{"id":49642,"date":"2020-03-13T13:00:04","date_gmt":"2020-03-13T12:00:04","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=49642"},"modified":"2020-03-12T22:44:02","modified_gmt":"2020-03-12T21:44:02","slug":"alfonso-calvo-septet-monday-mood-tinymoon-records-2019-reed-digital-grabacion","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/alfonso-calvo-septet-monday-mood-tinymoon-records-2019-reed-digital-grabacion\/","title":{"rendered":"Alfonso Calvo Septet: Monday Mood (TinyMoon Records 2019-reed.digital) [Grabaci\u00f3n]"},"content":{"rendered":"<p>Por\u00a0<strong>Enrique Farelo<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-49643 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood-200x181.jpg\" alt=\"\" width=\"200\" height=\"181\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood-200x181.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood-600x544.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood-768x696.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood-61x55.jpg 61w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El septeto cuenta con Pablo Casta\u00f1o a los saxof\u00f3n alto y soprano, Diego Alonso al saxo tenor, Xabier Pereiro GdJazz, trompeta y fiscorno, Luis Miranda, tromb\u00f3n, Iago Mourinho, piano, Miguel Cabana, percusi\u00f3n y Alfonso Calvo, contrabajo, composici\u00f3n y arreglos; adem\u00e1s\u00a0 de contar con la colaboraci\u00f3n de Ton Risco, Pablo Pascual, Paola Kianda, Mois\u00e9s Fern\u00e1ndez e Isa\u00edas Salazar.<\/p>\n<p><em>Monday Mood<\/em> es el segundo disco como l\u00edder de Alfonso Calvo (el primero fue <a href=\"https:\/\/tomajazz.com\/web\/?p=23739\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Sea Ahead<\/em><\/a> Free Code, 2016), conformado por seis temas obra del bajista gallego a excepci\u00f3n de \u00abInfant Eyes\u00bb de Wayne Shorter.<\/p>\n<p>En cuanto a los instrumentistas repiten Pablo Casta\u00f1o, Iago Mouri\u00f1o y Ton Risco (como invitado) con respecto a <em>Sea Ahead.<\/em><\/p>\n<p>Las seis piezas de <em>Monday Mood<\/em> son abrigadas por la tradici\u00f3n y abrazadas con naturalidad por la modernidad.<\/p>\n<p>Un \u00e1lbum caracterizado por un sonido <em>cool<\/em>, apacible y aterciopelado y unos arreglos acertados de <em>hardbop<\/em> a modo de peque\u00f1a orquesta que enganchan con facilidad con el oyente.<\/p>\n<p>Desde el inicio canciones como \u201cAgain Never\u201d pueden presumir de elegancia y buen hacer con intervenciones democr\u00e1ticas de los diferentes instrumentistas.<\/p>\n<p>No se pierde la perspectiva <em>swinguante<\/em> en ning\u00fan momento mostr\u00e1ndose con rotundidad en \u201cDilemma&#8217;s walk\u201d o en la colorista \u201cMary-go-round\u201d, sobre todo por la intervenci\u00f3n del vibr\u00e1fono de Ton Risco y el saxo alto de Pablo Casta\u00f1o que suenan de maravilla.<\/p>\n<p>\u201cMonday mood\u201d es la pieza que da t\u00edtulo al disco y la m\u00e1s larga en duraci\u00f3n, rememora a artistas de la talla del Freddie Hubbard de la d\u00e9cada de los sesenta del pasado siglo. Algo parecido acontece en la brillante \u201cBird crossing\u201d.<\/p>\n<p>\u00abInfant Eyes\u00bb es de Wayne Shorter y Pablo Casta\u00f1o le emula con soltura y eficiencia al saxo soprano, adem\u00e1s Ton Risco destila esencias del mejor perfume.<\/p>\n<p style=\"text-align: right;\">\u00a9 <strong>Enrique Farelo<\/strong>, 2020<\/p>\n<p>Alfonso Calvo Septet: <em>Monday Mood<\/em> (TinyMoon Records 2019-reed.digital)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrique Farelo revisa Monday Mood (TinyMoon Records 2019-reed.digital) de Alfonso Calvo Septet.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/alfonso-calvo-septet-monday-mood-tinymoon-records-2019-reed-digital-grabacion\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":49643,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17848,5,15517,1038],"tags":[12121,24456,304,24458,24461,6065,6326,24460,6066,11300,24459,20885,6714,24457],"class_list":["entry","author-pachi","has-excerpt","post-49642","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-alfonso-calvo","tag-diego-alonso","tag-enrique-farelo","tag-iago-mourinho","tag-isaias-salazar","tag-luis-miranda","tag-miguel-cabana","tag-moises-fernandez","tag-pablo-castano","tag-pablo-pascual","tag-paola-kianda","tag-tinymoon-records","tag-ton-risco","tag-xavier-pereiro-gdjazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/Alfonso-Calvo-Septet_Monday-Mood.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/49642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=49642"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/49642\/revisions"}],"predecessor-version":[{"id":49644,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/49642\/revisions\/49644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/49643"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=49642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=49642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=49642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}