{"id":4403,"date":"2012-09-15T22:28:25","date_gmt":"2012-09-15T20:28:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4403"},"modified":"2016-11-13T15:55:33","modified_gmt":"2016-11-13T14:55:33","slug":"mister-atomic-mister-atomic-rascayu-records-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/mister-atomic-mister-atomic-rascayu-records-2012\/","title":{"rendered":"Mister Atomic &#8211; Mister Atomic (Rascay\u00fa Records, 2012)"},"content":{"rendered":"<div style=\"text-align: justify;\" align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"border: 1px solid black;\" alt=\"\" src=\"http:\/\/www.tomajazz.com\/discos\/2012_09\/ma_ma.jpg\" width=\"150\" height=\"150\" border=\"1\" title=\"\"><\/div>\n<div style=\"text-align: justify;\"><b>Comentario:\u00a0<\/b>El tr\u00edo liderado por el tubista David J. Herrington es un ejercicio de minimalismo instrumental, de m\u00fasicos y hasta de la original e inusual caja que contiene el CD \u00f3 m\u00e1s bien podr\u00edamos decir caja del CD-pizza.<\/p>\n<p>El tr\u00edo basa su m\u00fasica en un caj\u00f3n de sastre donde cabe casi cualquier forma de jazz. En \u00e9l podemos encontrar desde el\u00a0<i>dixieland<\/i>, el sonido Nueva Orleans o el pasodoble entre otros. Y es que esta\u00a0<i>pizza<\/i>\u00a0viene bien condimentada para el baile y el buen humor con la necesaria pegada y la perfecta ejecuci\u00f3n de sus int\u00e9rpretes.<\/p>\n<p>Con Pierre Le\u00f3n encontramos el mayor protagonismo del disco, su saxo alto llena espacios con toneladas de\u00a0<i>swing<\/i>\u00a0y David J. Herrington le acompa\u00f1a con la fuerza necesaria para sustituir al bajo con su tuba. Cierra el tr\u00edo Curro Garc\u00eda con el ritmo fren\u00e9tico que sale de su bater\u00eda. La contundencia que caracteriza al disco contagia de manera incansable los pies de quienes la escuchan como si de una\u00a0<i>marching band<\/i>\u00a0se tratara.<\/p>\n<p>El ritmo entrecortado de \u201cFabios Goove\u201d, la humor\u00edstica \u201cA1\u201d, el homenaje a Dizzy Gillespie en \u201cA Peguin Tunisia\u201d o Monk en \u201cSome Skunk Monk\u201d, el pasodoble \u201cLa Ilicitana\u201d, la bailable \u201cThe Cucciard Jump\u201d, se completa con \u201cThe End Is Near\u201d y sus interminables finales que ponen punto final al disco.<\/p>\n<p><i>Bon app\u00e9tit<\/i>. \u00a1Qu\u00e9 les aproveche!<\/p>\n<p><a href=\"mailto:farelojazz@yahoo.es\">Enrique Farelo<\/a><\/div>\n<div><\/div>\n<div><b>Composiciones:\u00a0<\/b>\u201cFabios Goove\u201d, \u201cA1\u201d, \u201cA Peguin Tunisia\u201d, \u201cBlew\u201d, \u201cBlow Fucker Blow\u201d, \u201cLa Ilicitana\u201d, \u201cSome Skunk Monk\u201d, \u201cStruttin\u201d, \u201cThe Cucciard Jump\u201d, \u201cThe End Is Near\u201d<\/p>\n<div>Todas las composiciones de David J. Herrington, excepto \u201cA Peguin Tunisia\u201d (Herrington y Scott) y \u201cSome Skunk Monk\u201d (Herrington, Monk y Brecker)<\/p>\n<p><b>M\u00fasicos:\u00a0<\/b>David J. Herrington (tuba), Pierre Le\u00f3n (saxo alto), Curro Garc\u00eda (bater\u00eda y timbales).<\/p>\n<p>Grabado en Estudios Eurotrack<br \/>\nRascay\u00fa 001-2 records 2012<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Comentario:\u00a0El tr\u00edo liderado por el tubista David J. Herrington es un ejercicio de minimalismo instrumental, de m\u00fasicos y hasta de la original e inusual caja que contiene el CD \u00f3 m\u00e1s bien podr\u00edamos decir caja del CD-pizza. El tr\u00edo basa su m\u00fasica en un caj\u00f3n de sastre donde cabe casi<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/mister-atomic-mister-atomic-rascayu-records-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4379,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[12651,5070,5068,304,12696,13,12415,15295,5069,5067,16099,77,16100],"class_list":["entry","author-pachi","post-4403","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-cd","tag-curro-garcia","tag-david-herrington","tag-enrique-farelo","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-pierre-leon","tag-rascayu-records","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/ma_ma.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101193,"url":"https:\/\/tomajazz.com\/web\/seaorm-atlan-2025\/","url_meta":{"origin":4403,"position":0},"title":"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"31 octubre, 2025","format":false,"excerpt":"Atlan (octoberXart Records, 2025) es la nueva grabaci\u00f3n de Seaorm. 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Enrique Farelo repasa las cinco grabaciones publicadas en Iapetus Rrecords (2026)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/4.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/4.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/4.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4403"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4403\/revisions"}],"predecessor-version":[{"id":4404,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4403\/revisions\/4404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4379"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}