{"id":47044,"date":"2019-11-11T13:00:01","date_gmt":"2019-11-11T12:00:01","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=47044"},"modified":"2022-08-26T00:43:39","modified_gmt":"2022-08-25T22:43:39","slug":"duo-melissa-von-vepy-sthephan-oliva-bruno-angelini-michele-rabbia-quartet-duo-sylvain-kassap-benjamin-duboc-guillaume-orti-quintet-festival-les-emouvantes","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/duo-melissa-von-vepy-sthephan-oliva-bruno-angelini-michele-rabbia-quartet-duo-sylvain-kassap-benjamin-duboc-guillaume-orti-quintet-festival-les-emouvantes\/","title":{"rendered":"Melissa Von V\u00e9py &#038; Stephan Oliva, Bruno Angelini &#038; Michael Rabbia Quartet,  Duo Sylvain Kassap &#038; Benjamin Duboc y Guillaume Orti Quinetet (Festival Les \u00c9mouvantes, Th\u00e9\u00e2tre des Barnardines, Marseille -France-. 2019-09-18\/19) -I- [Conciertos]"},"content":{"rendered":"<p>Por\u00a0<strong>Joan Cort\u00e8s<\/strong>.<\/p>\n<ul>\n<li>Fecha: Mi\u00e9rcoles, 18 de setiembre de 2019<\/li>\n<li>Lugar: Th\u00e9\u00e2tre de Bernardines (Marseille)<\/li>\n<li>Grupos:<br \/>\n<strong>Duo M\u00e9lissa Von V\u00e9py &amp; Sth\u00e9phan Oliva<br \/>\n<\/strong>M\u00e9lissa Von V\u00e9py, concepci\u00f3n e interpretaci\u00f3n<br \/>\nSt\u00e9phan Oliva, composici\u00f3n y piano<br \/>\n<strong>Bruno Angelini &amp; Michele Rabbia Quartet<br \/>\n<\/strong>Bruno Angelini, piano y electr\u00f3nica<br \/>\nMichele Rabbia, bater\u00eda, percusi\u00f3n y electr\u00f3nica<br \/>\nTore Brunborg, saxo tenor<br \/>\nRomain Al\u2019l, im\u00e1genes<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Fecha: Jueves, 19 de setiembre de 2019<\/li>\n<li>Lugar: Th\u00e9\u00e2tre de Bernardines (Marseille)<\/li>\n<li>Grupos:<br \/>\n<strong>Duo Sylvain Kassap &amp; Benjamin Duboc<br \/>\n<\/strong>Sylvain Kassap, clarinetes<br \/>\nBenjamin Duboc, contrabajo<br \/>\n<strong>Guillaume Orti Quintet<br \/>\n<\/strong>Guillaume Orti, saxos<br \/>\nBenoit Delbecq, piano<br \/>\nBen Grossman, viola de rueda<br \/>\nNathan Wouters, contrabajo<br \/>\nFran\u00e7ois Verly, percusi\u00f3n<\/li>\n<\/ul>\n<p>En el Th\u00e9\u00e2tre des Bernardines de Marsella, entre el 18 y el 21 de setiembre, se celebr\u00f3 la s\u00e9ptima edici\u00f3n del Festival Les \u00c9mouvants.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47045\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x338.jpg\" alt=\"\" width=\"600\" height=\"338\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x113.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-98x55.jpg 98w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>El recinto en el siglo XVIII fue concebido como una capilla y posteriormente se utiliz\u00f3 como convento, almac\u00e9n, cuartel, sal\u00f3n de baile y anexo de una escuela de secundaria, para convertirse en 1987 en un peque\u00f1o teatro de ensayo con una capacidad m\u00e1xima de cien localidades.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47046\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/02_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-338x600.jpg\" alt=\"\" width=\"338\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/02_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 338w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/02_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-169x300.jpg 169w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/02_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-31x55.jpg 31w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/p>\n<p>El festival se inaugur\u00f3 con un proyecto de alto calibre, como lo ser\u00edan tambi\u00e9n las propuestas restantes, a dos por d\u00eda, a lo largo de cuatro jornadas. Fue un aut\u00e9ntico altiplano de proyectos sugerentes y estimulantes, cada uno de ellos a la b\u00fasqueda de diversos cruzamientos, encuentros, a modo de juego de placas, donde se iban insertando, desplazando, ensamblando unas con las otras, de forma elegante y sutil, sin utilizar f\u00f3rceps alguno. Un festival dise\u00f1ado y presentado por el compositor y contrabajista Claude Tchamitchian, en plena consonancia con el sello Emouvance que tambi\u00e9n dirige.