{"id":48705,"date":"2020-01-25T16:05:56","date_gmt":"2020-01-25T15:05:56","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=48705"},"modified":"2020-02-02T12:37:44","modified_gmt":"2020-02-02T11:37:44","slug":"jazz-para-ti-56-14-de-febrero-de-2020-jpt-t3-09-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazz-para-ti-56-14-de-febrero-de-2020-jpt-t3-09-podcast\/","title":{"rendered":"Jazz Para Ti #56 (14 de enero de 2020). JPT.T3.09 [Podcast]"},"content":{"rendered":"<p>Por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-45975 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Comando-Radar_Comando-Radar-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Comando-Radar_Comando-Radar-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Comando-Radar_Comando-Radar-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Comando-Radar_Comando-Radar-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Comando-Radar_Comando-Radar-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Comando-Radar_Comando-Radar.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46103 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Joel-Harrison_Still-Point-Turning-World_peq-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Joel-Harrison_Still-Point-Turning-World_peq-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Joel-Harrison_Still-Point-Turning-World_peq-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Joel-Harrison_Still-Point-Turning-World_peq-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Joel-Harrison_Still-Point-Turning-World_peq-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Joel-Harrison_Still-Point-Turning-World_peq.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46092 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JC-Sanford-Quartet_Keratoconus.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46218 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tomeka-Reid-Quartet_Old-New_-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tomeka-Reid-Quartet_Old-New_-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tomeka-Reid-Quartet_Old-New_-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tomeka-Reid-Quartet_Old-New_-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tomeka-Reid-Quartet_Old-New_-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Tomeka-Reid-Quartet_Old-New_.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46596 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mark-Doyle_Watching-The-Detectives-Guitar-Noir-III-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mark-Doyle_Watching-The-Detectives-Guitar-Noir-III-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mark-Doyle_Watching-The-Detectives-Guitar-Noir-III-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mark-Doyle_Watching-The-Detectives-Guitar-Noir-III-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mark-Doyle_Watching-The-Detectives-Guitar-Noir-III-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Mark-Doyle_Watching-The-Detectives-Guitar-Noir-III.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46302 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Albert-Carrique_Aortae.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46272 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/JoelMiller-Cover-1440px.jpg 1440w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46270\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Doug-MacDonald_CaliFourNia-Quartet-600x543.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Doug-MacDonald_CaliFourNia-Quartet-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Doug-MacDonald_CaliFourNia-Quartet-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46493 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Bill-Frisell_Harmony.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46401 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Akafree_El-vals-de-los-t\u00edteres-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Akafree_El-vals-de-los-t\u00edteres-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Akafree_El-vals-de-los-t\u00edteres-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Akafree_El-vals-de-los-t\u00edteres-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Akafree_El-vals-de-los-t\u00edteres-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Akafree_El-vals-de-los-t\u00edteres.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>En <strong>Jazz Para Ti<\/strong> del 14 de enero de 2020 suenan temas de los siguientes discos:<br \/>\n<strong>Comando Radar<\/strong>: <em>Comando Radar<\/em> (Autoeditado)<br \/>\n<strong>Joel Harrison<\/strong>: <em>Still Point: Turning World<\/em> (Whirlwind Recordings)<br \/>\n<strong>JC Sanford Quartet<\/strong>: <em>Keratoconus<\/em> (Shifting Paradigm Records)<br \/>\n<strong>Tomeka Reid Quartet<\/strong>: <em>Old New<\/em> (Cuneiform Records)<br \/>\n<strong>Mark Doyle<\/strong>: <em>Watching The Detectives. Guitar Noir III<\/em> (Free Will Records)<br \/>\n<strong>Albert Carrique<\/strong>: <em>Aortae<\/em> (Underpool)<br \/>\n<strong>Joel Miller<\/strong>: <em>Unstoppable<\/em> (Multiple Chord Music)<br \/>\n<strong>Doug MacDonald<\/strong>: <em>CaliFOURnia Quartet<\/em> (DMacMusic)<br \/>\n<strong>Bill Frisell<\/strong>: <em>Harmony<\/em> (Blue Note)<br \/>\n<strong>Akafree<\/strong>: <em>El vals de los t\u00edteres<\/em> (Vector Sounds)<br \/>\nEsc\u00fachalo en directo todos los martes de 20:00 a 21:00 en RCB, o cuando quieras y donde quieras desde iVoox o Tomajazz.<\/p>\n<p style=\"text-align: right;\">Direcci\u00f3n, producci\u00f3n y presentaci\u00f3n: \u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2019<\/p>\n<p><em>Jazz Para Ti<\/em> es un programa de radio producido, presentado y dirigido por <strong>Pachi Tapiz<\/strong>\u00a0que se emite los martes, de 20:00 a 21:00 en RCB.<\/p>\n<p><iframe id=\"audio_46493791\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_46493791_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><em>Jazz Para Ti<\/em>\u00a0se comenz\u00f3 a emitir el martes 13 de febrero de 2018, D\u00eda Internacional de la Radio.