{"id":47635,"date":"2019-12-09T13:00:47","date_gmt":"2019-12-09T12:00:47","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=47635"},"modified":"2019-12-08T19:05:00","modified_gmt":"2019-12-08T18:05:00","slug":"maher-beauroy-presenta-washa-jazzmadrid19-concierto","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/maher-beauroy-presenta-washa-jazzmadrid19-concierto\/","title":{"rendered":"Maher Beauroy presenta Washa! (JazzMadrid19) [Concierto]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<p>JazzMadrid19<\/p>\n<ul>\n<li>Fecha: 28 de noviembre de 2019<\/li>\n<li>Lugar: Instituto franc\u00e9s (Madrid)<\/li>\n<li>Grupo:<br \/>\n<strong>Maher Beauroy presenta Washa!<\/strong><br \/>\nMaher Beauroy: piano y voz<br \/>\nMichel Alibo: bajo<br \/>\nAlix Goffic: bater\u00eda<br \/>\nRobin Antunes: viol\u00edn<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47641\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet-600x399.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/00_Maher-Beauroy-quartet.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Presentaci\u00f3n en Madrid del \u00e1lbum de debut del pianista de Martinica, Maher Beauroy que lleva por t\u00edtulo, <em>Washa!<\/em> (Declic Jazz 2019).<\/p>\n<p>Maher Beauroy es un desconocido en Espa\u00f1a tanto para el p\u00fablico como para los cr\u00edticos. Sin embargo, le avalan sus estudios cursados en el Conservatorio Maurice Ravel, en La Sorbona y en el <em>Berklee College<\/em> <em>of Music<\/em> de Boston entre otros, adem\u00e1s de venir apadrinado por m\u00fasicos del prestigio del saxofonista neoyorquino Jacques Schwarz-Bart.<\/p>\n<p>Nada m\u00e1s comenzar lo primero que se me vino a la memoria es una obra grabada por la cantaora flamenca Ginesa Ortega y que lleva por t\u00edtulo <em>Siento Oscuri\u00e1<\/em>; \u201coscuri\u00e1\u201d que fue una t\u00f3nica general a lo largo de toda la velada por mor de la luminotecnia. Cuatro m\u00fasicos en el escenario oscurecidos por la luz y el que m\u00e1s Maher Beauroy, l\u00edder del cuarteto.<\/p>\n<p>\u00a1L\u00e1stima que el aficionado no pudiera ver tocar a los m\u00fasicos como hubieran merecido!<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47642\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy-600x399.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Maher-Beauroy.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47643\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Robin-Antunes-600x440.jpg\" alt=\"\" width=\"600\" height=\"440\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Robin-Antunes-600x440.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Robin-Antunes-200x147.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Robin-Antunes-75x55.jpg 75w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Robin-Antunes.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47644\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo-600x399.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Michel-Alibo.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47645\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_Alix-Goffic-600x410.jpg\" alt=\"\" width=\"600\" height=\"410\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_Alix-Goffic-600x410.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_Alix-Goffic-200x137.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_Alix-Goffic-81x55.jpg 81w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_Alix-Goffic-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_Alix-Goffic.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>La presentaci\u00f3n de <em>Washa!<\/em> supuso tocar la casi totalidad de los temas que componen el disco, adem\u00e1s de la festiva y positiva (no incluida en el disco) \u201cC&#8217;est bien \u00e7a?\u201d con la que se dio por finalizado el concierto con gran participaci\u00f3n del numeroso p\u00fablico que areng\u00f3 y cant\u00f3 dicha canci\u00f3n con algarab\u00eda y entusiasmo.<\/p>\n<p>Con los acordes al piano de Maher Beauroy ech\u00f3 a andar \u201cEnough\u201d una pieza de marcado car\u00e1cter <em>bop <\/em>con destacado protagonismo del propio pianista martinicano; con \u201cNot A Second To Lose\u201d continu\u00f3 brillando el teclado con el acompa\u00f1amiento del apacible, sensible y sutil, pero intenso viol\u00edn de Robin Antunes que rememor\u00f3 con su manera de tocar a los grandes del viol\u00edn en Francia (Ponty o Grappelli); adem\u00e1s de la pasi\u00f3n y energ\u00eda que aportaron Alix Goffic a los platos y Michel Alibo al bajo el\u00e9ctrico.