<\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?p=46496\" target=\"_blank\" rel=\"noopener noreferrer\">La trapecista suiza M\u00e9lissa Von V\u00e9py a d\u00fao con el pianista franc\u00e9s St\u00e9phan Oliva, ofrecieron su singular y atractivo \u201cMiror, Miror\u201d<\/a>. Una estimulante propuesta pl\u00e1stica-musical, que mantiene al espectador totalmente cautivado y anclado en su butaca, con sus buenas dosis de tensi\u00f3n, a lo largo de toda la representaci\u00f3n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47047\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/03_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/03_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/03_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/03_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/03_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/03_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Oliva firm\u00f3 una introducci\u00f3n, un exquisito piano solo, de unos veinte minutos, alrededor de Bart\u00f3k. Posteriormente se inici\u00f3 el juego de duetos, Von V\u00e9py\/Oliva, m\u00fasica\/trapecio, de la trapecista con la estructura colgante de doce espejos, de los cuales romper\u00eda los dos centrales con uno de sus zapatos de tac\u00f3n. El anverso y el reverso -el espejo brillante en contrate con su dorsal desconchado y cristales rotos-, el paso entre las dos partes, la imagen reflejada y la oscuridad del fondo.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47048\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Con una multiplicaci\u00f3n de im\u00e1genes fragmentadas y fascinantes en su constante ir y venir a trav\u00e9s de su trapecio de espejos a poca distancia de los cristales rotos a modo de inquietante alfombra.<\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?p=46570\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cTransformation\u201d fue la segunda propuesta de la jornada inaugural, una creaci\u00f3n liderada por los italianos Bruno Angelini y el inquieto Michel Rabbia, que contaron con la complicidad del noruego Tore Brunborg y del franc\u00e9s Roman Al\u2019l<\/a>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47049\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Angelini y Rabbia conjugaron el entorno m\u00e1s ac\u00fastico de sus instrumentos respectivos, piano y bater\u00eda, con sonoridades totalmente electr\u00f3nicas extra\u00eddas de diferentes artefactos. Lo que pod\u00eda presuponer una contraposici\u00f3n chocante, se convirti\u00f3 en un notable urdido entre los dos mundos sonoros.<\/p>\n<p>Destacaron muy especialmente la generaci\u00f3n, contraste y acoplamiento de timbres y texturas no org\u00e1nicas. Entrelazando ambos mundos ten\u00edamos la concepci\u00f3n m\u00e1s atmosf\u00e9rica, nebulosa plenamente escandinava, y en algunos momentos con reminiscencias cinematogr\u00e1ficas, del saxo tenor de Brunborg.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47050\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/06_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/06_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/06_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/06_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/06_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/06_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>El trabajo en directo se complementaba con la proyecci\u00f3n de im\u00e1genes, mayoritariamente generadas por ordenador, que cuando m\u00e1s abstractas eran m\u00e1s atrayentes y complementadas resultaban con el entramado musical.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47051\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/07_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/07_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/07_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/07_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/07_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/07_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>La segunda jornada se inici\u00f3 con el segundo de los tres duetos programados, el clarinetista Sylvain Kassap con el contrabajista Benjamin Duboc<a href=\"https:\/\/tomajazz.com\/web\/?p=46720\" target=\"_blank\" rel=\"noopener noreferrer\">el clarinetista Sylvain Kassap con el contrabajista Benjamin Duboc<\/a>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47052\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/08_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/08_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/08_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/08_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/08_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/08_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Dejaron huella fehaciente de su concepci\u00f3n musical y entendimiento a lo largo de la improvisaci\u00f3n con un dominio instrumental al servicio de su discurso musical. Servido y degustado plenamente en ac\u00fastico total.