{"id":44426,"date":"2019-07-21T12:00:08","date_gmt":"2019-07-21T10:00:08","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=44426"},"modified":"2022-08-26T20:15:51","modified_gmt":"2022-08-26T18:15:51","slug":"razones-para-el-jazz-una-pelicula-whiplash-492","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-pelicula-whiplash-492\/","title":{"rendered":"Razones para el jazz: Una pel\u00edcula: Whiplash [492]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"44427\" data-permalink=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-pelicula-whiplash-492\/whiplash\/\" data-orig-file=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash.jpg\" data-orig-size=\"1165,1500\" data-comments-opened=\"1\" data-image-title=\"Whiplash\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash-466x600.jpg\" class=\"aligncenter size-large wp-image-44427\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash-466x600.jpg\" alt=\"\" width=\"466\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash-466x600.jpg 466w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash-200x258.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash-768x989.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash-43x55.jpg 43w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Whiplash.jpg 1165w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><\/p>\n<p>Si <em>La Chaqueta Met\u00e1lica<\/em> hubiera sido una pel\u00edcula de jazz se titular\u00eda <em>Whiplash<\/em>.<\/p>\n<p>Un enfoque distinto para una pel\u00edcula sobre jazz.<\/p>\n<p><em>Whiplash<\/em> (2014)<br \/>\nDirecci\u00f3n: Damien Chazelle<br \/>\nReparto: Miles Teller y J.K. Simmons.<br \/>\nFotograf\u00eda: Sharone Meir.<br \/>\nM\u00fasica: Justin Hurwitz<\/p>\n<p style=\"text-align: right;\">Seleccionada por \u00a9 <strong>Enrique Farelo<\/strong>, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Enrique Farelo. Si La Chaqueta Met\u00e1lica hubiera sido una pel\u00edcula de jazz se titular\u00eda Whiplash. Un enfoque distinto para una pel\u00edcula sobre jazz. Whiplash (2014) Direcci\u00f3n: Damien Chazelle Reparto: Miles Teller y J.K. Simmons. Fotograf\u00eda: Sharone Meir. M\u00fasica: Justin Hurwitz Seleccionada por \u00a9 Enrique Farelo, 2019<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-pelicula-whiplash-492\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":44427,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17848,20689,15517,1038],"tags":[304],"class_list":["entry","author-pachi","post-44426","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-razones-para-el-jazz","category-textos","category-contenidos","tag-enrique-farelo"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":108552,"url":"https:\/\/tomajazz.com\/web\/trio-corrente-vicaljazz-2026\/","url_meta":{"origin":44426,"position":0},"title":"Tr\u00edo Corrente \u00abVinte e cinco\u00bb (VICALJAZZ. 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