{"id":43519,"date":"2019-05-24T18:00:25","date_gmt":"2019-05-24T16:00:25","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=43519"},"modified":"2022-08-27T14:43:13","modified_gmt":"2022-08-27T12:43:13","slug":"hdo-508-hubro-kim-myhr-building-instrument-oyvind-torvund-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-508-hubro-kim-myhr-building-instrument-oyvind-torvund-podcast\/","title":{"rendered":"HDO 508. HUBRO: Kim Myhr &#8211; Building Instrument &#8211; \u00d8yvind Torvund [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43521 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Building-Instrument_Mangelen-Min.jpg 1024w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43522 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Kim-Myhr_pressing-clouds-passing-crowds.jpg 1024w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43523 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/\u00d8yvind-Torvund_The-Exotica-Album.jpg 1024w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>En HDO 508 suenan tres grabaciones publicadas por el sello <strong>HUBRO<\/strong>. <strong>Kim Myhr<\/strong>: <em>pressing clouds passing crowds<\/em>. <strong>Building Instrument<\/strong>: <em>Mangelen Min<\/em>. <strong>\u00d8yvind Torvund<\/strong>: <em>The Exotica Album <\/em><\/p>\n<p>El sello HUBRO se caracteriza por ser inclasificable estil\u00edsticamente, ya que en sus propuestas pueden aparecer elementos provenientes del jazz, la electr\u00f3nica, el rock, la m\u00fasica contempor\u00e1nea, la improvisaci\u00f3n o el folk, entre otros estilos. Una buena muestra de estas afirmaciones son las grabaciones de <strong>Kim Myhr<\/strong> (<em>pressing clouds passing crowds<\/em>) en la que participa el percusionista<strong> Ingar Zach<\/strong>; <em>Mangelen Min<\/em> de <strong>Building Instrument<\/strong> con la deliciosa <strong>Mari Kvien Brunvoll<\/strong>; o la aproximaci\u00f3n al estilo <em>exotica<\/em> por <strong>\u00d8yvind Torvund<\/strong> en <em>The Exotica Album<\/em>, en donde el <em>noise<\/em> se da la mano con la delicadeza del arpa, entre otros encuentros insospechados.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <strong>Pachi Tapiz<\/strong>, 2019<\/p>\n<p>HDO 508 te gustar\u00e1\u2026 si te gusta el jazz\u2026 si te gusta la improvisaci\u00f3n&#8230; si te gustan las sorpresas sonoras&#8230;<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_36173827\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_36173827_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. En HDO 508 suenan tres grabaciones publicadas por el sello HUBRO. Kim Myhr: pressing clouds passing crowds. Building Instrument: Mangelen Min. \u00d8yvind Torvund: The Exotica Album El sello HUBRO se caracteriza por ser inclasificable estil\u00edsticamente, ya que en sus propuestas pueden aparecer elementos provenientes del jazz, la electr\u00f3nica,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-508-hubro-kim-myhr-building-instrument-oyvind-torvund-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":43524,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[14279,13299,14277,17039,31,22980],"class_list":["entry","author-pachi","post-43519","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-building-instrument","tag-hdo","tag-hubro","tag-kim-myhr","tag-pachi-tapiz","tag-oyvind-torvund"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0508_Hubro.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33185,"url":"https:\/\/tomajazz.com\/web\/hdo-342-hubro-una-vez-mas-podcast\/","url_meta":{"origin":43519,"position":0},"title":"HDO 342. 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En\u00a0HDO 342\u00a0suenan\u00a0Utopian Tales\u00a0(Stein Urheim),\u00a0Unrest\u00a0(Erik Honor\u00e9),\u00a0Lysning\u00a0(Nils Okland Band),\u00a0Clocks\u00a0(Erland Dahlen),\u00a0Ara\u00a0(Erlend Apneseth Trio),\u00a0You | Me\u00a0(Kim\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Kim-Myhr_You-Me_Hubro_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Kim-Myhr_You-Me_Hubro_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Kim-Myhr_You-Me_Hubro_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Kim-Myhr_You-Me_Hubro_2017.