{"id":47729,"date":"2019-12-12T13:00:39","date_gmt":"2019-12-12T12:00:39","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=47729"},"modified":"2022-08-26T00:40:55","modified_gmt":"2022-08-25T22:40:55","slug":"moises-p-sanchez-project-theres-always-madness-jazzmadrid19-concierto","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/moises-p-sanchez-project-theres-always-madness-jazzmadrid19-concierto\/","title":{"rendered":"Moise\u0301s P. S\u00e1nchez Project \u2013 There\u00b4s Always Madness (JazzMadrid&#8217;19) [Concierto]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<p>JazzMadrid&#8217;19<\/p>\n<ul>\n<li>Fecha: 30 de noviembre de 2019<\/li>\n<li>Lugar: Fern\u00e1n G\u00f3mez Centro Cultural de la Villa (Madrid)<\/li>\n<li>Grupo:<br \/>\n<strong>Moise\u0301s P. S\u00e1nchez Project<br \/>\n<\/strong>Mois\u00e9s P. S\u00e1nchez: piano<br \/>\nTo\u00f1o Miguel: contrabajo<br \/>\nBorja Barrueta: bater\u00eda y <em>lap-steel<br \/>\n<\/em>Cristina Mora: voz y teclado<br \/>\nMiron Rafajlovic: trompeta, fiscorno, guitarra y percusi\u00f3n<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47730\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/01_Mois\u00e9s-P.-S\u00e1nchez.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47731\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Cristina-Mora-455x600.jpg\" alt=\"\" width=\"455\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Cristina-Mora-455x600.jpg 455w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Cristina-Mora-200x264.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Cristina-Mora-42x55.jpg 42w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/02_Cristina-Mora.jpg 759w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47732\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Miron-Rafajlovic-400x600.jpg\" alt=\"\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Miron-Rafajlovic-400x600.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Miron-Rafajlovic-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Miron-Rafajlovic-37x55.jpg 37w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/03_Miron-Rafajlovic.jpg 666w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47733\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_To\u00f1o-Miguel-401x600.jpg\" alt=\"\" width=\"401\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_To\u00f1o-Miguel-401x600.jpg 401w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_To\u00f1o-Miguel-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_To\u00f1o-Miguel-37x55.jpg 37w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/04_To\u00f1o-Miguel.jpg 669w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47734\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/05_Borja-Barrueta.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Cuando te enfrentas a un pianista, m\u00e1s que eso, a un m\u00fasico de la talla Mois\u00e9s P. S\u00e1nchez se aglutinan las preguntas en el cerebro que apuntan a si ser\u00e1 un artista camale\u00f3nico y caleidosc\u00f3pico que transmuta m\u00e1s all\u00e1 del jazz.<\/p>\n<p>Y es que su m\u00fasica est\u00e1 cargada de m\u00faltiples influencias, tan extensas que resulta dif\u00edcil de asimilar que ensamblen con tanta naturalidad y fluyan con tan aparente facilidad.<\/p>\n<p>Moise\u0301s P. S\u00e1nchez <em>Project<\/em> abarca una paleta multicolor que va desde la obra de Chick Corea, <em>Return to Forever<\/em> (<em>ECM Records<\/em> 1972), pasando por grupos <em>Canterbury<\/em> como National Health (Amanda Parsons) o la orquestaciones de Renaissance. No queda ah\u00ed la riqueza que el quinteto aglutina; Azimuth con Norma Winstone, Flora Purim o Julie Driscoll son influencias de Cristina Mora. Una vocalista de excelente nivel y voz c\u00e1lida e intimista que se suma al grupo como un instrumento m\u00e1s, no dudando en utilizar t\u00e9cnicas vocales como el <em>vocalise<\/em> o el<em> scat<\/em> (en menor medida) as\u00ed como el canto como tal, al menos en una de las piezas.<\/p>\n<p>Como pianista, Mois\u00e9s P. S\u00e1nchez, alcanza la excelencia camale\u00f3nica vistiendo el piano de arpa y otras en instrumento de percusi\u00f3n, apoy\u00e1ndose en grandes del teclado como Chick Corea, Keith Jarrett o Bill Evans. Sus composiciones son precisas y coloristas con arreglos propios de una orquesta sinf\u00f3nica que se transforman en peque\u00f1os himnos a la que contribuyen Cristina Mora y sobre todo la trompeta de Miron Rafajlovic.