{"id":46241,"date":"2019-10-11T18:00:03","date_gmt":"2019-10-11T16:00:03","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=46241"},"modified":"2022-01-20T14:55:21","modified_gmt":"2022-01-20T13:55:21","slug":"hdo-524-y-por-que-no-ed-blackwells-togo-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-524-y-por-que-no-ed-blackwells-togo-podcast\/","title":{"rendered":"HDO 524. \u00bfY por qu\u00e9 no?: Ed Blackwell&#8217;s Togo [Podcast]"},"content":{"rendered":"<p>Por <strong>Pachi Tapiz<\/strong>.<\/p>\n<p><center><\/center><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46244 size-full\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_A-Tribute-To-Ed-Blackwell.jpg\" alt=\"\" width=\"600\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_A-Tribute-To-Ed-Blackwell.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_A-Tribute-To-Ed-Blackwell-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_A-Tribute-To-Ed-Blackwell-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_A-Tribute-To-Ed-Blackwell-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_A-Tribute-To-Ed-Blackwell-50x50.jpg 50w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/center><center><\/center><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46245 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Old-And-New-Dreams_Old-And-New-Dreams.jpg 800w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46242 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Chris-Potter-Follow-The-Red-Line-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Chris-Potter-Follow-The-Red-Line-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Chris-Potter-Follow-The-Red-Line-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Chris-Potter-Follow-The-Red-Line-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Chris-Potter-Follow-The-Red-Line-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Chris-Potter-Follow-The-Red-Line.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46243 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Henri-Texier-Azur-Quintet_Mosaic-Man.jpg 1000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46246 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-200x201.jpg\" alt=\"\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-768x771.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-598x600.jpg 598w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sound-In-Action-Trio_Gate.jpg 1196w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46247 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tiziano-Tononi_Awake-Nu-A-Tribute-To-Don-Cherry-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tiziano-Tononi_Awake-Nu-A-Tribute-To-Don-Cherry-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tiziano-Tononi_Awake-Nu-A-Tribute-To-Don-Cherry-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tiziano-Tononi_Awake-Nu-A-Tribute-To-Don-Cherry-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tiziano-Tononi_Awake-Nu-A-Tribute-To-Don-Cherry-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tiziano-Tononi_Awake-Nu-A-Tribute-To-Don-Cherry.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/center>HDO 524 est\u00e1 dedicado a \u00abTogo\u00bb, la composici\u00f3n m\u00e1s conocida del gran baterista <strong>Ed Blackwell<\/strong>.<\/p>\n<p>Cuenta la an\u00e9cdota que en un examen de final de la carrera de Filosof\u00eda, un avispado alumno ante la pregunta \u00ab\u00bfPor qu\u00e9?\u00bb, contest\u00f3 con un rotundo \u00ab\u00bfY por qu\u00e9 no?\u00bb.<\/p>\n<p>En el programa suenan las versiones que <strong>Ed Blackwell<\/strong> grab\u00f3 junto al grupo <strong>Old And New Dreams<\/strong> (<strong>Charlie Haden, Don Cherry, Dewey Redman<\/strong> y Blackwell) en las grabaciones <em>Old And New Dreams<\/em> y <em>A Tribute To Blackwell<\/em>. Adem\u00e1s est\u00e1 la versi\u00f3n de <strong>Chris Potter<\/strong> que aparece en su disco en directo <em>Follow The Red Line<\/em>; <strong>Henri Texier Azur Quintet<\/strong> (a Texier le acompa\u00f1aban <strong>Toni Rabeson<\/strong>, <strong>Bojan Z<\/strong>, <strong>Glenn Ferris<\/strong> y <strong>Sebastien Texier<\/strong>); <strong>Tiziano Tononi<\/strong> en <em>Awake Nu. A Tribute to Don Cherry<\/em>; finalmente el grupo de <strong>Ken Vandermark<\/strong>,<strong> Sound In Action Trio<\/strong> en el CD <em>Gate<\/em>.<\/p>\n<p style=\"text-align: right;\"><span style=\"text-align: right;\">Tomajazz: \u00a9\u00a0<\/span><strong style=\"text-align: right;\">Pachi Tapiz<\/strong><span style=\"text-align: right;\">, 2019<\/span><\/p>\n<p>HDO 524 te gustara&#8230; si te gusta el jazz&#8230; si te gusta la inspiraci\u00f3n africana en el jazz&#8230; si eres un consumidor compulsivo de canciones que te gustan&#8230; si te gusta la m\u00fasica de Ed Blackwell -obviamente-, Charlie Haden, Don Cherry, Dewey Redman, Ken Vandermark, Henri Texier, Bojan Z, Tiziano Tononi&#8230;<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id=\"audio_42715629\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_42715629_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Para quejas, sugerencias, protestas, peticiones, presentaciones y\/u opiniones env\u00edanos un correo a hdo@tomajazz.com.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Pachi Tapiz. HDO 524 est\u00e1 dedicado a \u00abTogo\u00bb, la composici\u00f3n m\u00e1s conocida del gran baterista Ed Blackwell. Cuenta la an\u00e9cdota que en un examen de final de la carrera de Filosof\u00eda, un avispado alumno ante la pregunta \u00ab\u00bfPor qu\u00e9?\u00bb, contest\u00f3 con un rotundo \u00ab\u00bfY por qu\u00e9 no?