{"id":4387,"date":"2012-09-15T20:43:18","date_gmt":"2012-09-15T18:43:18","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4387"},"modified":"2016-11-13T19:35:10","modified_gmt":"2016-11-13T18:35:10","slug":"billy-cobham-fruit-from-the-loom-bhm-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/billy-cobham-fruit-from-the-loom-bhm-2012\/","title":{"rendered":"Billy Cobham &#8211; Fruit From the Loom (BHM, 2012)"},"content":{"rendered":"<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"border: 1px solid black;\" alt=\"\" src=\"http:\/\/www.tomajazz.com\/discos\/2012_09\/bc_fftl.jpg\" width=\"150\" height=\"150\" border=\"1\" title=\"\"><\/div>\n<div style=\"text-align: justify;\"><b>Comentario:\u00a0<\/b>Africano, caribe\u00f1o y calentito. Grabado en 2007 y publicado en 2010, este\u00a0<i>Fruit From The Loom<\/i>\u00a0est\u00e1 lleno de sensaciones agradables, evocaciones vacacionales y una m\u00fasica deliciosa, bien engranada e interpretada con cari\u00f1o.Cobham dibuja unas composiciones que fluyen con naturalidad y las organiza en un discurso global compensado y contrastado por las variaciones t\u00edmbricas entre tema y tema. As\u00ed, la presencia de vientos,\u00a0<i>steel pans<\/i>, el viol\u00edn de Christophe Cravero, las voces nigerianas de \u201cThoughts From Okuta\u201d y el cuarteto de cuerda son hitos que hacen el camino m\u00e1s transitable y apetecible.<\/p>\n<p>Algunos temas son marcadamente festivos (\u201cZanzibar Breeze\u201d, \u201cSweet Bocas\u201d), otros relajantes (\u201cEggshells Still On My Head\u201d). \u201cSpectrum\u201d gui\u00f1a un ojo al\u00a0<i>jazz-rock<\/i>\u00a0y \u201cFlorianapolis\u201d destaca por el equilibrio de su melod\u00eda. Billy Cobham dirige toda la producci\u00f3n desde su banqueta, despuntando en contadas ocasiones (\u201cSamba du militairestrasse\u201d). \u201cCrosswinds\u201d incluye un muy buen solo de bajo a cargo de Victor Bailey.<\/p>\n<p>Sucedido por\u00a0<i>Palindrome<\/i>\u00a0(2010), este\u00a0<i>Fruit From The Loom<\/i>\u00a0es toda una declaraci\u00f3n de intenciones donde la m\u00fasica agrada y convence. El ambiente caribe\u00f1o impregna el contenido, y tambi\u00e9n el continente: v\u00e9ase el dise\u00f1o de la carpetilla.<\/p>\n<p>Arturo Mora<\/p>\n<\/div>\n<div><b>Composiciones:\u00a0<\/b>\u201cCat In The Hat\u201d, \u201cZanzibar Breeze\u201d, \u201cSamba Du Militairestrasse\u201d, \u201cCrosswind\u201d, \u201cEggshells Still On My Head\u201d, \u201cSpectrum\u201d, \u201cFlorianapolis\u201d, \u201cThoughts From Okuta\u201d, \u201cFaia\u201d, \u201cSweet Bocas\u201d, \u201cClitter Clatter\u201d<\/div>\n<div>\n<div>Todas las composiciones por Billy Cobham excepto \u201cThoughts From Okuta\u201d.<b>M\u00fasicos:\u00a0<\/b>Billy Cobham (bater\u00eda), Guy Barker (trompeta), Ernie Watts (saxos), Johan Renard y Aur\u00e9lien Guyot (viol\u00edn), Valentine Duteil (violonchelo), Cristophe Cravero (viol\u00edn y teclados), Brian Auger (\u00f3rgano), Dean Brown, Jean Marie Ecay (guitarra), Victor Bailey, Stefan Rademacher (bajo el\u00e9ctrico), Dave Samuels, Wilbert \u201cJunior\u201d Gill y Marco Lobo (percusi\u00f3n), con el jefe Rabiu Ayandokun, Sakirat Ojeladun Ayandokun, Ajangila Adekunle Ojegoke, Abiodun Adeniyi Ajangila y Tunji Beier (voz).<\/p>\n<p>Grabado en Real World Studios Mill Lane Box, Corsham Wiltshire (Gran Breta\u00f1a) y HKB Studios, Berna (Suiza)<br \/>\nBHM 1051-2<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Comentario:\u00a0Africano, caribe\u00f1o y calentito. Grabado en 2007 y publicado en 2010, este\u00a0Fruit From The Loom\u00a0est\u00e1 lleno de sensaciones agradables, evocaciones vacacionales y una m\u00fasica deliciosa, bien engranada e interpretada con cari\u00f1o.Cobham dibuja unas composiciones que fluyen con naturalidad y las organiza en un discurso global compensado y contrastado por las<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/billy-cobham-fruit-from-the-loom-bhm-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4384,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,1038],"tags":[5035,5034,260,5023,5020,240,5026,12651,5025,5029,247,242,12696,5021,13,12415,15295,244,5022,5031,5032,5033,5028,16099,77,16100,5036,5024,5027,5030],"class_list":["entry","author-pachi","post-4387","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-abiodun-adeniyi-ajangila","tag-ajangila-adekunle-ojegoke","tag-arturo-mora-rioja","tag-aurelien-guyot","tag-bhm","tag-billy-cobham","tag-brian-auger","tag-cd","tag-cristophe-cravero","tag-dave-samuels","tag-dean-brown","tag-ernie-watts","tag-grabaciones","tag-guy-barker","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jean-marie-ecay","tag-johan-renard","tag-marco-lobo","tag-rabiu-ayandokum","tag-sakirat-ojeladum-ayandokun","tag-stefan-rademacher","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tunji-beier","tag-valentine-duteil","tag-victor-bailey","tag-wilbert-junior-gil"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/bc_fftl.