{"id":4393,"date":"2012-09-15T20:52:30","date_gmt":"2012-09-15T18:52:30","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4393"},"modified":"2016-05-21T20:29:52","modified_gmt":"2016-05-21T18:29:52","slug":"metropole-orkest-better-get-hit-in-your-soul-a-tribute-to-the-music-of-charles-mingus-bhm-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/metropole-orkest-better-get-hit-in-your-soul-a-tribute-to-the-music-of-charles-mingus-bhm-2012\/","title":{"rendered":"Metropole Orkest – Better Get Hit In Your Soul. A Tribute To The Music Of Charles Mingus (BHM, 2012)"},"content":{"rendered":"
\"\"<\/div>\n
Comentario:\u00a0<\/b>A tope. Si no baila, mueve el pie o chasquea con los dedos es usted de piedra. La Metropole Orkest ha vuelto a escribir otra p\u00e1gina brillante, en esta ocasi\u00f3n de la mano de John Clayton (un experto en estas lides), ofreciendo una visi\u00f3n positiva, divertida, incluso algo gamberra, de uno de los mayores gamberros de la historia del jazz: Charles Mingus.<\/p>\n

Decenas de m\u00fasicos, incluyendo una secci\u00f3n de cuerda completa, se enfrentan en directo a casi dos horas de material (doble CD) con una diligencia y un oficio fuera de toda duda. La orquesta holandesa cuenta con el apoyo de tres estadounidenses de altura acostumbrados al repertorio mingusiano: Randy Brecker, Conrad Herwig y Ronnie Cuber que, implicad\u00edsimos en el proyecto, ponen sus cartas boca arriba en el inicial \u201cBoogie Stop Shuffle\u201d. Adem\u00e1s de dirigir la orquesta, John Clayton contribuye cuatro buenos arreglos. Entre los dem\u00e1s, Outi Tarkiainen lleva \u201cCelia\u201d (no confundir con el tema hom\u00f3nimo de Bud Powell) al extremo rom\u00e1ntico, Ilja Reijngoud crea un veh\u00edculo para el\u00a0swing<\/i>\u00a0en \u201cHora Decubitus\u201d (es decir, \u201cE\u2019s Flat, Ah\u2019s Flat Too\u201d) y Tom Trapp hace brillar \u201cMoanin\u2019\u201d y \u201cFables Of Faubus\u201d (impresionante el bar\u00edtono de Ronnie Cuber tanto en la melod\u00eda como en el solo del primero). \u201cGunslinging Bird\u201d se convierte en una guerra de citas entre los solistas,<\/p>\n

A la calidad y cantidad de m\u00fasica hay que sumar las excelentes notas al libreto, cortes\u00eda de Sue Mingus, viuda del contrabajista, donde combina elementos hist\u00f3ricos, t\u00e9cnicos y emocionales. Como la propia m\u00fasica de Charles Mingus.<\/p>\n

Arturo Mora<\/p><\/div>\n

<\/div>\n
\n
Composiciones:\u00a0<\/b>\u201cBoogie Stop Shuffle\u201d, \u201cTijuana Gift Shop\u201d, \u201cCelia\u201d, \u201cO.P.\u201d, \u201cHora Decubitus\u201d, \u201cGoodbye Pork-Pie Hat\u201d, \u201cII B.S.\u201d, \u201cMoanin\u2019\/Fables Of Faubus\u201d, \u201cGunslinging Birds\u201d, \u201cIX Love\u201d, \u201cSelfportrait In Three Colours\u201d, \u201cBetter Get It In Your Soul\u201d
\nTodas las composiciones por Charles Mingus.<\/p>\n

M\u00fasicos:\u00a0<\/b>John Clayton (direcci\u00f3n), Arlia de Ruiter, Denis Koenders, Linda Dumessie, David Peijnenborgh, Doesjka de Leu, Ruben Margarita, Seija Teeuwen, Jenneke Tesselaar, Merijn Rombout, Wim Kok, Elizabeth Liefkes-Cats, Marianne van den Heuvel, Polina Cekov, Erik Kromhout, Jasper van Rosmalen (viol\u00edn), Mieke Honingh, Norman Jansen, Julia Jowett, Isabella Petersen, Giles Francis (viola), Maarten Jansen, Jascha Albracht, Nellie Cornelisse, Willemiek Tavenier (violonchelo), Arend Liefkes, Annemieke Marinkovic (contrabajo con arco), Janine Abbas, Mari\u00ebl van den Bos (flauta), Willem Luijt (oboe), Pieter Hunfeld (trompa), Marc Scholten, Paul van der Feen, Leo Janssen, Jos Beeren, Nils van Haften (saxos y clarinete), Jan Hollander, Ruud Breuls, Tom Rees-Roberts, Jelle Schouten (trompeta), Bart van Lier, Jan Oosting, Andy Bruce, Ben Schultz (tromb\u00f3n), Martin Baai, Frank Wardenier (percusi\u00f3n), Joke Schonewille (harpa), Hans Vroomans (piano), Peter Tiehuis (guitarra), Aram Kersbergen (contrabajo) y Martijn Vink (bater\u00eda), con Randy Brecker (trompeta), Conrad Herwig (tromb\u00f3n) y Ronnie Cuber (saxo bar\u00edtono).<\/p>\n

Grabado en directo en De Oosterpoort, Groningen (Holanda) el 27 de abril de 2009.
\nBHM 1062-2<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Comentario:\u00a0A tope. Si no baila, mueve el pie o chasquea con los dedos es usted de piedra. La Metropole Orkest ha vuelto a escribir otra p\u00e1gina brillante, en esta ocasi\u00f3n de la mano de John Clayton (un experto en estas lides), ofreciendo una visi\u00f3n positiva, divertida, incluso algo gamberra, deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4383,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,1038],"tags":[5020,12651,1556,12696,13,12415,15295,5040,5039,16099,77,16100],"class_list":["entry","author-pachi","post-4393","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-bhm","tag-cd","tag-charles-mingus","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-john-clayton","tag-metropole-orkest","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/mo_bghiys.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":4393,"position":0},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102719,"url":"https:\/\/tomajazz.com\/web\/silvia-bolognesi-eric-mingus-is-that-jazz-2025\/","url_meta":{"origin":4393,"position":1},"title":"Silvia Bolognesi & Eric Mingus: Is That Jazz? 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Lo que m\u00e1s destaca en\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2012_09\/vm_noe.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4393"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4393\/revisions"}],"predecessor-version":[{"id":4394,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4393\/revisions\/4394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4383"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}