Andrea Centazzo<\/strong> se encarg\u00f3 de la publicaci\u00f3n con los momentos m\u00e1s inspirados e interesantes.<\/p>\nEl resultado final de todo ello son unas grabaciones con una gran variedad de estados de \u00e1nimo. Con ellas se demuestra que hay ciertas maneras en las que la improvisaci\u00f3n libre no equivale a una ausencia de melod\u00eda, sino todo lo contrario.<\/p>\n
\u00a9 Pachi Tapiz, 2013<\/p>\n
Confusion Bleue: Roulette Concert (Ictus Records, 2012) ****
\nConfusion Bleue: East Side Banquet (Ictus Records, 2012) ****<\/p>\n","protected":false},"excerpt":{"rendered":"
Tres a\u00f1os despu\u00e9s de la publicaci\u00f3n de Confusion Bleue (Soul Note, 2010), el pianista Nobu Stowe publica dos nuevas entregas de este proyecto: Roulette Concert y East Side Banquet. Tal y como ocurr\u00eda en esa primera entrega, estas dos grabaciones muestran las enormes posibilidades de la improvisaci\u00f3n libre. En elContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4742,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,5,1038,4758],"tags":[4934,5359,5356,12651,5354,5349,12696,5350,13,12415,15295,5355,5357,906,5352,5353,5358,16099,77,16100],"class_list":["entry","author-pachi","post-4739","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-4934","tag-andrea-centazzo","tag-brian-groder","tag-cd","tag-chris-kelsey","tag-confusion-bleue","tag-grabaciones","tag-ictus-records","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-lee-pembleton","tag-lisle-ellis","tag-nobu-stowe","tag-ray-sage","tag-ross-bonadonna","tag-roulette","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/nobu-stowe_roulette-concert.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2859,"url":"https:\/\/tomajazz.com\/web\/nobu-stowe-confusion-bleue-2010\/","url_meta":{"origin":4739,"position":0},"title":"Nobu Stowe: Confusion Bleue (2010)","author":"Tomajazz","date":"22 junio, 2010","format":false,"excerpt":"El pianista, periodista y psic\u00f3logo japon\u00e9s Nobu Stowe sigue con su nueva grabaci\u00f3n, Confusion Bleue, trabajando en la l\u00ednea de sus anteriores trabajos, An Die Musik y Hommage An Klaus Kinski. Disco a disco es palpable c\u00f3mo va evolucionando y mejorando su aproximaci\u00f3n a la improvisaci\u00f3n total, una manera de\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2858,"url":"https:\/\/tomajazz.com\/web\/top-ten-segundo-intento\/","url_meta":{"origin":4739,"position":1},"title":"Top Ten: segundo intento","author":"Tomajazz","date":"23 junio, 2010","format":false,"excerpt":"En esta ocasi\u00f3n versiones de temas de hoy, de ayer y de siempre. \"Well You Needn't\". Martial Solal - Eric Le Lann. Portrait In Black And White (Nocturne, 2006) \"Thelonious\". Billy Bang - Dennis Charles. Bangception. Willisau 1982 (HatOlogy, 1988) [ED]\u00a0 \"Round Midnight\". Vienna Art Orchestra. A Notion In Perpetual\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6902,"url":"https:\/\/tomajazz.com\/web\/marilyn-crispell-entrevista-por-nobu-stowe\/","url_meta":{"origin":4739,"position":2},"title":"Marilyn Crispell. Entrevista por Nobu Stowe","author":"Tomajazz","date":"13 diciembre, 2008","format":false,"excerpt":"Entrevista con\u00a0Marilyn Crispell Lugar:\u00a0apartamento de la madre de Marilyn (Owings Mills, Maryland, EE UU) Fecha:\u00a015 de mayo de 2008 Entrevista realizada por\u00a0Nobu Stowe (Jazz Tokyo) Con preguntas de\u00a0Kenny Inaoka (Jazz Tokyo), Nobu Stowe y\u00a0Pachi Tapiz (Tomajazz). Fotograf\u00edas de\u00a0Hirohiko Kamiyama, Roberto Masotti Ilustraci\u00f3n de\u00a0Diego Ortega Alonso Un agradecimiento especial a\u00a0Frances Braune\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/crispell\/crispell_02.