<\/p>\n<p>En \u201cDivin Miracle\u201d, Maher Beauroy mostr\u00f3 su lado m\u00e1s po\u00e9tico frente la activa bater\u00eda de Alix Goffic en una interactuaci\u00f3n entre ambos realmente destacada, algo que tuvo su continuidad con \u201cAn Lot Soley\u201d, pero con mayor presencia del violinista Robin Antunes.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47646\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2-600x399.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>La pieza vocal vino representada por \u201cLa Sir\u00e8ne\u201d, una canci\u00f3n cantada en franc\u00e9s por Maher Beauroy que se acompa\u00f1\u00f3 tambi\u00e9n al piano y que sirvi\u00f3 como video promocional de <em>Washa!<\/em>, y donde destac\u00f3 el solo de bajo de el\u00e9ctrico del que fuera miembro del grupo de fusi\u00f3n Sixun, Michel Alibo. Una canci\u00f3n rom\u00e1ntica y tierna cantada con el alma que hizo del concierto una de los momentos de mayor impacto emocional.<\/p>\n<p>En resumidas cuentas un concierto que disfrutaron todos los que llenaron la sala del instituto franc\u00e9s apreciando las diversas influencias de un m\u00fasico como Maher Beauroy que van desde el <em>bop<\/em> a la m\u00fasica acad\u00e9mica o la <em>Word Music<\/em>.<\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 <strong>Enrique Farelo<\/strong>, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrique Farelo repasa el concierto deMay en Instituto franc\u00e9s dentro de la programaci\u00f3n de JazzMadrid19. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/maher-beauroy-presenta-washa-jazzmadrid19-concierto\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":47646,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,17848,15517,1038],"tags":[23990,304,14136,23661,23988,23989,23991],"class_list":["entry","author-pachi","has-excerpt","post-47635","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conciertos","category-enrique-farelo","category-textos","category-contenidos","tag-alix-goffic","tag-enrique-farelo","tag-jazzmadrid","tag-jazzmadrid19","tag-maher-beauroy","tag-michel-alibo","tag-robin-antunes"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Maher-Beauroy-2.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":47270,"url":"https:\/\/tomajazz.com\/web\/joe-lovano-tapestry-trio-jazzmadrid19-festival-internacional-de-jazz-de-madrid-concierto\/","url_meta":{"origin":47635,"position":0},"title":"Joe Lovano Tapestry Trio (JazzMadrid19 &#8211; Festival Internacional de Jazz de Madrid) [Concierto]","author":"Tomajazz","date":"20 noviembre, 2019","format":false,"excerpt":"Repaso al concierto del Joe Lovano Tapestry Trio (con Marilyn Crispell y Carmen Castaldi) en JazzMadrid19 de la mano de Carlos Lara y Enrique Farelo.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_TAPESTRY-TRIO.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_TAPESTRY-TRIO.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_TAPESTRY-TRIO.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/01_TAPESTRY-TRIO.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47075,"url":"https:\/\/tomajazz.com\/web\/charles-tolliver-presenting-paper-man-jazzmadrid19-festival-internacional-de-jazz-de-madrid-centro-centro-madrid\/","url_meta":{"origin":47635,"position":1},"title":"Charles Tolliver presenting Paper Man (JazzMadrid19 &#8211; Festival Internacional de Jazz de Madrid, Centro Centro, Madrid) [Concierto]","author":"Tomajazz","date":"12 noviembre, 2019","format":false,"excerpt":"Carlos Lara y Enrique Farelo repasan la actuaci\u00f3n del trompetista Charles Tolliver con su proyecto presenting Paper Man en JazzMadrid19 - Festival Internacional de Jazz de Madrid.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/CHARLES-TOLLIVER.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/CHARLES-TOLLIVER.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/CHARLES-TOLLIVER.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/CHARLES-TOLLIVER.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47601,"url":"https:\/\/tomajazz.com\/web\/instantzz-luis-verde-quartet-jazzmadrid19-festival-internacional-de-jazz-de-madrid-galeria-fotografica\/","url_meta":{"origin":47635,"position":2},"title":"INSTANTZZ: Luis Verde Quartet (JazzMadrid19 \u2013 Festival Internacional de Jazz de Madrid) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"30 noviembre, 2019","format":false,"excerpt":"Enrique Farelo realiza una galer\u00eda fotogr\u00e1fica - INSTANTZZ de la actuaci\u00f3n de Luis Verde Quartet en Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. La actuaci\u00f3n estuvo incluida dentro de JazzMadrid19 \u2013 Festival Internacional de Jazz de Madrid, Jazz en los distritos.