{"id":4397,"date":"2012-09-15T21:00:08","date_gmt":"2012-09-15T19:00:08","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4397"},"modified":"2016-11-13T19:35:09","modified_gmt":"2016-11-13T18:35:09","slug":"marcus-miller-renaissance-3-deuces-records-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/marcus-miller-renaissance-3-deuces-records-2012\/","title":{"rendered":"Marcus Miller &#8211; Renaissance (3 Deuces Records, 2012)"},"content":{"rendered":"<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"border: 1px solid black;\" alt=\"\" src=\"http:\/\/www.tomajazz.com\/discos\/2012_09\/mm_r.jpg\" width=\"150\" height=\"150\" border=\"1\" title=\"\"><\/div>\n<div style=\"text-align: justify;\"><b>Comentario:\u00a0<\/b>Lo mismo de siempre, pero qu\u00e9 bien hecho. Marcus Miller repasa sus f\u00f3rmulas habituales en este\u00a0<i>Renaissance<\/i>\u00a0lleno de\u00a0<i>funk<\/i>\u00a0y melod\u00edas silbables. Lo hace en torno a un grupo estable con alguna colaboraci\u00f3n salteada, creando un producto que rebosa unidad y coherencia.<\/p>\n<p>As\u00ed, Miller se apoya con confianza en la que ha sido su banda en directo en los \u00faltimos a\u00f1os (Sean Jones a la trompeta, Alex Han al saxo alto, Federico Gonz\u00e1lez Pe\u00f1a a los teclados y Louis Cato en los tambores). A partir de ah\u00ed otros m\u00fasicos van completando cada uno de los temas, con un Adam Rogers desaprovechad\u00edsimo y Rub\u00e9n Blades y Gretchen Parlato abordando una buena interpretaci\u00f3n de un arreglo discutible: el del \u201cSetembro\u201d de Ivan Lins (esc\u00fachese, para comparar, la versi\u00f3n original, o bien la de Quincy Jones en su\u00a0<i>Back On The Block<\/i>). Parece que en este nuevo CD el bajista ha conseguido que nadie brille por encima de \u00e9l, pero consigue no aburrir, y eso tiene su m\u00e9rito en un disco de m\u00e1s de 70 minutos.<\/p>\n<p>El sonido del\u00a0<i>Fender<\/i>\u00a0de Marcus Miller es excepcional; ya lo hemos comentado otras veces en estas p\u00e1ginas. En\u00a0<i>Renaissance<\/i>\u00a0no abusa del\u00a0<i>slap<\/i>\u00a0ni de los solos. Su punto fuerte son las composiciones. Lejos de la b\u00fasqueda de texturas complejas, formas intrincadas o armon\u00edas impredecibles, Miller se preocupa de la melod\u00eda por encima de todo. \u201cDetroit\u201d, \u201cFebruary\u201d y \u201cRevelation\u201d son buena muestra de ello. Tambi\u00e9n aprovecha para aportar su visi\u00f3n personal a temas de otros como el \u201cSlippin\u2019 Into Darkness\u201d de War o el \u201cMr. Clean\u201d de Weldon Irvine. Cierra el disco con una bell\u00edsima versi\u00f3n a bajo solo del \u201cI\u2019ll Be There\u201d que popularizaran los Jackson 5.<\/p>\n<p>Calidad, calidad y calidad. T\u00e9cnica y madurez al servicio de una producci\u00f3n excelente. Mientras sea a este nivel, que se repita cuanto quiera.<\/p>\n<p>Arturo Mora<\/p><\/div>\n<div><\/div>\n<div><b>Composiciones:\u00a0<\/b>\u201cDetroit\u201d, \u201cRedemption\u201d, \u201cFebruary\u201d, \u201cSlippin\u2019 Into Darkness\u201d (Sylvester Allen, Harold Ray Brown, Morris DeWayne Dickerson, LeRoy L. Jordan, Charles Miller, Lee Oskar &amp; Howard E. Scott), \u201cSetembro (Brazilian Wedding Song)\u201d (Ivan Lins &amp; Gilson Peranzzetta), \u201cJekyll &amp; Hyde\u201d, \u201cInterlude: Nocturnal Mist\u201d (Luther \u201cMano\u201d Hanes), \u201cRevelation\u201d, \u201cMr. Clean\u201d (Weldon Irvine, Jr.), \u201cGor\u00e9e (Go-Ray)\u201d, \u201cCEE-TEE-EYE\u201d, \u201cTightrope\u201d (Nathaniel Irvin III, Charles Delbert Joseph II, Antwan Patton &amp; Janelle Mon\u00e1e Robinson), \u201cI\u2019ll Be There\u201d (Berry Gordy, Jr., Bob West, Hal Davis, Willie Hutchison &amp; Freddy Wexler)<\/p>\n<div>\nTodas las composiciones por Marcus Miller, excepto donde se indica.