{"id":4755,"date":"2013-02-02T11:00:03","date_gmt":"2013-02-02T10:00:03","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=4755"},"modified":"2016-11-13T17:20:30","modified_gmt":"2016-11-13T16:20:30","slug":"who-the-fuck-the-devil-you-know-rickie-lee-jones-2012-0174-02022013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/who-the-fuck-the-devil-you-know-rickie-lee-jones-2012-0174-02022013\/","title":{"rendered":"Who the Fuck?: <i>The Devil You Know<\/i> (Rickie Lee Jones, 2012) [0174, 02\/02\/2013]"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/rickie-lee-jones-the-devil-you-know.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-4756\" alt=\"rickie lee jones the devil you know\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/rickie-lee-jones-the-devil-you-know.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/rickie-lee-jones-the-devil-you-know.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/rickie-lee-jones-the-devil-you-know-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/rickie-lee-jones-the-devil-you-know-300x300.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>The Devil You Know<\/em><br \/>\nRickie Lee Jones<br \/>\nConcord Records (2012)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Devil You Know Rickie Lee Jones Concord Records (2012)<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/who-the-fuck-the-devil-you-know-rickie-lee-jones-2012-0174-02022013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,2386,4758],"tags":[5361,31,5362,16099,16100],"class_list":["entry","author-pachi","post-4755","post","type-post","status-publish","format-standard","category-pachi-tapiz","category-bun","category-contenidos","category-who-the-fuck","category-blogs","tag-concord-records","tag-pachi-tapiz","tag-rickie-lee-jones","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21875,"url":"https:\/\/tomajazz.com\/web\/los-grandes-del-boogie-woogie-la-odisea-de-la-musica-afroamericana-033-podcast\/","url_meta":{"origin":4755,"position":0},"title":"Los grandes del Boogie-woogie. La Odisea de la M\u00fasica Afroamericana (033) [Podcast]","author":"Tomajazz","date":"18 enero, 2016","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El Boogie-woogie es un estilo de blues con un car\u00e1cter r\u00edtmico m\u00e1s acusado, que se ejecuta principalmente con el piano. En la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Jimmy-Yancey.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Jimmy-Yancey.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Jimmy-Yancey.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":19488,"url":"https:\/\/tomajazz.com\/web\/jelly-roll-morton-jazz-iii-la-odisea-de-la-musica-afroamericana-capitulo-014-podcast\/","url_meta":{"origin":4755,"position":1},"title":"Jelly Roll Morton. Jazz III. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 014) [Podcast]","author":"Tomajazz","date":"7 septiembre, 2015","format":"imagen","excerpt":"El cap\u00edtulo 14 de La Odisea de la M\u00fasica Afroamericana (LODLMA) contin\u00faa dedicado al jazz y a una de sus figuras esenciales, Jelly Roll Morton. En el programa algunos de los m\u00fasicos y grupos que se escuchan son Jelly Roll Morton (obviamente), Benny Goodman, Billie Holiday, Jack Teagarden, Johnny Dodds,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Jelly-Roll-Morton-grnd-e1441537837105.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Jelly-Roll-Morton-grnd-e1441537837105.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Jelly-Roll-Morton-grnd-e1441537837105.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10149,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-stranger-to-my-happiness-sharon-jones-the-dap-kings-0267-03022014\/","url_meta":{"origin":4755,"position":2},"title":"Who the Fuck?: \u00abStranger to My Happiness\u00bb (Sharon Jones &#038; the Dap-Kings) [0267, 03\/02\/2014]","author":"Tomajazz","date":"3 febrero, 2014","format":false,"excerpt":"\"Stranger to My Happiness\" Sharon Jones & the Dap-Kings Give The People What They Want Daptone Records (2013)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Sharon-Jones-and-the-Dap-Kings_Give-The-People-What-They-Want.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Sharon-Jones-and-the-Dap-Kings_Give-The-People-What-They-Want.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Sharon-Jones-and-the-Dap-Kings_Give-The-People-What-They-Want.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Sharon-Jones-and-the-Dap-Kings_Give-The-People-What-They-Want.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2185,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-centreville-lee-bains-iii-the-glory-fires-2012-0149-05112012\/","url_meta":{"origin":4755,"position":3},"title":"Who the Fuck?: \u201cCentreville\u201d (Lee Bains III &amp; the Glory Fires, 2012) [0149, 05\/11\/2012]","author":"Tomajazz","date":"5 noviembre, 2012","format":false,"excerpt":"\u201cCentreville\u201dLee Bains III & the Glory FiresThere Is A Bomb In GileadAlive Naturalsound Records (2012)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-4Q9slMAwJfY\/UJQ6azNBp2I\/AAAAAAAAF7w\/4ttycZZvx9o\/s200\/lee%2Bbains_there%2Bis%2Ba.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101638,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-more-than-you-know-2025\/","url_meta":{"origin":4755,"position":4},"title":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey, David Eubanks, Edward Gladden","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon,  Kirk Lightsey (piano); David Eubanks (contrabajo); Edward Gladden","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14093,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-no-time-to-play-guru-0313-27092014\/","url_meta":{"origin":4755,"position":5},"title":"Who The Fuck?: \u00abNo Time to Play\u00bb (Guru) [0313, 27\/09\/2014]","author":"Tomajazz","date":"27 septiembre, 2014","format":false,"excerpt":"\"No Time to Play\" (con Ronny Jordan y D.C. Lee & Big Shug) Guru Guru's Jazzmatazz Vol. 1 Chrysalis Records (1993)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Guru_Jazzmatazz-Vol-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=4755"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4755\/revisions"}],"predecessor-version":[{"id":4759,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/4755\/revisions\/4759"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=4755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=4755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=4755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}