{"id":47952,"date":"2019-12-24T14:00:32","date_gmt":"2019-12-24T13:00:32","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=47952"},"modified":"2019-12-23T21:46:21","modified_gmt":"2019-12-23T20:46:21","slug":"cool-jazz-xviii-shelly-manne-la-odisea-de-la-musica-afroamericana-218-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/cool-jazz-xviii-shelly-manne-la-odisea-de-la-musica-afroamericana-218-podcast\/","title":{"rendered":"Cool Jazz (XVIII): Shelly Manne. La Odisea de la M\u00fasica Afroamericana (218) [Podcast]"},"content":{"rendered":"<p>Por <strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a> y <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">El baterista <strong>Shelly Manne<\/strong> es la figura pivotal en torno a la que gira el contenido del cap\u00edtulo 218 de <em>La Odisea de la M\u00fasica Afroamericana <\/em>de\u00a0<strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p><iframe id=\"audio_45775183\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_45775183_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47956\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq-600x445.jpg\" alt=\"\" width=\"600\" height=\"445\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq-600x445.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq-200x148.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq-74x55.jpg 74w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/es.wikipedia.org\/wiki\/Shelly_Manne#\/media\/Archivo:Shelly_Manne_(William_P._Gottlieb_05981).jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Shelly Manne. Fotograf\u00eda por William P. Gottlieb<\/a><\/p>\n<p>En el programa 218 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abSeptember song\u00bb Dee Dee Bridgewater<\/li>\n<li style=\"text-align: justify;\">\u00abGood bait\u00bb Dizzy Gillespie<\/li>\n<li style=\"text-align: justify;\">\u00abSpotlite\u00bb Coleman Hawkins &amp; Shelly Manne<\/li>\n<li style=\"text-align: justify;\">\u00abArtistry in percussion\u00bb Stan Kenton<\/li>\n<li style=\"text-align: justify;\">\u00abDetour ahead\u00bb Woody Herman<\/li>\n<li style=\"text-align: justify;\">\u00abStella by starlight\u00bb Chet Baker &amp; Shelly Manne<\/li>\n<li style=\"text-align: justify;\">\u00abHugo Hurwhey\u00bb Shelly Manne<\/li>\n<li style=\"text-align: justify;\">\u00abJune is busting out all over\u00bb Benny Carter<\/li>\n<li style=\"text-align: justify;\">\u00abPeter Gunn\u00bb Shelly Manne<\/li>\n<li style=\"text-align: justify;\">\u00abThe best is yet to come\u00bb Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u00abSummertime\u00bb Shelly Manne<\/li>\n<\/ul>\n<p>Toda la informaci\u00f3n est\u00e1 disponible en <a href=\"https:\/\/tomajazz.com\/web\/?cat=13297\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/podcast-odisea-musica-afroamericana_sq_f1168944_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a>8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El baterista Shelly Manne es la figura pivotal en torno a la que gira el contenido del cap\u00edtulo 218 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/cool-jazz-xviii-shelly-manne-la-odisea-de-la-musica-afroamericana-218-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":47956,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13297,17847,12814,15518,1038],"tags":[11048,7034,24085,1790,24084,5003,1639,735,12817,12816,8986,10461,2364],"class_list":["entry","author-pachi","has-excerpt","post-47952","post","type-post","status-publish","format-standard","has-post-thumbnail","category-la-odisea-de-la-musica-afroamericana","category-pachi-tapiz","category-podcast","category-sonidos","category-contenidos","tag-benny-carter","tag-chet-baker","tag-chet-baker-shelly-manne","tag-hawkins-coleman","tag-coleman-hawkins-shelly-manne","tag-dee-dee-bridgewater","tag-dizzy-gillespie","tag-ella-fitzgerald","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante-ozalla","tag-shelly-manne","tag-stan-kenton","tag-woody-herman"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":47817,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xvii-stan-getz-iv-la-odisea-de-la-musica-afroamericana-217-podcast\/","url_meta":{"origin":47952,"position":0},"title":"Cool Jazz (XVII): Stan Getz (IV). La Odisea de la M\u00fasica Afroamericana (217) [Podcast]","author":"Tomajazz","date":"16 diciembre, 2019","format":false,"excerpt":"El cap\u00edtulo 217 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla contin\u00faa recorriendo la figura de Stan Getz, dentro del especial dedicado al Cool Jazz, que llega a su entrega n\u00famero diecisiete.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Stan-Getz-y-nieta-Dad_Katie_1987_Lincoln_Center2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Stan-Getz-y-nieta-Dad_Katie_1987_Lincoln_Center2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Stan-Getz-y-nieta-Dad_Katie_1987_Lincoln_Center2.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48405,"url":"https:\/\/tomajazz.com\/web\/bill-evans-iii-la-odisea-de-la-musica-afroamericana-221-podcast\/","url_meta":{"origin":47952,"position":1},"title":"Bill Evans (III). La Odisea de la M\u00fasica Afroamericana (221) [Podcast]","author":"Tomajazz","date":"13 enero, 2020","format":false,"excerpt":"En la entrega 221 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante contin\u00faa adentr\u00e1ndose en la figura del pianista Bill Evans.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":44645,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-ii-chet-baker-la-odisea-de-la-musica-afroamericana-202-podcast\/","url_meta":{"origin":47952,"position":2},"title":"Cool Jazz (II): Chet Baker. La Odisea de la M\u00fasica Afroamericana (202) [Podcast]","author":"Tomajazz","date":"29 julio, 2019","format":false,"excerpt":"Cool Jazz (II): Chet Baker. La Odisea de la M\u00fasica Afroamericana (202) [Podcast]","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_The-Improviser.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_The-Improviser.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_The-Improviser.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30405,"url":"https:\/\/tomajazz.com\/web\/george-gershwin-i-jimmy-mchugh-ii-los-compositores-del-tin-pan-alley-iv-la-odisea-de-la-musica-afroamericana-096-podcast\/","url_meta":{"origin":47952,"position":3},"title":"George Gershwin (I) &#8211; Jimmy McHugh (II) \u2013 Los compositores del Tin Pan Alley (IV). La Odisea de la M\u00fasica Afroamericana (096) [Podcast]","author":"Tomajazz","date":"1 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Cuarta entrega dedicada a la m\u00fasica y los compositores del Tin\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/GershwinStandingFacingLeftBain-452x600.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":44533,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-i-los-origenes-chet-baker-la-odisea-de-la-musica-afroamericana-201-podcast\/","url_meta":{"origin":47952,"position":4},"title":"Cool Jazz (I): los or\u00edgenes, Chet Baker. La Odisea de la M\u00fasica Afroamericana (201) [Podcast]","author":"Tomajazz","date":"22 julio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 201 de La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Chet-Baker_My-Funny-Valentine.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":19093,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-011-podcast\/","url_meta":{"origin":47952,"position":5},"title":"Irving Berlin. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 011) [Podcast]","author":"Tomajazz","date":"20 julio, 2015","format":"imagen","excerpt":"Jerome Kern dijo de \u00e9l: \u201cNo hay lugar para Irving Berlin en la m\u00fasica norteamericana, \u00e9l es la m\u00fasica norteamericana\u201d. Luis Escalante dedica el und\u00e9cimo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana al compositor Irving Berlin.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/BerlinPortrait1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=47952"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47952\/revisions"}],"predecessor-version":[{"id":47958,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/47952\/revisions\/47958"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/47956"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=47952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=47952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=47952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}