<\/p>\n<p><b>M\u00fasicos:\u00a0<\/b>Marcus Miller (bajo el\u00e9ctrico y sin trastes, contrabajo, clarinete bajo), Sean Jones y Maurice Brown (trompeta), Alex Han (saxo alto), Federico Gonz\u00e1lez Pe\u00f1a, Bobby Sparks y Kris Bowers (piano, teclados,\u00a0<i>Fender Rhodes<\/i>), Adam Rogers, Adam Agati y Paul Jackson Jr. (guitarra), Louis Cato (bater\u00eda) y Ram\u00f3n Yslas (percusi\u00f3n), con Rub\u00e9n Blades y Gretchen Parlato (voz).<\/p>\n<p>Grabado en Sear Sound (Nueva York, Estados Unidos).<br \/>\n3 Deuces Records. FDM 46050 36982 2<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Comentario:\u00a0Lo mismo de siempre, pero qu\u00e9 bien hecho. Marcus Miller repasa sus f\u00f3rmulas habituales en este\u00a0Renaissance\u00a0lleno de\u00a0funk\u00a0y melod\u00edas silbables. Lo hace en torno a un grupo estable con alguna colaboraci\u00f3n salteada, creando un producto que rebosa unidad y coherencia. As\u00ed, Miller se apoya con confianza en la que ha sido<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/marcus-miller-renaissance-3-deuces-records-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4380,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5,1038],"tags":[5060,5055,1096,1008,260,761,12651,1010,12696,257,13,12415,15295,5054,5057,1005,5053,5056,5058,5059,5052,16099,77,16100],"class_list":["entry","author-pachi","post-4397","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-3-deuces-records","tag-adam-agati","tag-adam-rogers","tag-alex-han","tag-arturo-mora-rioja","tag-bobby-sparks","tag-cd","tag-federico-gonzalez-pena","tag-grabaciones","tag-gretchen-parlato","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-kris-bowers","tag-louis-cato","tag-marcus-miller","tag-maurice-brown","tag-paul-jackson-jr","tag-ramon-yslas","tag-ruben-blades","tag-sean-jones","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":108517,"url":"https:\/\/tomajazz.com\/web\/marcus-miller-we-want-miles-donosti-2026\/","url_meta":{"origin":4397,"position":0},"title":"Marcus Miller: We Want Miles! 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A fuerza de trabajo e imaginaci\u00f3n lo consigue, como demuestra en este directo registrado a finales de 2008 en el Festival de Jazz de Monte-Carlo. \u00bfEl truco? La presencia de la orquesta filarm\u00f3nica de la\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2011_05\/mm_animc.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":44673,"url":"https:\/\/tomajazz.com\/web\/marcus-miller-xxii-festival-internacional-jazz-san-javier-murcia-2019-07-19-concierto\/","url_meta":{"origin":4397,"position":2},"title":"Marcus Miller (XXII Festival Internacional Jazz San Javier, Murcia. 2019-07-19) [Concierto]","author":"Tomajazz","date":"30 julio, 2019","format":false,"excerpt":"Por Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00a0y Pedro S\u00e1ez. 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