\u00bb. En el<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-524-y-por-que-no-ed-blackwells-togo-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":46248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,13298,12814,15518,1038],"tags":[7265,13299,31],"class_list":["entry","author-pachi","post-46241","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-hablando-de-oidas-hdo","category-podcast","category-sonidos","category-contenidos","tag-ed-blackwell","tag-hdo","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0524_Ed-Blackwell-y-Togo.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32808,"url":"https:\/\/tomajazz.com\/web\/hdo-326-frank-zappa-todd-rundgren-y-ed-palermo-mj-028-podcast\/","url_meta":{"origin":46241,"position":0},"title":"HDO 326. Frank Zappa, Todd Rundgren y Ed Palermo [MJ 029] [Podcast]","author":"Tomajazz","date":"20 octubre, 2017","format":false,"excerpt":"Tras publicar a principios de 2017\u00a0The Great Un-American Songbook\u00a0Volumes 1 & 2, The Ed Palermo Big Band vuelve a la carga centrando en esta ocasi\u00f3n su repertorio en la m\u00fasica de\u00a0Frank Zappa\u00a0(un compositor sobre el que Ed Palermo ya hab\u00eda trabajado con anterioridad) y\u00a0Todd Rundgren con\u00a0The Adventures Of Zodd Zundgren\u00a0(Cuneiform,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/cover-e1508355710513.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/cover-e1508355710513.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/cover-e1508355710513.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":62955,"url":"https:\/\/tomajazz.com\/web\/communication-dewey-redman-ed-blackwell-red-and-black-in-willisau-black-saint-1985-por-pachi-tapiz-jazzx5-482-minipodcast-de-jazz\/","url_meta":{"origin":46241,"position":1},"title":"\u00abCommunication\u00bb [Dewey Redman &#8211; Ed Blackwell Red and Black In Willisau (Black Saint, 1985)] Por Pachi Tapiz. JazzX5 #482 [Minipodcast de jazz]","author":"Tomajazz","date":"19 abril, 2022","format":false,"excerpt":"En JazzX5, tras unos d\u00edas de silencio, retomamos la actividad con \"Communication\" (el t\u00edtulo del tema est\u00e1 escogido con intencionalidad), del disco Red And Black In Willisau (Black Saint, 1985) de Dewey Redman y Ed Blackwell. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\"Communication\" [Dewey Redman - Ed Blackwell Red and Black In Willisau (Black Saint, 1985)] Por Pachi Tapiz. JazzX5 #482 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":67691,"url":"https:\/\/tomajazz.com\/web\/candid-records-2-hdo-551\/","url_meta":{"origin":46241,"position":2},"title":"Candid Records #2: reeditando joyas. Por Pachi Tapiz. HDO 551 [Podcast]","author":"Tomajazz","date":"25 octubre, 2022","format":false,"excerpt":"En HDO 551 escuchamos diez temas, dos por cada una de las grabaciones del segundo lote de reediciones del cat\u00e1logo hist\u00f3rico de Candid Records con discos liderados por Cecil Taylor, Pee Wee Russell - Coleman Hawkins, Clark Terry, Booker Ervin y Booker Little.\u00a0 HDO es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abHDO\u00bb","block_context":{"text":"HDO","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/hablando-de-oidas-hdo\/"},"img":{"alt_text":"Candid Records #2: reeditando joyas. Por Pachi Tapiz. HDO 551 [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":59131,"url":"https:\/\/tomajazz.com\/web\/jazzx5350-the-ed-palermo-big-band-ive-got-news-for-you-ive-got-news-for-you-sky-cat-records-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":46241,"position":3},"title":"JazzX5#350. The Ed Palermo Big Band: \u00abI&#8217;ve Got News For You\u00bb [I&#8217;ve Got News For You (Sky Cat Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"1 diciembre, 2021","format":false,"excerpt":"En JazzX5 suena \"I've Got News For You\", el tema que da t\u00edtulo a la \u00faltima grabaci\u00f3n de The Ed Palermo Big Band y que se publica en el sello Sky Cat Records, y que es un homenaje a Edgar Winter, y por tanto a su hermano el gran Johnny\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_350.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_350.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_350.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_350.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":61681,"url":"https:\/\/tomajazz.com\/web\/fletcher-henderson-and-his-orchestra-sing-sing-sing-1936-por-pachi-tapiz-jazzx5443-minipodcast-de-jazz\/","url_meta":{"origin":46241,"position":4},"title":"Fletcher Henderson and His Orchestra: \u00abSing, Sing, Sing\u00bb (1936) Por Pachi Tapiz. JazzX5#443 [Minipodcast de jazz]","author":"Tomajazz","date":"5 marzo, 2022","format":false,"excerpt":"En JazzX5 continuamos revisando algunas versiones del cl\u00e1sico \"Sing, Sing, Sing\". En esta ocasi\u00f3n la versi\u00f3n que grab\u00f3 Fletcher Henderson en 1936, pocos meses despu\u00e9s de que Louis Prima diese a conocer ese cl\u00e1sico del jazz. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Fletcher Henderson and His Orchestra: \"Sing, Sing, Sing\" (1936) Por Pachi Tapiz. 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Horace Tapscott: \u00abThe Dark Tree\u00bb [The Dark Tree (hatOlogy, 1991)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"18 septiembre, 2021","format":false,"excerpt":"Horace Tapscott y \"The Dark Tree\" de la grabaci\u00f3n The Dark Tree (hatOlogy; ed. originalmente 1991), suena en el podcast de Pachi Tapiz, JazzX5. El cuarteto que grab\u00f3 el tema estuvo formado por el propio Tapscott, John Carter, Cecil McBee y Andrew Cyrille.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/46241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=46241"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/46241\/revisions"}],"predecessor-version":[{"id":46263,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/46241\/revisions\/46263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/46248"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=46241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=46241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=46241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}