{"id":46381,"date":"2019-10-14T12:00:17","date_gmt":"2019-10-14T10:00:17","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=46381"},"modified":"2022-01-19T12:25:20","modified_gmt":"2022-01-19T11:25:20","slug":"jazzx5106-sylvie-courvoisier-mark-feldman-cryptoporticus-minipodcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazzx5106-sylvie-courvoisier-mark-feldman-cryptoporticus-minipodcast\/","title":{"rendered":"JazzX5#106. Sylvie Courvoisier &#8211; Mark Feldman: Cryptoporticus [Minipodcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-46382 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Sylvie-Courvoisier-Mark-Feldman_Time-Gone-Out.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00abCryptoporticus\u00bb<br \/>\n<strong>Sylvie Courvoisier &#8211; Mark Feldman<\/strong>: Time Gone Out (Intakt Records)<br \/>\nSylvie Courvoisier, Mark Feldman<\/p>\n<p style=\"text-align: right;\"><span style=\"text-align: right;\">Tomajazz: \u00a9 <\/span><strong style=\"text-align: right;\">Pachi Tapiz<\/strong><span style=\"text-align: right;\">, 2019<\/span><\/p>\n<p><iframe id=\"audio_43019381\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_43019381_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>JazzX5<\/strong> es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<br \/>\n<strong>JazzX5<\/strong> comenz\u00f3 su andadura el 24 de junio de 2019.<br \/>\nTodas las entregas de <strong>JazzX5<\/strong> est\u00e1n disponibles en <strong><a href=\"https:\/\/tomajazz.com\/web\/?cat=23120\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=23120<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Pachi Tapiz. \u00abCryptoporticus\u00bb Sylvie Courvoisier &#8211; Mark Feldman: Time Gone Out (Intakt Records) Sylvie Courvoisier, Mark Feldman Tomajazz: \u00a9 Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0Pachi Tapiz. JazzX5 comenz\u00f3 su andadura el 24 de junio de 2019. Todas las<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazzx5106-sylvie-courvoisier-mark-feldman-cryptoporticus-minipodcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":46383,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,23120,12814,15518,1038],"tags":[14276,23118,684,31,683,23714],"class_list":["entry","author-pachi","post-46381","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-jazzx5","category-podcast","category-sonidos","category-contenidos","tag-intakt-records","tag-jazzx5","tag-mark-feldman","tag-pachi-tapiz","tag-sylvie-courvoisier","tag-sylvie-courvoisier-mark-feldman"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JazzX5_106.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1142,"url":"https:\/\/tomajazz.com\/web\/sylvie-courvoisier-mark-feldman-quartet-to-fly-to-steal-sear-sound-studio-2009\/","url_meta":{"origin":46381,"position":0},"title":"Sylvie Courvoisier &#8211; Mark Feldman Quartet &#8211; To Fly to Steal  (Sear Sound Studio, 2009)","author":"Autor1","date":"17 mayo, 2011","format":false,"excerpt":"Si hay un violinista imprescindible en el jazz y la m\u00fasica improvisada durante las \u00faltimas d\u00e9cadas, ese es Mark Feldman. Por su parte, Sylvie Courvoisier es una pianista sumamente interesante, cuya carrera es posible que no llame demasiado la atenci\u00f3n del gran p\u00fablico, a pesar de haber grabado a su\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/courvoisier_feldman_fly-steal1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2918,"url":"https:\/\/tomajazz.com\/web\/sylvie-courvoisier-mark-feldman-quartet-to-fly-to-steal\/","url_meta":{"origin":46381,"position":1},"title":"Sylvie Courvoisier &#8211; Mark Feldman Quartet: To Fly To Steal","author":"Tomajazz","date":"22 marzo, 2010","format":false,"excerpt":"Si hay un violinista imprescindible en el jazz y la m\u00fasica improvisada durante las \u00faltimas d\u00e9cadas, ese es Mark Feldman. Por su parte, Sylvie Courvoisier es una pianista sumamente interesante, cuya carrera es posible que no llame demasiado la atenci\u00f3n del gran p\u00fablico, a pesar de haber grabado a su\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":100183,"url":"https:\/\/tomajazz.com\/web\/sylvie-courvoisier-wadada-leo-smith-angel-falls-2025\/","url_meta":{"origin":46381,"position":2},"title":"Sylvie Courvoisier &#038; Wadada Leo Smith: Angel Falls (Intakt Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"6 octubre, 2025","format":false,"excerpt":"Angel Falls (Intakt Records; 2025) es la nueva grabaci\u00f3n de Sylvie Courvoisier & Wadada Leo Smith. