{"id":43648,"date":"2019-06-04T18:15:53","date_gmt":"2019-06-04T16:15:53","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=43648"},"modified":"2022-08-27T14:14:29","modified_gmt":"2022-08-27T12:14:29","slug":"hdo-510-tres-gigantes-del-piano-bill-evans-paul-bley-y-horace-tapscott-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-510-tres-gigantes-del-piano-bill-evans-paul-bley-y-horace-tapscott-podcast\/","title":{"rendered":"HDO 510. Tres gigantes del piano: Bill Evans, Paul Bley y Horace Tapscott [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43649 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England-200x199.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England-600x596.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg 1500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43650 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Horace-Tapscott_Whay-Dont-You-Listen-200x196.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Horace-Tapscott_Whay-Dont-You-Listen-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Horace-Tapscott_Whay-Dont-You-Listen-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Horace-Tapscott_Whay-Dont-You-Listen-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43651 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Paul-Bley_When-Will-The-Blues-Leave.jpg 800w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: <strong>Bill Evans<\/strong> (doble CD grabado en directo en Ronnie Scott en 1969), <strong>Paul Bley<\/strong> (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y <strong>Horace Tapscott<\/strong> (con The Pan Afrikan Peoples Arkestra en 1998, en un directo publicado por el sello Dark Tree).<\/p>\n<p>En 2019 se publican tres grabaciones de primer nivel de tres gigantes del piano. El sello <strong>ECM<\/strong> publica <em>When Will The Blues Leave<\/em> del gran<strong> Paul Bley<\/strong> acompa\u00f1ado por otros dos m\u00fasicos no menos grandes: <strong>Paul<\/strong> <strong>Motian<\/strong> y <strong>Gary<\/strong> <strong>Peacock<\/strong>. El sello franc\u00e9s <strong>Dark Tree<\/strong> (su nombre es toda una declaraci\u00f3n de intenciones) ha puesto en circulaci\u00f3n <em>Why Don&#8217;t You Listen? Live at LACMA, 1998<\/em> del activista de la escena jazz\u00edstica de Los Angeles, el pianista <strong>Horace Tapscott<\/strong>. Acompa\u00f1ado de la <strong>Pan Afrikan Peoples Arkestra<\/strong> y <strong>the Great Voices of UGMAA<\/strong>, revisa cl\u00e1sicos de su carrera, standards y alguna (en esos momentos), nueva composici\u00f3n. Finalmente, el sello <strong>Resonance<\/strong> publica el doble CD <em>Evans In England<\/em>, grabado en directo en diciembre de 1969 en el m\u00edtico Ronnie Scott. Acompa\u00f1ado por <strong>Marty Morell<\/strong> y <strong>Eddie Gomez<\/strong>, el tr\u00edo se mostraba en ese momento en su m\u00e1ximo nivel. Este trabajo, imprescindible para los admiradores del pianista, se publica a partir de las grabaciones privadas que un aficionado realiz\u00f3 a lo largo de diversos a\u00f1os en los conciertos del pianista en Europa.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <strong>Pachi Tapiz<\/strong>, 2019<\/p>\n<p>HDO 510 te gustar\u00e1&#8230; si te gusta el jazz&#8230; si te gusta Bill Evans&#8230; si te gusta Paul Bley&#8230; si te gusta Horace Tapscott&#8230;<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_36517237' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_36517237_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-510-tres-gigantes-del-piano-bill-evans-paul-bley-y-horace-tapscott-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":43652,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,21698,12814,15518,1038],"tags":[427,9137,1663,112,6781,23011,13299,19460,10594,31,23010,7688,5019,22545],"class_list":["entry","author-pachi","post-43648","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t05-2018-19","category-podcast","category-sonidos","category-contenidos","tag-bill-evans","tag-dark-tree","tag-ecm","tag-eddie-gomez","tag-gary-peacock","tag-great-voice-of-ugmaa","tag-hdo","tag-horace-tapscott","tag-marty-morell","tag-pachi-tapiz","tag-pan-afrikan-peoples-arkestra","tag-paul-bley","tag-paul-motian","tag-resonance-records"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54509,"url":"https:\/\/tomajazz.com\/web\/horace-tapscott-with-the-pan-afrikan-peoples-arkestra-ancestral-echoes-the-covina-sessions-1976-dark-tree-roots-series-2021-grabacion-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":43648,"position":0},"title":"Horace Tapscott with the Pan Afrikan Peoples Arkestra: Ancestral Echoes. The Covina Sessions, 1976 (Dark Tree. Roots Series. 