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":710,"url":"https:\/\/tomajazz.com\/web\/billy-cobham-palindrome-grabado-en-hsb-studios-y-backyard-studios-berna-suiza-publicado-en-2010\/","url_meta":{"origin":4387,"position":0},"title":"Billy Cobham &#8211; Palindrome (Grabado en HSB Studios y Backyard Studios, Berna (Suiza). Publicado en 2010)","author":"Autor1","date":"6 mayo, 2011","format":false,"excerpt":"Bater\u00eda m\u00edtico en los albores del jazz fusion, Billy Cobham nos regala un trabajo excelente fuertemente asentado en las ra\u00edces de dicho g\u00e9nero. Confirma su enorme pegada y buen sentido del groove, pero se ofrece tambi\u00e9n como compositor de los nueve originales que forman este Palindrome (algunos de ellos retomados\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Billy-Cobham.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":102005,"url":"https:\/\/tomajazz.com\/web\/billy-cobham-jazzmadrid-2025\/","url_meta":{"origin":4387,"position":1},"title":"Billy Cobham\u2019s Time Machine (Festival Internacional JazzMadrid 2025, Fern\u00e1n G\u00f3mez. 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Enrique Farelo lo relata (texto y fotos). Actuaron Billy Cobham, Victor Cisternas, Rocco Ciffarelli, Gary Husband, Bjon Arko\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Billy-Cobham.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Billy-Cobham.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Billy-Cobham.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Billy-Cobham.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":39726,"url":"https:\/\/tomajazz.com\/web\/billy-cobham-band-jazzmadrid18-2018-11-09-concierto\/","url_meta":{"origin":4387,"position":2},"title":"Billy Cobham Band (JazzMadrid18. 2018-11-09) [Concierto]","author":"Tomajazz","date":"12 noviembre, 2018","format":false,"excerpt":"Por\u00a0Cool Cat. JazzMadrid18 Fecha: 9 de noviembre de 2018 Lugar:\u00a0Fern\u00e1n G\u00f3mez Centro Cultural de la Villa \u2013 Sala Guirau, Madrid Grupo: Billy Cobham Band Billy Cobham: bater\u00eda Camelia Ben Naceur: teclados Steve Hamilton: teclados David Dunsmuir: guitarra Michael Mondesir: bajo Billy Cobham. 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Live Evil (Miles Davis) [79]","author":"Tomajazz","date":"20 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Live Evil\u00a0(Columbia, 1971) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Miles Davis, Dave Holland, Michael Henderson), Ron Carter, Billy Cobham, Jack DeJohnette, Hermeto Pascoal, John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Airto Moreira, Keith Jarrett, Gary Bartz, Steve Grossman, Wayne Shorter, Khalil Balakrishna","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Live-Evil_Columbia_1971.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100155,"url":"https:\/\/tomajazz.com\/web\/festival-internacional-jazzmadrid-2025-noticias\/","url_meta":{"origin":4387,"position":4},"title":"Festival Internacional JAZZMADRID 2025 (Madrid. Del 5 de octubre al 30 de noviembre de 2025) [Noticias de jazz]","author":"Tomajazz","date":"6 octubre, 2025","format":false,"excerpt":"Entre el 5 de octubre y el 30 de noviembre de 2025 tendr\u00e1 lugar el Festival Internacional JAZZMADRID 2025","rel":"","context":"En \u00abNoticias\u00bb","block_context":{"text":"Noticias","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/"},"img":{"alt_text":"Festival Internacional JAZZMADRID 2025 (Madrid. Del 5 de octubre al 30 de noviembre de 2025) [Noticias de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/JazzMadrid-2025-Festival-Internacional-Jazz-Madrid-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/JazzMadrid-2025-Festival-Internacional-Jazz-Madrid-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/JazzMadrid-2025-Festival-Internacional-Jazz-Madrid-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/JazzMadrid-2025-Festival-Internacional-Jazz-Madrid-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1198,"url":"https:\/\/tomajazz.com\/web\/dean-brown-dennis-chambers-will-lee-dbiii-live-at-the-cotton-club-tokyo-cotton-club-2008\/","url_meta":{"origin":4387,"position":5},"title":"Dean Brown, Dennis Chambers &amp; Will Lee &#8211; DBIII Live At The Cotton Club Tokyo (Cotton Club, 2008)","author":"Autor1","date":"17 mayo, 2011","format":false,"excerpt":"M\u00e1s roquero que funky en este caso, el guitarrista Dean Brown nos presenta a su power trio de lujo en esta grabaci\u00f3n registrada en directo en el Cotton Club de Tokio. Perfectamente engrasado, el tr\u00edo combina sutileza con ferocidad, mostrando buen manejo de din\u00e1micas y un groove envidiable. Mucho tiene\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/dbiii.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4387"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4387\/revisions"}],"predecessor-version":[{"id":23375,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4387\/revisions\/23375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4384"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}