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Sylvie Courvoisier & Wadada Leo Smith: Angel Falls (Intakt Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Angel Falls (Intakt Records; 2025) es la nueva grabaci\u00f3n de Sylvie Courvoisier & Wadada Leo Smith. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sylvie-Courvoisier-Wadada-Leo-Smith-Angel-Falls-Intakt-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sylvie-Courvoisier-Wadada-Leo-Smith-Angel-Falls-Intakt-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sylvie-Courvoisier-Wadada-Leo-Smith-Angel-Falls-Intakt-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sylvie-Courvoisier-Wadada-Leo-Smith-Angel-Falls-Intakt-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":58828,"url":"https:\/\/tomajazz.com\/web\/jazzx5341-mary-halvorson-sylvie-courvoisier-bent-yellow-searching-for-the-disappeared-hour-pyroclastic-records-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":46381,"position":3},"title":"JazzX5#341. Mary Halvorson &#8211; Sylvie Courvoisier: \u00abBent Yellow\u00bb [Searching for the Disappeared Hour (Pyroclastic Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"22 noviembre, 2021","format":false,"excerpt":"En JazzX5 el tema \"Bent Yellow\" de Mary Halvorson - Sylvie Courvoisier que aparece en Searching for the Disappeared Hour (Pyroclastic Records, 2021). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Mary Halvorson - Sylvie Courvoisier: Searching for the Disappeared Hour (Pyroclastic Records, 2021)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_341.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_341.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_341.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_341.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2510,"url":"https:\/\/tomajazz.com\/web\/en-bloque-gerry-hemingway\/","url_meta":{"origin":46381,"position":4},"title":"En bloque: Gerry Hemingway","author":"Tomajazz","date":"7 octubre, 2011","format":false,"excerpt":"Gerry Hemingway es un m\u00fasico coherente. Si en sus entrevistas habla de los d\u00faos como una de sus formaciones favoritas, o de su afici\u00f3n por escuchar m\u00fasicas de todas las partes del Mundo, sus grabaciones son un reflejo de sus afirmaciones. Riptide (Clean Feed) es la nueva grabaci\u00f3n del Gerry\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-cLOfMfuWK_k\/To9wXOT_D3I\/AAAAAAAADek\/lw_OnvT0bnk\/s320\/IMG_3035_Heminway_marco.JPG?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":48055,"url":"https:\/\/tomajazz.com\/web\/jazzx5157-ramon-lopez-mark-feldman-trappist-1b-trappist-1-minipodcast\/","url_meta":{"origin":46381,"position":5},"title":"JazzX5#158. Ram\u00f3n L\u00f3pez &#8211; Mark Feldman: Trappist-1b (Trappist-1) [Minipodcast]","author":"Tomajazz","date":"30 diciembre, 2019","format":false,"excerpt":"El tema Trappist-1b, que abre la nueva grabaci\u00f3n de Ram\u00f3n L\u00f3pez con Mark Feldman, de t\u00edtulo Trappist-1 (Relative Pitch Records), es el tema que suena en la entrega 158 de JazzX5, el podcast de Pachi Tapiz.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/JazzX5_158.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/46381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=46381"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/46381\/revisions"}],"predecessor-version":[{"id":60383,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/46381\/revisions\/60383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/46383"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=46381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=46381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=46381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}