2021) [Grabaci\u00f3n de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"30 abril, 2021","format":false,"excerpt":"Pachi Tapiz repasa \"Ancestral Echoes. The Covina Sessions, 1976\" (Dark Tree. Roots Series. 2021) del pianista, compositor y director de orquesta Horace Tapscott,.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":96267,"url":"https:\/\/tomajazz.com\/web\/las-recomendaciones-en-tomajazz-ciencia-de-datos-i\/","url_meta":{"origin":43648,"position":1},"title":"Explorando las cadenas de recomendaciones en Tomajazz: un paseo entre miles de enlaces. Una aproximaci\u00f3n por medio de la Ciencia de Datos. Por Pachi Tapiz [Off-Topic AKA Un poquito de Ciencia de Datos]","author":"Tomajazz","date":"8 junio, 2025","format":false,"excerpt":"\u00bfHasta d\u00f3nde llegar\u00e1 un lector curioso si se deja llevar por los enlaces recomendados en Tomajazz? Un an\u00e1lisis de las cadenas de recomendaciones en Tomajazz revela recorridos de lectura que van desde apenas 4 entradas hasta m\u00e1s de 7000 art\u00edculos. Desc\u00fabrelo en un estudio informal con sabor a ciencia de\u2026","rel":"","context":"En \u00abArt\u00edculos...\u00bb","block_context":{"text":"Art\u00edculos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/articulos\/"},"img":{"alt_text":"Explorando las cadenas de recomendaciones en Tomajazz: un paseo entre miles de enlaces. Una aproximaci\u00f3n por medio de la Ciencia de Datos. Por Pachi Tapiz [Off-Topic AKA Un poquito de Ciencia de Datos] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":57146,"url":"https:\/\/tomajazz.com\/web\/jazzx5276-horace-tapscott-the-dark-tree-the-dark-tre-hatology-1991-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":43648,"position":2},"title":"JazzX5#276. Horace Tapscott: \u00abThe Dark Tree\u00bb [The Dark Tree (hatOlogy, 1991)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"18 septiembre, 2021","format":false,"excerpt":"Horace Tapscott y \"The Dark Tree\" de la grabaci\u00f3n The Dark Tree (hatOlogy; ed. originalmente 1991), suena en el podcast de Pachi Tapiz, JazzX5. El cuarteto que grab\u00f3 el tema estuvo formado por el propio Tapscott, John Carter, Cecil McBee y Andrew Cyrille.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101744,"url":"https:\/\/tomajazz.com\/web\/thomas-morgan-around-you-is-a-forest-2025\/","url_meta":{"origin":43648,"position":3},"title":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 noviembre, 2025","format":false,"excerpt":"Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32502,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-dark-tree-horace-tapscott-273\/","url_meta":{"origin":43648,"position":4},"title":"365 razones para amar el jazz: una grabaci\u00f3n. The Dark Tree (Horace Tapscott) [273]","author":"Tomajazz","date":"30 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Horace Tapscott:\u00a0The Dark Tree\u00a0(hatOlogy. Grabado en 1989) Seleccionado por\u00a0Pachi Tapiz Con John Carter, Horace Tapscott, Cecil McBee, Andrew Cyrille","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32353,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-ballads-paul-bley-265\/","url_meta":{"origin":43648,"position":5},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Ballads (Paul Bley) [265]","author":"Tomajazz","date":"22 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Paul Bley:\u00a0Ballads\u00a0(ECM, 1967) Seleccionado por\u00a0Oriol Roca Con Paul Bley, Gary Peacock, Mark Levinson, Barry Altschul. Composiciones de Annette Peacock Oriol Roca\u00a0es un baterista y percusionista de jazz. Ha pasado en varias ocasiones por Tomajazz tanto como sujeto pasivo (se puede ver aqu\u00ed), como sujeto activo (la \u00faltima ocasi\u00f3n en\u2026","rel":"","context":"En \u00ab365 razones para amar el jazz\u00bb","block_context":{"text":"365 razones para amar el jazz","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/365-razones-para-amar-el-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Ballads_ECM_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Ballads_ECM_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Ballads_ECM_1967.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Paul-Bley_Ballads_ECM_1967.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=43648"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43648\/revisions"}],"predecessor-version":[{"id":43660,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/43648\/revisions\/43660"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/43652"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=43648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=43648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=43648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}