\u00a0Mail de contacto de\u00a0<em>Jazz Para Ti\u00a0<\/em>:\u00a0<a href=\"mailto:jazzparati@tomajazz.com\">jazzparati@tomajazz.com<\/a><\/p>\n<p>Todos los programas de Jazz Para Ti est\u00e1n disponibles en formato podcast <a href=\"https:\/\/tomajazz.com\/web\/?cat=20911\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=20911<\/a> y en <a href=\"https:\/\/www.ivoox.com\/jazz-para-ti-los-programas_bk_list_405081_1.html\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">https:\/\/www.ivoox.com\/jazz-para-ti-los-programas_bk_list_405081_1.html<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Disponible una nueva entrega, la n\u00famero 56, del programa de radio Jazz Para Ti de Pachi Tapiz. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazz-para-ti-56-14-de-febrero-de-2020-jpt-t3-09-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":48706,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12814,17847,20911,15518,1038],"tags":[6684,15620,1470,1487,23594,5476,23614,23610,24273,20914,23622,23629,24274,23764,24275,31,19663,23675,11344,14221,9907],"class_list":["entry","author-pachi","has-excerpt","post-48705","post","type-post","status-publish","format-standard","has-post-thumbnail","category-podcast","category-pachi-tapiz","category-jazz_para_ti","category-sonidos","category-contenidos","tag-akafree","tag-albert-carrique","tag-bill-frisell","tag-blue-note","tag-comando-radar","tag-cuneiform-records","tag-dmacmusic","tag-doug-macdonald","tag-free-will-records","tag-jazz-para-ti","tag-jc-sanford-quartet","tag-joel-harrison","tag-joel-miller","tag-mark-doyle","tag-multiple-chord-music","tag-pachi-tapiz","tag-shifting-paradigm-records","tag-tomeka-reid-quartet","tag-underpool","tag-vector-sounds","tag-whirlwind-recordings"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzParaTi_56.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102716,"url":"https:\/\/tomajazz.com\/web\/satoko-fujii-quartet-burning-wick-2025\/","url_meta":{"origin":48705,"position":0},"title":"Satoko Fujii Quartet: Burning Wick (Libra Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 diciembre, 2025","format":false,"excerpt":"Burning Wick (Libra Records; 2025) es lo nuevo de Satoko Fujii Quartet. Pachi Tapiz repasa la grabaci\u00f3n. Con Satoko Fujii, Natsuki Tamura, Hayakawa Takeharu, Tatsuya Yoshida","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Satoko Fujii Quartet: Burning Wick (Libra Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Burning Wick (Libra Records; 2025) es lo nuevo de Satoko Fujii Quartet. Pachi Tapiz repasa la grabaci\u00f3n. Con Satoko Fujii, Natsuki Tamura, Hayakawa Takeharu, Tatsuya Yoshida","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Satoko-Fujii-Quartet-Burning-Wick-Libra-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Satoko-Fujii-Quartet-Burning-Wick-Libra-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Satoko-Fujii-Quartet-Burning-Wick-Libra-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Satoko-Fujii-Quartet-Burning-Wick-Libra-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100840,"url":"https:\/\/tomajazz.com\/web\/dave-rempis-jason-adasiewicz-chris-corsano-dial-up-2025\/","url_meta":{"origin":48705,"position":1},"title":"Dave Rempis &#8211; Jason Adasiewicz &#8211; Chris Corsano: Dial Up (Aerophonic Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"26 octubre, 2025","format":false,"excerpt":"Dial Up (Aerophonic Records; 2025) es la nueva grabaci\u00f3n de Dave Rempis - Jason Adasiewicz - Chris Corsano. Pachi Tapiz la repasa","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Dave Rempis - Jason Adasiewicz - Chris Corsano: Dial Up (Aerophonic Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Dial Up (Aerophonic Records; 2025) es la nueva grabaci\u00f3n de Dave Rempis - Jason Adasiewicz - Chris Corsano: Por Pachi Tapiz [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Rempis-Jason-Adasiewicz-Chris-Corsano-Dial-Up-Aerophonic-Records-2025-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Rempis-Jason-Adasiewicz-Chris-Corsano-Dial-Up-Aerophonic-Records-2025-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Rempis-Jason-Adasiewicz-Chris-Corsano-Dial-Up-Aerophonic-Records-2025-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Rempis-Jason-Adasiewicz-Chris-Corsano-Dial-Up-Aerophonic-Records-2025-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102719,"url":"https:\/\/tomajazz.com\/web\/silvia-bolognesi-eric-mingus-is-that-jazz-2025\/","url_meta":{"origin":48705,"position":2},"title":"Silvia Bolognesi &#038; Eric Mingus: Is That Jazz? (Fonterossa Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 diciembre, 2025","format":false,"excerpt":"Is That Jazz? (Fonterossa Records; 2025) es el homenaje a Gil Scott-Heron realizado por Silvia Bolognesi y Eric Mingus. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Silvia Bolognesi & Eric Mingus: Is That Jazz? (Fonterossa Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Is That Jazz? (Fonterossa Records; 2025) es el homenaje aPor Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100717,"url":"https:\/\/tomajazz.com\/web\/entrevista-ruben-reinaldo-a-proposito-de-fusion-olivica-2025\/","url_meta":{"origin":48705,"position":3},"title":"Pr\u00f3ximamente&#8230; Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","rel":"","context":"En \u00abEntrevistas...\u00bb","block_context":{"text":"Entrevistas...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/entrevistas-criticas\/"},"img":{"alt_text":"Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz] - Tomajazz - El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. 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Pachi Tapiz repasa la grabaci\u00f3n. Con Luis Pardellans, Jordi Gaspar, Enrique Heredia","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Luis Pardellans Trio: Back Again (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Back Again (Fresh Sound Records; 2025) es lo nuevo de Luis Pardellans Trio. Pachi Tapiz repasa la grabaci\u00f3n. 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