{"id":48737,"date":"2020-01-27T18:00:08","date_gmt":"2020-01-27T17:00:08","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=48737"},"modified":"2020-02-02T14:15:44","modified_gmt":"2020-02-02T13:15:44","slug":"art-pepper-ii-jim-hall-i-la-odisea-de-la-musica-afroamericana-223-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/art-pepper-ii-jim-hall-i-la-odisea-de-la-musica-afroamericana-223-podcast\/","title":{"rendered":"Art Pepper (II) &#8211; Jim Hall (I). La Odisea de la M\u00fasica Afroamericana (223) [Podcast]"},"content":{"rendered":"<p>Por <strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a> y <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">El cap\u00edtulo 223 de <em>La Odisea de la M\u00fasica Afroamericana <\/em>de\u00a0<strong>Luis Escalante Ozalla <\/strong>finaliza el repaso a la carrera de <strong>Art Pepper<\/strong>, y comienza con el de la figura del gran guitarrista <strong>Jim Hall<\/strong>.<\/p>\n<p><iframe id=\"audio_46956781\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_46956781_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9691\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona.jpg\" alt=\"\" width=\"600\" height=\"359\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-150x89.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-300x179.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-91x55.jpg 91w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: center;\">Fotograf\u00eda de Jim Hall por Joan Cort\u00e8s.<\/p>\n<p>En el programa 223 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abDaybreak\u00bb Meredith d\u00b4Ambrosio<\/li>\n<li style=\"text-align: justify;\">\u00abHe\u00b4s a rainy day\u00bb Art Pepper<\/li>\n<li style=\"text-align: justify;\">\u00abDesafinado\u00bb Art Pepper<\/li>\n<li style=\"text-align: justify;\">\u00abOl\u2019 man river\u00bb Art Pepper<\/li>\n<li style=\"text-align: justify;\">\u00abOver the rainbow\u00bb Art Pepper &amp; George Cables<\/li>\n<li style=\"text-align: justify;\">\u00abWinter moon\u00bb Art Pepper<\/li>\n<li style=\"text-align: justify;\">\u00abBemsha swing\u00bb Jim Hall<\/li>\n<li style=\"text-align: justify;\">\u00abO gato\u00bb Paul Desmond &amp; Jim Hall<\/li>\n<li style=\"text-align: justify;\">\u00abSamba da minha terra\u00bb Joao Gilberto<\/li>\n<\/ul>\n<p>Toda la informaci\u00f3n est\u00e1 disponible en <a href=\"https:\/\/tomajazz.com\/web\/?cat=13297\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/podcast-odisea-musica-afroamericana_sq_f1168944_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a>8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cap\u00edtulo 223 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla est\u00e1 dedicado al saxofonista Art Pepper y al guitarrista Jim Hall.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/art-pepper-ii-jim-hall-i-la-odisea-de-la-musica-afroamericana-223-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9692,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[9529,24277,479,979,1041,19755,12817,12816,20576,8414,23815],"class_list":["entry","author-pachi","has-excerpt","post-48737","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-art-pepper","tag-art-pepper-george-cables","tag-george-cables","tag-jim-hall","tag-joan-cortes","tag-joao-gilberto","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante-ozalla","tag-meredith-dambrosio","tag-paul-desmond","tag-paul-desmond-jim-hall"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-recorte.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":46858,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xii-paul-desmond-la-odisea-de-la-musica-afroamericana-212-podcast\/","url_meta":{"origin":48737,"position":0},"title":"Cool Jazz (XII): Paul Desmond (I). La Odisea de la M\u00fasica Afroamericana (212) [Podcast]","author":"Tomajazz","date":"4 noviembre, 2019","format":false,"excerpt":"Luis Escalante Ozalla dedica el programa 212 de La Odisea de la M\u00fasica Afroamericana al saxofonista Paul Desmond.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Paul-Desmond-Gerry-Mulligan_Two-Of-A-Mind_RCA-Victor_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48579,"url":"https:\/\/tomajazz.com\/web\/bill-evans-iv-art-pepper-la-odisea-de-la-musica-afroamericana-222-podcast\/","url_meta":{"origin":48737,"position":1},"title":"Bill Evans (IV) &#8211; Art Pepper (I). La Odisea de la M\u00fasica Afroamericana (222) [Podcast]","author":"Tomajazz","date":"20 enero, 2020","format":false,"excerpt":"La entrega 222 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla est\u00e1 dedicada a Bill Evans y Art Pepper.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/Art-Pepper_Meets-The-Rhythm-Section.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/Art-Pepper_Meets-The-Rhythm-Section.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/Art-Pepper_Meets-The-Rhythm-Section.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/Art-Pepper_Meets-The-Rhythm-Section.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/Art-Pepper_Meets-The-Rhythm-Section.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":50864,"url":"https:\/\/tomajazz.com\/web\/donald-byrd-ii-la-odisea-de-la-musica-afroamericana-242-podcast-de-jazz\/","url_meta":{"origin":48737,"position":2},"title":"Donald Byrd (II). La Odisea de la M\u00fasica Afroamericana (242) [Podcast de Jazz]","author":"Tomajazz","date":"15 junio, 2020","format":false,"excerpt":"Donald Byrd es el protagonista central de la entrega 242 de La M\u00fasica Afroamericana, el programa de radio de Luis Escalante Ozalla.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Donald-Byrd-in-Off-to-the-races.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":47069,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xiii-paul-desmond-y-ii-shorty-rogers-la-odisea-de-la-musica-afroamericana-213-podcast\/","url_meta":{"origin":48737,"position":3},"title":"Cool Jazz (XIII): Paul Desmond (y II) &#8211; Shorty Rogers (I). La Odisea de la M\u00fasica Afroamericana (213) [Podcast]","author":"Tomajazz","date":"11 noviembre, 2019","format":false,"excerpt":"Contin\u00faa el repaso de Luis Escalante Ozalla en La Odisea de la M\u00fasica Afroamericana del movimiento Cool Jazz. Los protagonistas del programa de la semana del 11 de noviembre son Paul Desmond y Shorty Rogers.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/Shorty-Rogers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48885,"url":"https:\/\/tomajazz.com\/web\/jim-hall-ii-la-odisea-de-la-musica-afroamericana-224-podcast\/","url_meta":{"origin":48737,"position":4},"title":"Jim Hall (II). 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La Odisea de la M\u00fasica Afroamericana (243) [Podcast de Jazz]","author":"Tomajazz","date":"23 junio, 2020","format":false,"excerpt":"Los trompetistas Donald Byrd y Lee Morgan son los protagonistas del cap\u00edtulo 243 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"The Sidewinder Lee Morgan (Blue Note, 1964)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/48737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=48737"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/48737\/revisions"}],"predecessor-version":[{"id":48741,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/48737\/revisions\/48741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9692"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=48737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=48737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=48737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}