJSI I) [Podcast]","author":"Tomajazz","date":"2 noviembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. HDO 480 est\u00e1 dedicado en su totalidad al sello suizo\u00a0Intakt Records en una edici\u00f3n extensa con muchas y muy diferentes m\u00fasicas, y muy pocas palabras. Suenan las siguientes grabaciones: Michael Formanek Elusion Quartet: Time Like This Don Byron - Aruan Ortiz: Random Dances And (A)Tonalities Fred Frith Trio:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-480_Intakt-a-gogo_Collage_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-480_Intakt-a-gogo_Collage_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-480_Intakt-a-gogo_Collage_1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-480_Intakt-a-gogo_Collage_1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":63936,"url":"https:\/\/tomajazz.com\/web\/fred-frith-john-scofield-miles-okazaki-guitarristas-por-pachi-tapiz-hdo-548-podcast-de-jazz\/","url_meta":{"origin":43422,"position":1},"title":"Fred Frith &#8211; John Scofield &#8211; Miles Okazaki: Guitarristas. Por Pachi Tapiz. HDO 548 [Podcast de jazz]","author":"Tomajazz","date":"6 junio, 2022","format":false,"excerpt":"HDO 548 est\u00e1 dedicada a tres grabaciones de los guitarristas John Scofield, Fred Frith y Miles Okazaki. HDO es un podcast de Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Fred Frith - John Scofield - Miles Okazaki: Guitarristas. Por Pachi Tapiz. HDO 548 [Podcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Collage_programa0548_Guitarristas.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Collage_programa0548_Guitarristas.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Collage_programa0548_Guitarristas.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Collage_programa0548_Guitarristas.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2890,"url":"https:\/\/tomajazz.com\/web\/fred-frith-cosa-brava-ragged-atlas\/","url_meta":{"origin":43422,"position":2},"title":"Fred Frith &#8216;Cosa Brava&#8217;: Ragged Atlas","author":"Tomajazz","date":"3 mayo, 2010","format":false,"excerpt":"Si uno echa un vistazo a la carrera de Fred Frith, una de las conclusiones a la que puede llegar ante sus intenciones de publicar un disco de rock (en palabras del guitarrista), es que la propuesta sea como m\u00ednimo diferente a lo que uno puede llegar a entender por\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"fred frith cosa brava ragged atlas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/05\/fred-frith-cosa-brava-ragged-atlas.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2402,"url":"https:\/\/tomajazz.com\/web\/wish-ill-be-there-zurich-new-york-intakt-records-at-the-stone-nueva-york-1-al-15-de-marzo-de-2012\/","url_meta":{"origin":43422,"position":3},"title":"Wish I&#8217;ll Be There: Z\u00fcrich &#8211; New York. Intakt Records at the Stone (Nueva York, 1 al 15 de marzo de 2012)","author":"Tomajazz","date":"24 febrero, 2012","format":false,"excerpt":"Durante la primera quincena de marzo el sello suizo Intakt Records va a desembarcar en The Stone. El local neoyorquino albergar\u00e1 las actuaciones de distintos grupos y formaciones en las que participar\u00e1nn Fred Frith, Pierre Favre, Sylvie Courvoisier, Mark Feldman, Tim Berne, Lucas Niggli, Achille Succi, Oliver Lake, Tony Malaby,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/nycjazzrecord_zh-ny_12.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/nycjazzrecord_zh-ny_12.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/nycjazzrecord_zh-ny_12.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/nycjazzrecord_zh-ny_12.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/nycjazzrecord_zh-ny_12.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/nycjazzrecord_zh-ny_12.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2337,"url":"https:\/\/tomajazz.com\/web\/mmm-quartet-live-at-the-metz-arsenal-leo-records-2012\/","url_meta":{"origin":43422,"position":4},"title":"MMM Quartet: Live at the Metz\u2019 Arsenal (Leo Records, 2012)","author":"Tomajazz","date":"4 mayo, 2012","format":false,"excerpt":"MMM Quartet, un grupo cuyo nombre a la vez que no significa nada puede significar muchas cosas distintas, es una formaci\u00f3n en la que participan cuatro pesos pesados en esto de la improvisaci\u00f3n: el saxofonista Urs Leimgruber, el compositor y especialista en el uso de la electr\u00f3nica Alvin Curran, junto\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"mmmquartet_liveatthemetzarsenal_ga","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/mmmquartet_liveatthemetzarsenal_ga.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22504,"url":"https:\/\/tomajazz.com\/web\/clean-feed-en-2016-primera-entrega-hdo-0081-podcast\/","url_meta":{"origin":43422,"position":5},"title":"Clean Feed en 2016. Primera entrega. HDO 0081 [Podcast]","author":"Tomajazz","date":"3 marzo, 2016","format":false,"excerpt":"Dos son los vectores principales de esa matriz musical y creativa que es el sello portugu\u00e9s Clean Feed. Pedro Costa, al frente de la discogr\u00e1fica lusa desde sus inicios, ha sabido a\u00fanar la publicaci\u00f3n de grabaciones de figuras ya reconocidas en la escena internacional de la m\u00fasica libre (mayormente jazz,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=43422"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43422\/revisions"}],"predecessor-version":[{"id":43425,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43422\/revisions\/43425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/43424"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=43422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=43422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=43422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}