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_LUIS-VERDE-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_LUIS-VERDE-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_LUIS-VERDE-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/05_LUIS-VERDE-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47774,"url":"https:\/\/tomajazz.com\/web\/instantzz-peter-brotzmann-heather-leigh-jazzmadrid19-festival-internacional-de-jazz-de-madrid-galeria-fotografica\/","url_meta":{"origin":47635,"position":3},"title":"INSTANTZZ: Peter Br\u00f6tzmann &#8211; Heather Leigh (JazzMadrid19 \u2013 Festival Internacional de Jazz de Madrid) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"15 diciembre, 2019","format":false,"excerpt":"Enrique Farelo retrata en la Galer\u00eda Fotogr\u00e1fica - INSTANTZZ la actuaci\u00f3n de Peter Br\u00f6tzmann - Heather Leigh en JazzMadrid'19 - Festival Internacional de Jazz de Madrid.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/07_PETER-BROTZMANN-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/07_PETER-BROTZMANN-3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/07_PETER-BROTZMANN-3.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/07_PETER-BROTZMANN-3.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47729,"url":"https:\/\/tomajazz.com\/web\/moises-p-sanchez-project-theres-always-madness-jazzmadrid19-concierto\/","url_meta":{"origin":47635,"position":4},"title":"Moise\u0301s P. S\u00e1nchez Project \u2013 There\u00b4s Always Madness (JazzMadrid&#8217;19) [Concierto]","author":"Tomajazz","date":"12 diciembre, 2019","format":false,"excerpt":"\"Cuando te enfrentas a un pianista, m\u00e1s que eso, a un m\u00fasico de la talla Mois\u00e9s P. S\u00e1nchez se aglutinan las preguntas en el cerebro que apuntan a si ser\u00e1 un artista camale\u00f3nico y caleidosc\u00f3pico que transmuta m\u00e1s all\u00e1 del jazz.\". Enrique Farelo repasa la actuaci\u00f3n de Mois\u00e9s P. S\u00e1nchez\u2026","rel":"","context":"En \u00abConciertos...\u00bb","block_context":{"text":"Conciertos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/conciertos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois%C3%A9s-P.-S%C3%A1nchez-11_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois%C3%A9s-P.-S%C3%A1nchez-11_2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois%C3%A9s-P.-S%C3%A1nchez-11_2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois%C3%A9s-P.-S%C3%A1nchez-11_2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47166,"url":"https:\/\/tomajazz.com\/web\/mike-stern-jeff-lorber-fusion-band-with-dennis-chambers-jimmy-haslip-jazzmadrid19-festival-internacional-de-jazz-de-madrid-fernan-gomez-centro-cultural-de-la-villa-madrid\/","url_meta":{"origin":47635,"position":5},"title":"Mike Stern &#8211; Jeff Lorber Fusion Band with Dennis Chambers &#038; Jimmy Haslip (JazzMadrid19 &#8211; Festival Internacional de Jazz de Madrid, Fern\u00e1n G\u00f3mez Centro Cultural de la Villa, Madrid)","author":"Tomajazz","date":"15 noviembre, 2019","format":false,"excerpt":"Enrique Farelo repasa la actuaci\u00f3n de Mike Stern \/ Jeff Lorber Fusion Band with Dennis Chambers & Jimmy Haslip dento d la programaci\u00f3n de JazzMadrid19 - Festival Internacional de Jazz de Madrid.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"Mike-Stern-Jeff-Lorber-Fusion_Eleven","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mike-Stern-Jeff-Lorber-Fusion_Eleven.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mike-Stern-Jeff-Lorber-Fusion_Eleven.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mike-Stern-Jeff-Lorber-Fusion_Eleven.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mike-Stern-Jeff-Lorber-Fusion_Eleven.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=47635"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47635\/revisions"}],"predecessor-version":[{"id":47647,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47635\/revisions\/47647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/47646"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=47635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=47635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=47635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}