<\/p>\n<p>\u201c\u2026ence\u201d es el nombre de la creaci\u00f3n espec\u00edfica para el festival, de exquisito resultado musical e interpretaci\u00f3n, firmada por el compositor y saxofonista Guillaume Orti<a href=\"https:\/\/tomajazz.com\/web\/?p=46770\" target=\"_blank\" rel=\"noopener noreferrer\">\u201c\u2026ence\u201d es el nombre de la creaci\u00f3n espec\u00edfica para el festival, de exquisito resultado musical e interpretaci\u00f3n, firmada por el compositor y saxofonista Guillaume Orti<\/a>. Un proyecto de relativa equidistancia entre la escritura y la improvisaci\u00f3n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47053\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/09_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/09_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/09_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/09_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/09_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/09_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Un trabajo que se mueve, se desplaza e integra entre distintas concepciones musicales, jazz, m\u00fasicas de \u00e1mbito tradicional, imaginado o no. Orti present\u00f3 una propuesta con una paleta musical extensa, rica en din\u00e1micas, timbres i colores.<\/p>\n<p>Para amasarlo cont\u00f3 con cuatro compa\u00f1eros de lujo. El piano preparado y no de Benoit Delbecq (viejo c\u00f3mplice, entre otros, en el grupo Kartet), una parte de su instrumento contaba con una serie de palitos, algunos de ellos con chinchetas clavadas, dispuestos entre las cuerdas del piano, que generaban una sonoridad percusiva plenamente africana en contraste con la otra parte del piano no preparado. Fran\u00e7ois Verly estaba en medio de su amplio set percusivo, generando mil y dos colores (con Orti forma parte del Megaoctet d\u2019Andy Emler, formaci\u00f3n que este a\u00f1o celebra su 30 aniversario). El canadiense Ben Grossman a la viola de rueda aportaba un abanico de sonoridades antiguas y contempor\u00e1neas perfectamente amoldadas. La formaci\u00f3n se completaba con el contrabajo del joven belga Natham Wouters, firme puntal de toda la estructura.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47054\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/10_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/10_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/10_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/10_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/10_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/10_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Guillaume Orti, adem\u00e1s de un excelente compositor, hizo gala de su dominio instrumental de su amplio set de saxofones (en mi bemol, fa y si bemol) desplegados sobre el escenario.<\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?p=47538\" target=\"_blank\" rel=\"noopener noreferrer\">Ir a la segunda parte del repaso del Festival Les \u00c9mouvantes.<\/a><\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9\u00a0<strong>Joan Cort\u00e8s<\/strong>, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joan Cort\u00e8s realiza la primera parte de su repaso al Festival Les \u00c9mouvantes, celebrado en Marsella con las actuaciones de Melissa Von V\u00e9py &#038; Stephan Oliva, Bruno Angelini &#038; Michael Rabbia Quartet,  Duo Sylavai Kassap &#038; Benjamin Duboc y Guillaume Orti Quinetet.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/duo-melissa-von-vepy-sthephan-oliva-bruno-angelini-michele-rabbia-quartet-duo-sylvain-kassap-benjamin-duboc-guillaume-orti-quintet-festival-les-emouvantes\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":47048,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,17853,15517,1038],"tags":[23800,23852,7481,8300,23757,23746,23791,23802,23799,23798,1041,11532,20702,23801,23758,7997,8317,8288],"class_list":["entry","author-pachi","has-excerpt","post-47044","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conciertos","category-joan-cortes","category-textos","category-contenidos","tag-ben-grossman","tag-benjamin-dubos","tag-benoit-delbecq","tag-bruno-angelini","tag-bruno-angelini-michele-rabbia-quartet","tag-duo-melissa-von-vepy-sthephan-oliva","tag-duo-sylvain-kassap-benjamin-duboc","tag-francois-verly","tag-guillaume-orti","tag-guillaume-orti-quintet","tag-joan-cortes","tag-melissa-von-vepy","tag-michele-rabbia","tag-nathan-wouters","tag-romain-all","tag-stephan-oliva","tag-sylvain-kassap","tag-tore-brunborg"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Ls-mvnts-\u00a9Joan-Cort\u00e8s_18set19_TdB_Mrsll.