{"id":43570,"date":"2019-05-27T18:15:35","date_gmt":"2019-05-27T16:15:35","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=43570"},"modified":"2022-08-27T14:43:43","modified_gmt":"2022-08-27T12:43:43","slug":"vein-symphonic-bop-fundacion-carlos-de-amberes-madrid-2019-05-23-concierto","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/vein-symphonic-bop-fundacion-carlos-de-amberes-madrid-2019-05-23-concierto\/","title":{"rendered":"Vein \u00abSymphonic Bop\u00bb (Fundaci\u00f3n Carlos de Amberes, Madrid. 2019-05-23) [Concierto]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<ul>\n<li>Fecha: jueves 23 de mayo de 2019 a las 20 horas.<\/li>\n<li>Lugar: Fundaci\u00f3n Carlos de Amberes (Madrid).<\/li>\n<li>Grupo:<br \/>\n<strong>Vein \u00abSymphonic Bop\u00bb<br \/>\n<\/strong>Michael Arbenz: piano<br \/>\nThomas L\u00e4hns: contrabajo<br \/>\nFlorian Arbenz: bater\u00eda<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43571\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein-600x414.jpg\" alt=\"\" width=\"600\" height=\"414\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein-600x414.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein-200x138.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein-768x530.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein-80x55.jpg 80w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Los tres componentes de tr\u00edo suizo Vein, poseen una s\u00f3lida formaci\u00f3n cl\u00e1sica que muestran en sus conciertos fusionando con soltura esta faceta con la improvisaci\u00f3n jazz\u00edstica y habiendo sido acompa\u00f1ados por m\u00fasicos del prestigio del trombonista Glenn Ferris y los saxofonistas Greg Osby, Dave Liebman o Andy Sheppard a lo largo de su ya dilatada carrera.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43572\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Con m\u00e1s de una docena de discos publicados se presentan en Madrid con su \u00faltimo proyecto <em>Symphonic Bop <\/em>del que tocaron dos composiciones: \u201cBoarding the Beat\u201d (tambi\u00e9n incluido en su \u00e1lbum <em>The Chamber Music Effect<\/em>) con la que se abri\u00f3 el concierto, y \u201cFast Lane\u201d con la que lo cerraron; por el medio quedaron composiciones de su disco <em>VEIN Plays Ravel <\/em>completamente dedicado al compositor Maurice Ravel, entre las que disfrutamos, \u201cLe Tombeau de Couperin\u201d, \u201cMovement De Minuet\u201d o \u201cBlues\u201d.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43573\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-II-400x600.jpg\" alt=\"\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-II-400x600.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-II-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-II-37x55.jpg 37w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-II.jpg 666w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>El tr\u00edo mantuvo el equilibrio de sus tres componentes tanto en sus intervenciones, arreglos, composiciones e improvisaciones a lo largo de toda la actuaci\u00f3n mostr\u00e1ndose como grupo s\u00f3lido y solvente, sin fisuras y con momentos de gran belleza estil\u00edstica.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43574\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-600x421.jpg\" alt=\"\" width=\"600\" height=\"421\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-600x421.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-200x140.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-768x538.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-78x55.jpg 78w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Con \u201cBoarding the Beat\u201d se pusieron las bases de lo que se nos iba a ofrecer. El cruce del <em>swing<\/em> con el <em>feeling<\/em>, la uni\u00f3n de lo apacible con lo tormentoso con constantes modulaciones y cambios de intensidad en el que todos participaron a partes iguales.<\/p>\n<p>La suite \u201cLe Tombeau de Couperin\u201d, dividida en tres partes, \u201cPr\u00e9lude\u201d, \u201cForlane\u201d y \u201cToccata\u201d, supuso un gui\u00f1o que de M. Ravel hizo a la m\u00fasica barroca y fue uno de los momentos m\u00e1s apetecibles y gozosos de la noche por la fuerza y energ\u00eda controlada que puso al piano Michael Arbenz en \u201cPr\u00e9lude\u201d y un rememorar a la figura del maestro Bill Evans en la bella y apacible \u201cForlane\u201d que finaliz\u00f3 con un juego de notas al piano en \u201cToccata\u201d del propio Michael Arbenz para dar un paso adelante para la brillante intervenci\u00f3n de Florian Arbenz a las baquetas a la que Thomas L\u00e4hns se sum\u00f3 con solidez y elegancia.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43575\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-II-600x354.jpg\" alt=\"\" width=\"600\" height=\"354\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-II-600x354.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-II-200x118.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-II-768x453.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-II-93x55.jpg 93w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Florian-Arbenz-II.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43577\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-400x600.jpg\" alt=\"\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-400x600.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns-37x55.jpg 37w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Thomas-L\u00e4hns.jpg 666w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43576\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Michael-Arbenz-II.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Con la sincopada y \u201cquebradiza\u201d \u201cFast Lane\u201d, finaliz\u00f3 la actuaci\u00f3n de un tr\u00edo poco conocido en nuestro pa\u00eds pero de indudable valor art\u00edstico y que ha merecido las mejores cr\u00edticas de los \u00faltimos a\u00f1os.