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10995,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-entrevista-con-paul-bley-el-pianista-integral\/","url_meta":{"origin":4739,"position":3},"title":"Tomajazz recupera: Entrevista con Paul Bley: el pianista integral","author":"Tomajazz","date":"13 marzo, 2014","format":false,"excerpt":"Paul Bley\u00a0es uno de los pianistas m\u00e1s importantes de la historia del Jazz.\u00a0Agust\u00ed Fern\u00e1ndez\u00a0lo introduce con su escrito\u00a0El pianista integral. \u00c9ste art\u00edculo encabeza la primera parte de la entrevista al pianista canadiense que el pasado 28 de octubre de 2008 realizaron Ken Weiss (Jazz Improv Magazine) y Nobu Stowe (Jazz\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"\u00a9 Hirohiko Kamiyama, 2008","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_7.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6905,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-marilyn-crispell-entrevista-por-nobu-stowe\/","url_meta":{"origin":4739,"position":4},"title":"Tomajazz recupera… Marilyn Crispell. Entrevista por Nobu Stowe","author":"Tomajazz","date":"14 junio, 2013","format":false,"excerpt":"Entrevista con\u00a0Marilyn Crispell.\u00a0Lugar:\u00a0apartamento de la madre de Marilyn (Owings Mills, Maryland, EE UU).\u00a0Fecha:\u00a015 de mayo de 2008.\u00a0Entrevista realizada por\u00a0Nobu Stowe (Jazz Tokyo) con preguntas de\u00a0Kenny Inaoka (Jazz Tokyo), Nobu Stowe y\u00a0Pachi Tapiz (Tomajazz). Seguir leyendo... Marilyn Crispell. 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Con C\u00e8sar Joaniquet, Artur Tu\u017anik), Brice Soniano, Kasper Tom Christiansen","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"C\u00e8sar Joaniquet: Live at Jazz Cava (UnderPool Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Live at Jazz Cava (UnderPool Records; 2025) es la nueva grabaci\u00f3n de C\u00e8sar Joaniquet:. Carlos Lara repasa la grabaci\u00f3n. Con C\u00e8sar Joaniquet, Artur Tu\u017anik), Brice Soniano, Kasper Tom Christiansen","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cesar-Joaniquet-Live-at-Jazz-Cava-UnderPool-Records-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4739"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4739\/revisions"}],"predecessor-version":[{"id":23343,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4739\/revisions\/23343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4742"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"nobu](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/nobu-stowe_roulette-concert.jpg\" "\\"\\"")
<\/a>Tres a\u00f1os despu\u00e9s de la publicaci\u00f3n de Confusion Bleue<\/em> (Soul Note, 2010), el pianista Nobu<\/strong> Stowe<\/strong> publica dos nuevas entregas de este proyecto: Roulette Concert<\/em> y East Side Banquet<\/em>. Tal y como ocurr\u00eda en esa primera entrega, estas dos grabaciones muestran las enormes posibilidades de la improvisaci\u00f3n libre. En el caso del proyecto del pianista japon\u00e9s (residente en los Estados Unidos), que toma el nombre de su estreno discogr\u00e1fico, los m\u00fasicos improvisan todas las melod\u00edas que surgen a lo largo de las diferentes partes y movimientos en que est\u00e1n divididas estas dos grabaciones. No ocurre lo mismo con el aspecto formal que toman las composiciones espont\u00e1neas. Adem\u00e1s de una estructura en la que los m\u00fasicos van realizando sus solos e incorpor\u00e1ndose para interactuar con un lenguaje jazz\u00edstico, en la m\u00fasica aparecen distintas referencias claramente identificables. Por citar algunas de ellas\u00a0el esp\u00edritu del mejor Miles Davis<\/strong> en East Side Banquet<\/em>\u00a0(de la mano del trompetista Brian Groder)<\/strong>, o la m\u00fasica barroca e incluso m\u00fasicas de car\u00e1cter folkl\u00f3rico de la mano del pianista -y teclista.<\/p>\n