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":46496,"url":"https:\/\/tomajazz.com\/web\/instantzz-duo-melissa-von-vepy-stephan-oliva-miroir-miroir-ensayo-general-festival-les-emouvantes-theatre-des-bernardines-marseille-2019-09-18-galeria-fotografica\/","url_meta":{"origin":47044,"position":0},"title":"INSTANTZZ: Duo M\u00e9lissa Von V\u00e9py &#038; St\u00e9phan Oliva \u201cMiroir, Miroir\u201d-ensayo general- (Festival Les \u00c9mouvantes, Th\u00e9\u00e2tre des Bernardines, Marseille. 2019-09-18) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"22 octubre, 2019","format":false,"excerpt":"Por\u00a0Joan Cort\u00e8s. Fecha: Mi\u00e9rcoles, 18 de setiembre de 2019 Lugar: Th\u00e9\u00e2tre des Bernardines (Marseille) Grupo: Duo M\u00e9lissa Von V\u00e9py & Sth\u00e9phan Oliva M\u00e9lissa Von V\u00e9py, concepci\u00f3n e interpretaci\u00f3n St\u00e9phan Oliva, composici\u00f3n y piano Tomajazz: \u00a9\u00a0Joan Cort\u00e8s, 2019","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"INSTANTZZ: Duo M\u00e9lissa Von V\u00e9py & St\u00e9phan Oliva \u201cMiroir, Miroir\u201d-ensayo general- (Festival Les \u00c9mouvantes, Th\u00e9\u00e2tre des Bernardines, Marseille. 2019-09-18) [Galer\u00eda fotogr\u00e1fica]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/09_Mlss-Vn-Vp-Stphn-liv-%C2%A9Joan-Cort%C3%A8s_18set19_Thtr-Brnrdns_mvnts_Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/09_Mlss-Vn-Vp-Stphn-liv-%C2%A9Joan-Cort%C3%A8s_18set19_Thtr-Brnrdns_mvnts_Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/09_Mlss-Vn-Vp-Stphn-liv-%C2%A9Joan-Cort%C3%A8s_18set19_Thtr-Brnrdns_mvnts_Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48650,"url":"https:\/\/tomajazz.com\/web\/instantzz-2019-en-25-imagenes-de-jazz-improvisacion-flamenco-y-ii-galeria-fotografica\/","url_meta":{"origin":47044,"position":1},"title":"INSTANTZZ: 2019 en 25 (im\u00e1genes de jazz, improvisaci\u00f3n, flamenco, \u2026) [y II] [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"23 enero, 2020","format":false,"excerpt":"Un cl\u00e1sico en INSTANTZZ todos los meses de enero es el especial de Joan Cort\u00e8s con las im\u00e1genes de sus 25 conciertos destacados de 2019. En la segunda entrega Marc Ducret, Duo M\u00e9lissa Von V\u00e9py & St\u00e9phan Oliva, Blue Sahara -Philippe Mouratoglou, Bruno Chevillon & Ram\u00f3n L\u00f3pez- y otros...","rel":"","context":"En \u00abIm\u00e1genes\u00bb","block_context":{"text":"Im\u00e1genes","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/24_ltb-Bsldch-Gnzlz-Prts-%C2%A9Joan-Cort%C3%A8s_01-des-19_TPKLSnd_LH.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/24_ltb-Bsldch-Gnzlz-Prts-%C2%A9Joan-Cort%C3%A8s_01-des-19_TPKLSnd_LH.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/24_ltb-Bsldch-Gnzlz-Prts-%C2%A9Joan-Cort%C3%A8s_01-des-19_TPKLSnd_LH.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":76332,"url":"https:\/\/tomajazz.com\/web\/melissa-von-vepy-stephan-oliva-2023\/","url_meta":{"origin":47044,"position":2},"title":"M\u00e9lissa Von V\u00e9py &#038; St\u00e9phan Oliva \u00abPiano Rubato\u00bb -piece a\u00e9rienne et musicale- (Lieu de fabrique de la Cie Happ\u00e9s, 2023-06-02. Aigues Vives -Occitanie\/France-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"18 julio, 2023","format":false,"excerpt":"M\u00e9lissa Von V\u00e9py & St\u00e9phan Oliva \u00abPiano Rubato\u00bb actuaron en Aigues Vives -Occitanie (Francia) el 2 de junio de 2023. Joan Cort\u00e8s retrata su actuaci\u00f3n en INSTANTZZ.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"M\u00e9lissa Von V\u00e9py & St\u00e9phan Oliva \u00abPiano Rubato\u00bb -piece a\u00e9rienne et musicale- (Lieu de fabrique de la Cie Happ\u00e9s, 2023-06-02. Aigues Vives -Occitanie\/France-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz 9.0 - M\u00e9lissa Von V\u00e9py & St\u00e9phan Oliva \u00abPiano Rubato\u00bb actuaron en Aigues Vives -Occitanie (Francia) el 2 A, 2023-06-02. Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/09-Mlss-Vn-Vpy-Stphn-lv-%C2%A9Joan-Cortes-2jny23-gs-Vvs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/09-Mlss-Vn-Vpy-Stphn-lv-%C2%A9Joan-Cortes-2jny23-gs-Vvs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/09-Mlss-Vn-Vpy-Stphn-lv-%C2%A9Joan-Cortes-2jny23-gs-Vvs.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29548,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-actuacion-jai-horreur-du-printemps-de-la-cie-happes-melisa-von-vepy-et-stephan-oliva-63\/","url_meta":{"origin":47044,"position":3},"title":"365 razones para amar el jazz: Una actuaci\u00f3n. , \u201cJ\u2019ai horreur du printemps\u201d de la Cie Happ\u00e9s . M\u00e9lisa Von Vepy et Stephan Oliva. [63]","author":"Tomajazz","date":"4 marzo, 2017","format":false,"excerpt":"Una actuaci\u00f3n. \u201cJ\u2019ai horreur du printemps\u201d de la Cie Happ\u00e9s. M\u00e9lisa Von Vepy et Stephan Oliva Seleccionado por\u00a0Joan Cort\u00e8s. Fotograf\u00eda por\u00a0Joan Cort\u00e8s, 2016 El s\u00e1bado 3 de setiembre de 2015 en el Th\u00e9\u00e2tre de L\u2019Archipel-Le Carr\u00e9 (Perpignan), la propuesta, musical, teatro vertical y proyecciones, de la adaptaci\u00f3n del c\u00f3mic \u201cLe\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Joan-Cortes_04_365-razones_Una-actuaci%C3%B3n_C-Hpps-%C2%A9Joan-Cort%C3%A8s_03oct15_27Jzzbr_Thtr-lrchpl_Prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Joan-Cortes_04_365-razones_Una-actuaci%C3%B3n_C-Hpps-%C2%A9Joan-Cort%C3%A8s_03oct15_27Jzzbr_Thtr-lrchpl_Prpgnn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Joan-Cortes_04_365-razones_Una-actuaci%C3%B3n_C-Hpps-%C2%A9Joan-Cort%C3%A8s_03oct15_27Jzzbr_Thtr-lrchpl_Prpgnn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":46720,"url":"https:\/\/tomajazz.com\/web\/https-www-tomajazz-com-web-p46720\/","url_meta":{"origin":47044,"position":4},"title":"INSTANTZZ: Duo Sylvain Kassap &#038; Benjamin Duboc (Festival Les \u00c9mouvantes, Th\u00e9\u00e2tre des Bernardines, Marseille. 2019-09-19) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"29 octubre, 2019","format":false,"excerpt":"Joan Cort\u00e8s retrata al d\u00fao Sylvain Kassap - Benjamin Duboc en el Festival Les \u00c9mouvants de Marsella.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/02_Slvn-Kssp-Bnjmn-Dbc-%C2%A9Joan-Cort%C3%A8s_19set19_Thtr-ds-Brnrdns_mvnts_Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/02_Slvn-Kssp-Bnjmn-Dbc-%C2%A9Joan-Cort%C3%A8s_19set19_Thtr-ds-Brnrdns_mvnts_Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/02_Slvn-Kssp-Bnjmn-Dbc-%C2%A9Joan-Cort%C3%A8s_19set19_Thtr-ds-Brnrdns_mvnts_Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":46570,"url":"https:\/\/tomajazz.com\/web\/instantzz-bruno-angelini-michele-rabbia-quartet-transformations-creation-festival-les-emouvantes-theatre-des-bernardines-marseille-2019-09-18-galeria-fotografica\/","url_meta":{"origin":47044,"position":5},"title":"INSTANTZZ: Bruno Angelini &#038; Michele Rabbia Quartet \u201cTransformations\u201d -cr\u00e9ation- (Festival Les \u00c9mouvantes, Th\u00e9\u00e2tre des Bernardines, Marseille. 2019-09-18) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"24 octubre, 2019","format":false,"excerpt":"Joan Cort\u00e8s retrat\u00f3 al Bruno Angelini & Michele Rabbia Quartet \u201cTransformations\u201d, creaci\u00f3n presentada en Festival Les \u00c9mouvantes, Th\u00e9\u00e2tre des Bernardines, Marsella.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/07_Brn-nglln-Mchl-Rbb-%C2%A9Joan-Cort%C3%A8s_18set19_Thtr-ds-Brnrdns_mvnts_Msll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/07_Brn-nglln-Mchl-Rbb-%C2%A9Joan-Cort%C3%A8s_18set19_Thtr-ds-Brnrdns_mvnts_Msll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/07_Brn-nglln-Mchl-Rbb-%C2%A9Joan-Cort%C3%A8s_18set19_Thtr-ds-Brnrdns_mvnts_Msll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=47044"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47044\/revisions"}],"predecessor-version":[{"id":47560,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47044\/revisions\/47560"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/47048"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=47044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=47044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=47044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}