<\/p>\n<p style=\"text-align: right;\">Tomajazz. Texto y fotograf\u00edas: \u00a9\u00a0<strong>Enrique Farelo<\/strong>, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Enrique Farelo. Fecha: jueves 23 de mayo de 2019 a las 20 horas. Lugar: Fundaci\u00f3n Carlos de Amberes (Madrid). Grupo: Vein \u00abSymphonic Bop\u00bb Michael Arbenz: piano Thomas L\u00e4hns: contrabajo Florian Arbenz: bater\u00eda Los tres componentes de tr\u00edo suizo Vein, poseen una s\u00f3lida formaci\u00f3n cl\u00e1sica que muestran en sus conciertos fusionando<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/vein-symphonic-bop-fundacion-carlos-de-amberes-madrid-2019-05-23-concierto\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":43571,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,4,15517,1038],"tags":[304,16901,16899,16900,22997],"class_list":["entry","author-pachi","post-43570","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-conciertos","category-textos","category-contenidos","tag-enrique-farelo","tag-florian-arbenz","tag-michael-arbenz","tag-thomas-lahns","tag-vein"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Vein.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":25473,"url":"https:\/\/tomajazz.com\/web\/vein-trio-dave-liebman-bogui-jazz-madrid-2016-07-06\/","url_meta":{"origin":43570,"position":0},"title":"Vein Trio &#038; Dave Liebman (Bogui Jazz, Madrid. 2016-07-06) [Concierto]","author":"Tomajazz","date":"15 julio, 2016","format":false,"excerpt":"Fecha: 6 de julio de 2016 Lugar: Bogui Jazz (Madrid). Componentes: Vein Trio & Dave Liebman Dave Liebman: saxo tenor, saxo soprano y flauta de madera. Michael Arbenz: piano. Thomas L\u00e4hns: contrabajo. Florian Arbenz: bater\u00eda. Dave Liebman forma parte por m\u00e9ritos propios del olimpo de estrellas del jazz. A lo\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Vein & Dave Liebman \u00a9 Sergio Cabanillas, 2016","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/VEIN_DAVE_LIEBMAN_0696_CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/VEIN_DAVE_LIEBMAN_0696_CABANIJAZZ.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/VEIN_DAVE_LIEBMAN_0696_CABANIJAZZ.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101567,"url":"https:\/\/tomajazz.com\/web\/julian-lage-jazzmadrid-2025\/","url_meta":{"origin":43570,"position":1},"title":"Julian Lage (Festival Internacional JazzMadrid 2025. Teatro Fern\u00e1n G\u00f3mez &#8211; Centro Cultural de la Villa. Madrid. 2025-11-07) Por Carlos Lara y Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"9 noviembre, 2025","format":false,"excerpt":"Julian Lage actu\u00f3 en solitario en el Festival Internacional JazzMadrid 2025, en Teatro Fern\u00e1n G\u00f3mez, el 7 de noviembre de 2025. Carlos Lara y Enrique Farelo repasan el concierto","rel":"","context":"En \u00abFestival Internacional JazzMadrid 2025\u00bb","block_context":{"text":"Festival Internacional JazzMadrid 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/festival-internacional-jazzmadrid-2025\/"},"img":{"alt_text":"Julian Lage (Festival Internacional JazzMadrid 2025. Teatro Fern\u00e1n G\u00f3mez - Centro Cultural de la Villa. Madrid. 2025-11-07) Por Carlos Lara y Enrique Farelo [Concierto de jazz] - Tomajazz - Julian Lage actu\u00f3 en solitario en el Festival Internacional JazzMadrid 2025, en Teatro Fern\u00e1n G\u00f3mez, el 7 de noviembre de 2025. Carlos Lara y Enrique Farelo repasan el concierto","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Julian-Lage-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Julian-Lage-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Julian-Lage-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Julian-Lage-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4946,"url":"https:\/\/tomajazz.com\/web\/simin-tander-quartet-fundacion-carlos-de-amberes-madrid-8-ii-2013\/","url_meta":{"origin":43570,"position":2},"title":"Simin Tander Quartet (Fundaci\u00f3n Carlos de Amberes, Madrid, 8-II-2013)","author":"Tomajazz","date":"12 febrero, 2013","format":false,"excerpt":"Simin Tander Quartet 8 de febrero de 2013 Fundaci\u00f3n Carlos de Amberes (Madrid). Con el apoyo de la embajada de Holanda. 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Centro Cultural de la Villa, Sala Guirau Madrid. 2025-11-23)  Por Enrique Farelo [Concierto de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/00-Andrea-Motis-The-Barcelona-Gospel-Messengers.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/00-Andrea-Motis-The-Barcelona-Gospel-Messengers.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/00-Andrea-Motis-The-Barcelona-Gospel-Messengers.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/00-Andrea-Motis-The-Barcelona-Gospel-Messengers.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101335,"url":"https:\/\/tomajazz.com\/web\/delvo-lamarr-organ-trio-jazzmadrid-2025\/","url_meta":{"origin":43570,"position":5},"title":"Delvon Lamarr Organ Tr\u00edo (Festival Internacional JazzMadrid 2025, Sala Villanos, Madrid. 2025-10-30) Por Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"3 noviembre, 2025","format":false,"excerpt":"Delvon Lamarr Organ Tr\u00edo particip\u00f3 en el Festival Internacional JazzMadrid 2025. Enrique Farelo lo relata y retrata. Actuaron Delvon Lamarr, Brice Calvin, Ashley Ickes","rel":"","context":"En \u00abFestival Internacional JazzMadrid 2025\u00bb","block_context":{"text":"Festival Internacional JazzMadrid 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/festival-internacional-jazzmadrid-2025\/"},"img":{"alt_text":"Delvon Lamarr Organ Tr\u00edo (Festival Internacional JazzMadrid 2025, Sala Villanos, Madrid. 2025-10-30) Por Enrique Farelo [Concierto de jazz] - Tomajazz - Delvon Lamarr Organ Tr\u00edo particip\u00f3 en el Festival Internacional JazzMadrid 2025. Enrique Farelo lo relata y retrata. 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