{"id":4387,"date":"2012-09-15T20:43:18","date_gmt":"2012-09-15T18:43:18","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4387"},"modified":"2016-11-13T19:35:10","modified_gmt":"2016-11-13T18:35:10","slug":"billy-cobham-fruit-from-the-loom-bhm-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/billy-cobham-fruit-from-the-loom-bhm-2012\/","title":{"rendered":"Billy Cobham – Fruit From the Loom (BHM, 2012)"},"content":{"rendered":"
\"\"<\/div>\n
Comentario:\u00a0<\/b>Africano, caribe\u00f1o y calentito. Grabado en 2007 y publicado en 2010, este\u00a0Fruit From The Loom<\/i>\u00a0est\u00e1 lleno de sensaciones agradables, evocaciones vacacionales y una m\u00fasica deliciosa, bien engranada e interpretada con cari\u00f1o.Cobham dibuja unas composiciones que fluyen con naturalidad y las organiza en un discurso global compensado y contrastado por las variaciones t\u00edmbricas entre tema y tema. As\u00ed, la presencia de vientos,\u00a0steel pans<\/i>, el viol\u00edn de Christophe Cravero, las voces nigerianas de \u201cThoughts From Okuta\u201d y el cuarteto de cuerda son hitos que hacen el camino m\u00e1s transitable y apetecible.<\/p>\n

Algunos temas son marcadamente festivos (\u201cZanzibar Breeze\u201d, \u201cSweet Bocas\u201d), otros relajantes (\u201cEggshells Still On My Head\u201d). \u201cSpectrum\u201d gui\u00f1a un ojo al\u00a0jazz-rock<\/i>\u00a0y \u201cFlorianapolis\u201d destaca por el equilibrio de su melod\u00eda. Billy Cobham dirige toda la producci\u00f3n desde su banqueta, despuntando en contadas ocasiones (\u201cSamba du militairestrasse\u201d). \u201cCrosswinds\u201d incluye un muy buen solo de bajo a cargo de Victor Bailey.<\/p>\n

Sucedido por\u00a0Palindrome<\/i>\u00a0(2010), este\u00a0Fruit From The Loom<\/i>\u00a0es toda una declaraci\u00f3n de intenciones donde la m\u00fasica agrada y convence. El ambiente caribe\u00f1o impregna el contenido, y tambi\u00e9n el continente: v\u00e9ase el dise\u00f1o de la carpetilla.<\/p>\n

Arturo Mora<\/p>\n<\/div>\n

Composiciones:\u00a0<\/b>\u201cCat In The Hat\u201d, \u201cZanzibar Breeze\u201d, \u201cSamba Du Militairestrasse\u201d, \u201cCrosswind\u201d, \u201cEggshells Still On My Head\u201d, \u201cSpectrum\u201d, \u201cFlorianapolis\u201d, \u201cThoughts From Okuta\u201d, \u201cFaia\u201d, \u201cSweet Bocas\u201d, \u201cClitter Clatter\u201d<\/div>\n
\n
Todas las composiciones por Billy Cobham excepto \u201cThoughts From Okuta\u201d.M\u00fasicos:\u00a0<\/b>Billy Cobham (bater\u00eda), Guy Barker (trompeta), Ernie Watts (saxos), Johan Renard y Aur\u00e9lien Guyot (viol\u00edn), Valentine Duteil (violonchelo), Cristophe Cravero (viol\u00edn y teclados), Brian Auger (\u00f3rgano), Dean Brown, Jean Marie Ecay (guitarra), Victor Bailey, Stefan Rademacher (bajo el\u00e9ctrico), Dave Samuels, Wilbert \u201cJunior\u201d Gill y Marco Lobo (percusi\u00f3n), con el jefe Rabiu Ayandokun, Sakirat Ojeladun Ayandokun, Ajangila Adekunle Ojegoke, Abiodun Adeniyi Ajangila y Tunji Beier (voz).<\/p>\n

Grabado en Real World Studios Mill Lane Box, Corsham Wiltshire (Gran Breta\u00f1a) y HKB Studios, Berna (Suiza)
\nBHM 1051-2<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Comentario:\u00a0Africano, caribe\u00f1o y calentito. Grabado en 2007 y publicado en 2010, este\u00a0Fruit From The Loom\u00a0est\u00e1 lleno de sensaciones agradables, evocaciones vacacionales y una m\u00fasica deliciosa, bien engranada e interpretada con cari\u00f1o.Cobham dibuja unas composiciones que fluyen con naturalidad y las organiza en un discurso global compensado y contrastado por lasContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4384,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,1038],"tags":[5035,5034,260,5023,5020,240,5026,12651,5025,5029,247,242,12696,5021,13,12415,15295,244,5022,5031,5032,5033,5028,16099,77,16100,5036,5024,5027,5030],"class_list":["entry","author-pachi","post-4387","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-abiodun-adeniyi-ajangila","tag-ajangila-adekunle-ojegoke","tag-arturo-mora-rioja","tag-aurelien-guyot","tag-bhm","tag-billy-cobham","tag-brian-auger","tag-cd","tag-cristophe-cravero","tag-dave-samuels","tag-dean-brown","tag-ernie-watts","tag-grabaciones","tag-guy-barker","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jean-marie-ecay","tag-johan-renard","tag-marco-lobo","tag-rabiu-ayandokum","tag-sakirat-ojeladum-ayandokun","tag-stefan-rademacher","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tunji-beier","tag-valentine-duteil","tag-victor-bailey","tag-wilbert-junior-gil"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/bc_fftl.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4387"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4387\/revisions"}],"predecessor-version":[{"id":23375,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4387\/revisions\/23375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4384"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}