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47735\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47736\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/12_Cristina-Mora-2-472x600.jpg\" alt=\"\" width=\"472\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/12_Cristina-Mora-2-472x600.jpg 472w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/12_Cristina-Mora-2-200x254.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/12_Cristina-Mora-2-768x976.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/12_Cristina-Mora-2-43x55.jpg 43w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/12_Cristina-Mora-2.jpg 787w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47737\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2-600x410.jpg\" alt=\"\" width=\"600\" height=\"410\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2-600x410.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2-200x137.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2-768x525.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2-81x55.jpg 81w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/13_Miron-Rafajlovic-2.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47738\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/14_Borja-Barrueta-2-600x428.jpg\" alt=\"\" width=\"600\" height=\"428\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/14_Borja-Barrueta-2-600x428.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/14_Borja-Barrueta-2-200x143.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/14_Borja-Barrueta-2-768x548.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/14_Borja-Barrueta-2-77x55.jpg 77w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/14_Borja-Barrueta-2.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>El quinteto funcion\u00f3 como lo har\u00eda una monta\u00f1a rusa con subidas y bajadas, con intimismo y\u00a0 ardiente pasi\u00f3n que te mantienen en alerta sin caer ni en la repetici\u00f3n ni en el hast\u00edo a todo aquel que acerca su m\u00fasica al o\u00eddo. Imaginaci\u00f3n y arreglos sinf\u00f3nicos para el quinteto y jazz <em>swing<\/em> para un tr\u00edo de vanguardia sin perder un \u00e1pice de tradici\u00f3n ni virtuosismo con Mois\u00e9s P. S\u00e1nchez, To\u00f1o Miguel y Borja Barrueta funcionando como una m\u00e1quina que empasta y ensambla con\u00a0 perfecci\u00f3n y solidez a velocidad sideral.<\/p>\n<p>\u201cEl romanticismo l\u00edrico en un rinc\u00f3n de tu coraz\u00f3n\u201d, bien podr\u00eda ser la frase que defina la sensibilidad que exhibe el proyecto de Mois\u00e9s P. S\u00e1nchez. M\u00fasica emotiva, po\u00e9tica y l\u00edrica de sentimiento profundo y profuso que cala hondo hasta la extenuaci\u00f3n y que llega al coraz\u00f3n tanto como al cerebro haciendo las delicias de todos los que se acercaron a degustar su m\u00fasica.<\/p>\n<p><em>There\u2019s always madness <\/em>es su \u00faltimo \u00e1lbum y es el que present\u00f3 en sociedad en estreno absoluto. Un disco que nadie hab\u00eda escuchado previamente pero que si se parece en algo a lo mostrado en el concierto podemos afirmar sin error a equivocarnos que estamos ante uno de los discos m\u00e1s destacados del a\u00f1o en Espa\u00f1a y me atrever\u00eda a decir a nivel internacional.<\/p>\n<p>Un una pieza a piano solo de Mois\u00e9s P. S\u00e1nchez (a modo de concertista cl\u00e1sico) como extra del concierto sirvi\u00f3 de broche final a una velada inolvidable y uno de los mejores conciertos del JazzMadrid19.<\/p>\n<p>Bendita locura la tuya Moise\u0301s P. S\u00e1nchez.<\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 <strong>Enrique Farelo<\/strong>, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abCuando te enfrentas a un pianista, m\u00e1s que eso, a un m\u00fasico de la talla Mois\u00e9s P. S\u00e1nchez se aglutinan las preguntas en el cerebro que apuntan a si ser\u00e1 un artista camale\u00f3nico y caleidosc\u00f3pico que transmuta m\u00e1s all\u00e1 del jazz.\u00bb. Enrique Farelo repasa la actuaci\u00f3n de Mois\u00e9s P. S\u00e1nchez en JazzMadrid&#8217;19. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/moises-p-sanchez-project-theres-always-madness-jazzmadrid19-concierto\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":47735,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,17848,15517,1038],"tags":[6791,1071,304,14136,23661,23520,8784,24013,7277],"class_list":["entry","author-pachi","has-excerpt","post-47729","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conciertos","category-enrique-farelo","category-textos","category-contenidos","tag-borja-barrueta","tag-cristina-mora","tag-enrique-farelo","tag-jazzmadrid","tag-jazzmadrid19","tag-miron-rafajlovic","tag-moises-p-sanchez","tag-moises-p-sanchez-project","tag-tono-miguel"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/11_Mois\u00e9s-P.-S\u00e1nchez-11_2.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":48429,"url":"https:\/\/tomajazz.com\/web\/jazzx5172-moises-p-sanchez-project-theres-always-madness-theres-always-madness-minipodcast\/","url_meta":{"origin":47729,"position":0},"title":"JazzX5#172. Mois\u00e9s P. S\u00e1nchez Project: There&#8217;s Always Madness (There&#8217;s Always Madness) [Minipodcast]","author":"Tomajazz","date":"14 enero, 2020","format":false,"excerpt":"En JazzX5 172 suena \"There's Always Madness\", el tema que da t\u00edtulo a la \u00faltima grabaci\u00f3n del Mois\u00e9s P. S\u00e1nchez Project.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_172.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_172.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_172.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_172.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":61632,"url":"https:\/\/tomajazz.com\/web\/moises-p-sanchez-project-iii-jazz-palma-festival-2022-02-05-por-jose-luis-luna-rocafort-instantzz-aka-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas\/","url_meta":{"origin":47729,"position":1},"title":"Mois\u00e9s P. S\u00e1nchez Project (III Jazz Palma Festival. 2022-02-05) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"4 marzo, 2022","format":false,"excerpt":"En INSTANTZZ la cuarta galer\u00eda fotogr\u00e1fica de Jos\u00e9 Luis Luna Rocafort del III Jazz Palma Festival est\u00e1 dedicada al concierto de Mois\u00e9s P. S\u00e1nchez Project.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Mois\u00e9s P. S\u00e1nchez Project (III Jazz Palma Festival. 2022-02-05) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/001-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/001-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/001-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33297,"url":"https:\/\/tomajazz.com\/web\/hdo-348-al-habla-y-en-concierto-con-moises-p-sanchez-podcast\/","url_meta":{"origin":47729,"position":2},"title":"HDO 348. Al habla (y en concierto) con\u2026 Mois\u00e9s P. S\u00e1nchez [Podcast]","author":"Tomajazz","date":"15 noviembre, 2017","format":false,"excerpt":"El pianista Mois\u00e9s P. S\u00e1nchez vuelve a actuar en el Festival Internacional de Jazz de Madrid. En 2015 present\u00f3 su grabaci\u00f3n en solitario\u00a0Soliloquio. En 2017, el s\u00e1bado 18 de noviembre a las 21:30, va a ser el turno de defender en directo su nueva grabaci\u00f3n,\u00a0Metamorfosis, acompa\u00f1ado por su tr\u00edo que\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/012-Moises-P-Sanchez.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/012-Moises-P-Sanchez.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/012-Moises-P-Sanchez.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":94895,"url":"https:\/\/tomajazz.com\/web\/moises-p-sanchez-trio-hamburgo-2025\/","url_meta":{"origin":47729,"position":3},"title":"Mois\u00e9s P. S\u00e1nchez Tr\u00edo (Jazz en Hamburgo. Nica Jazz Club. 2025-01-18) Por Pepe Mateos [Concierto de jazz]","author":"Tomajazz","date":"9 marzo, 2025","format":false,"excerpt":"Mois\u00e9s P. S\u00e1nchez Tr\u00edo actu\u00f3 en el Nica Jazz Club de Hamburgo, el 18 de enero de 2025. Pepe Mateos relata y retrata el concierto. Actuaron Mois\u00e9s P. S\u00e1nchez, Pablo Mart\u00edn Caminero, Borja Barrueta","rel":"","context":"En \u00abConciertos...\u00bb","block_context":{"text":"Conciertos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/conciertos\/"},"img":{"alt_text":"Mois\u00e9s P. S\u00e1nchez Tr\u00edo (Jazz en Hamburgo. Nica Jazz Club. 2025-01-18) Por Pepe Mateos [Concierto de jazz] - Tomajazz - Mois\u00e9s P. S\u00e1nchez Tr\u00edo actu\u00f3 en el Nica Jazz Club de Hamburgo, el 18 de enero de 2025. Pepe Mateos relata y retrata el concierto. Actuaron Mois\u00e9s P. 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