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25766,"url":"https:\/\/tomajazz.com\/web\/hdo-151-3-de-hubro-erlend-apneseth-trondheim-jazz-orchestra-stein-urheim-3x3-08-podcast\/","url_meta":{"origin":43519,"position":1},"title":"HDO 151. 3 de Hubro: Erlend Apneseth &#8211; Trondheim Jazz Orchestra &#8211; Stein Urheim. 3X3 (08) [Podcast]","author":"Tomajazz","date":"29 julio, 2016","format":false,"excerpt":"Hubro es un sello en el que sus propuestas se pueden orientar hacia distintas direcciones, pero la improvisaci\u00f3n siempre presente, hace que el nombre del sello sea una etiqueta definitoria en s\u00ed misma. Una buena muestra son las grabaciones del\u00a0Erlend Apneseth Trio\u00a0(Det Andre Rommet),\u00a0Kim Myhr y\u00a0Jenny Hval con la\u00a0Trondheim Jazz\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kim-Myhr-Jenny-Hval-Trondheim-Jazz-Orchestra_In-The-End-His-Voice-Will-Be-The-Sound-Of-Paper_Hubro_2016-e1469555544811.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kim-Myhr-Jenny-Hval-Trondheim-Jazz-Orchestra_In-The-End-His-Voice-Will-Be-The-Sound-Of-Paper_Hubro_2016-e1469555544811.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kim-Myhr-Jenny-Hval-Trondheim-Jazz-Orchestra_In-The-End-His-Voice-Will-Be-The-Sound-Of-Paper_Hubro_2016-e1469555544811.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28130,"url":"https:\/\/tomajazz.com\/web\/hdo-210-hubro-x-5-podcast\/","url_meta":{"origin":43519,"position":2},"title":"HDO 210. 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Con gran libertad en su planteamiento -que va desde grabaciones en solitario a formaciones de tama\u00f1o medio, de la improvisaci\u00f3n a la composici\u00f3n-, en sus grabaciones se dan cita\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Christian-Wallumr%C3%B8d-Ensemble_Kurzsam-and-Fulger_Hubro_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Christian-Wallumr%C3%B8d-Ensemble_Kurzsam-and-Fulger_Hubro_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Christian-Wallumr%C3%B8d-Ensemble_Kurzsam-and-Fulger_Hubro_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Christian-Wallumr%C3%B8d-Ensemble_Kurzsam-and-Fulger_Hubro_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20719,"url":"https:\/\/tomajazz.com\/web\/comprovisacion-tom-rainey-trio-spaceheads-schlippenbach-trio-building-instrument-sopko-laswell-pridgen-erland-dahlen-hdo-0032-audioblog\/","url_meta":{"origin":43519,"position":3},"title":"Comprovisaci\u00f3n: Tom Rainey Trio, Spaceheads, Schlippenbach Trio, Building Instrument, Sopko &#8211; Laswell &#8211; Pridgen, Erland Dahlen. 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Frode Haltli.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_165.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_165.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_165.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_165.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36618,"url":"https:\/\/tomajazz.com\/web\/hdo-409-splashgirl-slagr-skydive-trio-hubro-podcast\/","url_meta":{"origin":43519,"position":5},"title":"HDO 409. Splashgirl, Slagr, SkyDive Trio (HUBRO) [Podcast]","author":"Tomajazz","date":"11 mayo, 2018","format":false,"excerpt":"\u00a0 Tres de las \u00faltimas novedades del interesante sello HUBRO\u00a0son las protagonistas de la entrega 409 de\u00a0HDO. Tal y como es costumbre en las propuestas de este cat\u00e1logo, que forman una categor\u00eda musical en s\u00ed mismas, son habituales la diversidad de influencias (que pueden ir del folk al rock, tal\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Splashgirl_Sixth-Sense.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Splashgirl_Sixth-Sense.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Splashgirl_Sixth-Sense.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Splashgirl_Sixth-Sense.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=43519"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43519\/revisions"}],"predecessor-version":[{"id":43528,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43519\/revisions\/43528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/43524"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=43519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=43519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=43519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}